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I remember you well in the Chelsea Hotel 00:01
You were talkin' so brave and so sweet 00:08
Givin' me head on the unmade bed 00:13
While the limousines wait in the street 00:20
Those were the reason an' that was New York 00:25
We were runnin' for the money and the flesh 00:31
And that was called love for the workers in song 00:35
Probably still is for those of them left 00:41
Ah, but you got away, didn't you, baby? 00:46
You just turned your back on the crowd 00:52
You got away, I never once heard you say 00:57
I need you, I don't need you 01:02
I need you, I don't need you 01:07
And all of that jiving around 01:12
I remember you well in Chelsea Hotel 01:21
You were famous, your heart was a legend 01:27
You told me again you preferred handsome men 01:32
But for me you would make an exception 01:37
And clenching your fist for the ones like us 01:42
Who are oppressed by the figures of beauty 01:48
You fixed yourself, you said: Well, never mind 01:53
We are ugly but we have the music 01:59
And you got away, didn't you, baby? 02:03
You just turned your back on the crowd 02:08
You got away, I never once heard you say 02:14
I need you, I don't need you 02:19
I need you, I don't need you 02:25
And all of that jiving around 02:30
I don't mean to suggest that I loved you the best 02:39
I can't keep track of each fallen robin 02:44
I remember you well in Chelsea Hotel 02:49
That's all, I don't even think of you that often 02:54
02:58

Chelsea Hotel #2 – English Lyrics

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By
Leonard Cohen
Album
New Skin for the Old Ceremony
Viewed
467,990
Language
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Lyrics & Translation

Dive into the poetic world of Leonard Cohen's "Chelsea Hotel #2" and discover the depth of its English lyrics. This song offers a raw and vulnerable glimpse into a fleeting romantic connection, set against the backdrop of New York's iconic artistic hub. Its evocative language, rich with metaphor and honest reflection, provides a unique opportunity to appreciate Cohen's masterful songwriting and explore themes of love, memory, and artistic life in English.

[English]
I remember you well in the Chelsea Hotel
You were talkin' so brave and so sweet
Givin' me head on the unmade bed
While the limousines wait in the street
Those were the reason an' that was New York
We were runnin' for the money and the flesh
And that was called love for the workers in song
Probably still is for those of them left
Ah, but you got away, didn't you, baby?
You just turned your back on the crowd
You got away, I never once heard you say
I need you, I don't need you
I need you, I don't need you
And all of that jiving around
I remember you well in Chelsea Hotel
You were famous, your heart was a legend
You told me again you preferred handsome men
But for me you would make an exception
And clenching your fist for the ones like us
Who are oppressed by the figures of beauty
You fixed yourself, you said: Well, never mind
We are ugly but we have the music
And you got away, didn't you, baby?
You just turned your back on the crowd
You got away, I never once heard you say
I need you, I don't need you
I need you, I don't need you
And all of that jiving around
I don't mean to suggest that I loved you the best
I can't keep track of each fallen robin
I remember you well in Chelsea Hotel
That's all, I don't even think of you that often
...

Key Vocabulary

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Vocabulary Meanings

remember

/rɪˈmɛmbər/

A2
  • verb
  • - to recall or think of something from the past

brave

/breɪv/

A2
  • adjective
  • - courageous or fearless

sweet

/swiːt/

A1
  • adjective
  • - pleasantly kind or gentle

head

/hɛd/

B2
  • noun
  • - slang for oral sex

unmade

/ʌnˈmeɪd/

B2
  • adjective
  • - not tidied or arranged (e.g., a bed)

limousines

/ˈlɪməziːnz/

C1
  • noun
  • - luxury cars with a chauffeur

runnin'

/ˈrʌnɪŋ/

A1
  • verb
  • - pursuing or seeking something urgently

money

/ˈmʌni/

A1
  • noun
  • - currency or wealth

flesh

/flɛʃ/

B2
  • noun
  • - physical desires or human body

love

/lʌv/

A1
  • noun
  • - deep affection or passion
  • verb
  • - to feel deep affection for someone

song

/sɔːŋ/

A1
  • noun
  • - musical composition with lyrics

need

/niːd/

A1
  • verb
  • - to require something essential

famous

/ˈfeɪməs/

A2
  • adjective
  • - widely known or celebrated

handsome

/ˈhænsəm/

B1
  • adjective
  • - physically attractive (typically for men)

exception

/ɪkˈsɛpʃən/

B2
  • noun
  • - a case not following the general rule

clenching

/ˈklɛntʃɪŋ/

C1
  • verb
  • - tightly gripping or closing (e.g., a fist)

oppressed

/əˈprɛst/

C1
  • adjective
  • - subjected to unjust treatment or control

ugly

/ˈʌɡli/

A2
  • adjective
  • - unattractive or unpleasant in appearance

music

/ˈmjuːzɪk/

A1
  • noun
  • - art form of sound and rhythm

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Key Grammar Structures

  • I remember you well in the Chelsea Hotel

    ➔ Present Perfect Tense

    ➔ The phrase "I remember" uses the present perfect tense to indicate an action that began in the past and is relevant to the present.

  • You were talkin' so brave and so sweet

    ➔ Past Continuous Tense

    ➔ The phrase "were talkin'" uses the past continuous tense to describe an ongoing action in the past.

  • While the limousines wait in the street

    ➔ Subordinate Clause with 'While'

    ➔ The word "while" introduces a subordinate clause that contrasts with the main clause, indicating simultaneous actions.

  • You got away, didn't you, baby?

    ➔ Tag Question

    ➔ The phrase "didn't you" is a tag question added to the statement to seek confirmation or agreement.

  • We are ugly but we have the music

    ➔ Conjunction 'but' for Contrast

    ➔ The conjunction "but" is used to contrast two ideas: being ugly and having music.

  • I don't mean to suggest that I loved you the best

    ➔ Infinitive of Purpose

    ➔ The phrase "to suggest" is used with the infinitive to indicate purpose or intention.

  • That's all, I don't even think of you that often

    ➔ Present Simple Tense in Contrast

    ➔ The present simple tense in "I don't even think" contrasts with the past actions mentioned earlier.