Lyrics & Translation
Explore the unfiltered emotions of love with ROSÉ's "Messy," a cinematic pop ballad that embraces the beauty in imperfection. Dive into the raw lyrics and discover how this song captures the chaotic nature of true connection, offering a unique perspective on love and vulnerability.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
|
tangled /ˈtæŋɡəld/ B2 |
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breathe /briːð/ A2 |
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drowning /ˈdraʊnɪŋ/ B1 |
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reach /riːtʃ/ A2 |
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messy /ˈmesi/ B1 |
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undone /ʌnˈdʌn/ B2 |
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obsessed /əbˈsest/ B2 |
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|
replica /ˈreplɪkə/ B2 |
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|
complicated /ˈkɒmplɪkeɪtɪd/ B1 |
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hell /hel/ B1 |
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worst /wɜːst/ A2 |
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|
screaming /ˈskriːmɪŋ/ B1 |
|
|
hurt /hɜːt/ A2 |
|
|
burn /bɜːn/ A2 |
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pulling /ˈpʊlɪŋ/ A1 |
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chance /tʃæns/ A2 |
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hearts /hɑːts/ A1 |
|
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Key Grammar Structures
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You and I are tangled as these sheets
➔ Comparative structure with "as...as"
➔ Uses the "as...as" construction to compare the tangled state of "You and I" to "these sheets". This shows a similarity in their state of being tangled.
-
I'm alive, but I can barely breathe
➔ Contrastive conjunction "but" with adverb of degree "barely"
➔ "but" introduces a contrast between being "alive" and being able to "barely breathe", highlighting a struggle or difficulty despite being alive. "Barely" emphasizes the minimal extent of the breathing.
-
If I reach for something I can't keep
➔ Conditional clause with "if" and relative clause with "that/which" omitted.
➔ This sentence uses a conditional clause starting with "If". The relative clause "that/which I can't keep" is implied after "something" modifying it. The implied "that/which" is often omitted in spoken English.
-
Let's get messy, let's get all the way undone
➔ Imperative mood with "let's" + phrasal verb "get undone"
➔ "Let's" is a contraction of "let us", used to make a suggestion or give a command including the speaker. "Get undone" is a phrasal verb meaning to become unraveled, loosened, or emotionally vulnerable.
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Come over, undress me just like I've never been touched
➔ Imperative mood "Come over" + adverbial phrase "just like I've never been touched" (present perfect passive)
➔ "Come over" is a direct command. The phrase "just like I've never been touched" uses the present perfect passive voice to describe a hypothetical state of being untouched before. "Just like" emphasizes the comparison.
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When the party's over, and I'm screamin', "I hate it"
➔ Adverbial clause of time with "when" + gerund "screamin'"
➔ "When the party's over" establishes a time frame. "Screamin'" is a colloquial shortening of "screaming" and is used as a gerund indicating the simultaneous action happening at that time.
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You're pulling back, and I'm running for the door
➔ Parallel structure with present continuous tense connected by "and"
➔ The sentence utilizes parallel structure where both clauses are in the present continuous tense ("You're pulling back" and "I'm running for the door"). The conjunction "and" connects these two simultaneous actions.
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You're saying those words, and it just makes me want you more
➔ Causative "make" + object + infinitive without "to"
➔ The verb "make" is used in a causative construction. It indicates that "it" (referring to the words being said) is causing the speaker to "want you more". Notice there is no "to" before "want" after object.
Album: F1 The Album
Same Singer
APT.
ROSÉ, Bruno Mars
Toxic
ROSÉ
Messy
ROSÉ
On The Ground
ROSÉ
Gone
ROSÉ
number one girl
ROSÉ
La Liste
Rose
Call It Love
Chris Brown, Rosé
3am
ROSÉ
two years
ROSÉ
Too Good to Say Goodbye
Bruno Mars, ROSÉ
apt.
rosé, bruno mars
number one girl
rosé
Number One Girl
ROSÉ
Viva La Vida
Rosé
APT., toxic till the end
ROSÉ
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