Lyrics & Translation
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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labanta /laˈbantɐ/ B1 |
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t'ama /t‿ˈamɐ/ A2 |
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k'raçon /kɾaˈsõ/ A2 |
|
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faze /ˈfaʒɨ/ A2 |
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promésa /pɾoˈmezɐ/ A2 |
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kunpri /kuŋˈpɾi/ B1 |
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fraku /ˈfɾaku/ B1 |
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sensível /sẽˈsivɛl/ B1 |
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inka /ˈiŋka/ B1 |
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fika /ˈfikɐ/ A2 |
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konsola /kõˈsolɐ/ B1 |
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medu /ˈmedu/ A2 |
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torna /ˈtoɾnɐ/ A2 |
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kai /ˈkai/ A2 |
|
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larga /ˈlaɾgɐ/ A2 |
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Key Grammar Structures
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Ka bu fla-m ma bu t'ama-m
➔ Negation with 'ka' and pronominal object suffixes
➔ The word ""ka"" functions as negation (similar to 'not'), and suffixes like "-m" indicate object pronouns (e.g., 'me'), showing Creole's agglutinative structure for 'don't talk to me, you love me'.
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Si bu ka t'ama-m, o
➔ Conditional mood with 'si' and negation
➔ ""Si"" introduces a conditional clause (like 'if'), combined with ""ka"" negation, forming 'if you don't leave me, oh' in Creole, indicating hypothesis or uncertainty.
-
Ma na fin pa bu larga-m, o
➔ Future tense with 'na fin' and pronominal objects
➔ ""Na fin"" indicates future action (from 'haven't finished to'), with pronominal suffixes like "-m" for 'me', meaning 'until you let me go, oh', showing Creole's aspectual future.
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Ka bu faze promésa k'u ka podi kunpri
➔ Negation and relative clauses with 'k'u'
➔ ""Ka"" negates, and ""k'u"" (from 'que eu') introduces a relative clause, as in 'don't make promises that I can't fulfill', using subordination in Creole.
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N'ten um k'raçon fraku dimás
➔ Possessive pronouns and intensifiers
➔ ""N'ten"" (I have) uses possessive form, and ""dimás"" intensifies 'weak', meaning 'I have a very weak heart', employing emphasis for adjectives.
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Si bu inka-m
➔ Hypothetical condition with 'si' and object pronouns
➔ ""Si"" sets a hypothetical scenario, with ""bu"" (you) as subject and "-m" for object 'me', as in 'if you forget me', illustrating Creole conditionals.
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N ka ten medu torna kai
➔ Negation with 'ka' and adverbs
➔ ""Ka"" negates the verb ""ten"" (have), and ""torna kai"" (again here) uses adverbs for repetition, meaning 'I don't have fear to come back here'.
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Si N kai N ta labanta
➔ Personal pronoun repetition and verb aspect
➔ ""N"" (I) is repeated for emphasis, and ""ta"" indicates continuous aspect for ""labanta"" (stand up), meaning 'if I go, I will rise up'.
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Oh, so nga na t'kai
➔ Exclamatory phrases and locative adverbs
➔ ""Oh"" is an exclamation, and ""t'kai"" (here) uses locative to emphasize place, as in 'oh, only we to here', adding emotional intensity.
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