Display Bilingual:

Hace diecisiete días que no sé nada de ti 00:00
Mi psicóloga me dijo que estás huyendo de mí 00:04
¿Dónde estás, que no respondes el phone? 00:08
Me dejaste alone, baby 00:11
¿Qué pasa? Te fuiste 00:15
Más te vale que sea porque te moriste 00:17
Ay, ¿cómo puede ser?, no me quiere ver 00:21
Me paré en la puerta de tu casa a esperarte ayer 00:24
Where are you? 00:28
Hasta las paredes me hablan de vos 00:30
Si hace tiempo que no hablo contigo 00:32
Y si me preguntan, yo finjo que no 00:33
Baby, es solo tu imaginación 00:35
Sigo pidiendo ramen para dos 00:37
Pero si nunca fuimos los do' 00:39
Pongo audios viejos pa escuchar tu voz (¿cómo?) 00:41
Desde el día en que te fuiste 00:43
Yo no sé por qué mierda no volviste 00:46
Sigo aferrada a algo que no existe 00:50
Pensar que me olvidaste es tan triste (tan triste) 00:53
Desde el día en que te fuiste (no, no, no, no, no) 00:58
Yo no sé por qué mierda no volviste (no, no, no, no, no) 01:01
Sigo aferrada a algo que no existe 01:04
Pensar que me olvidaste es tan triste (oh, no, no) 01:08
Cómo quisiera que hablemos sin tener que gritar 01:14
Tiene' más imaginación que honestidad 01:18
Si me alejé solo fue por necesidad 01:22
No es pa mí esa intensidad 01:26
Es obsesión, no es amor, ahora el psicólogo es para los do' 01:29
Aseguras que me quieres como si me conocieras 01:33
Ojalá que alguien vea la situación 01:34
Entiéndelo, por favor 01:36
¿Cómo va a terminar algo que no empezó? 01:37
Estamo yendo de mal en peor y nadie me creyó 01:39
Todos piensan que el tonto y el malo soy yo 01:41
No sé qué hacer, salgo a correr, pero te veo en todos lado' 01:44
Como Pucca y Garu; estás loca como Helga, Hey, Arnold! 01:47
Hasta las paredes me hablan de vos 01:51
Vos no entendés que te necesito 01:53
Y si me preguntan yo digo que no 01:55
Sé que no es solo mi imaginación 01:56
Baby, entiende que estoy mejor alone 01:58
Ramen para dos 02:00
Así que te pido, no llames al phone (¿qué?) 02:02
Desde el día en que me fui sé (no, no, no) 02:04
Que iban a quedar las cicatrices (no, no) 02:07
Tuve que alejarme pa no herirte 02:11
Que sigamo hablando no nos sirve (let's go, sí) 02:15
Desde el día en que me fui sé (no, no, no) 02:19
Que iban a quedar las cicatrices 02:22
Tuve que alejarme pa no herirte (okay) 02:26
Que sigamo hablando no nos sirve 02:30
Lady, pa 02:35
Baby, I'm crazy y tú quieres una Miss Stacy 02:36
Yo ponía tus cancione en mi playlist 02:39
Y vos preferiste a la puta basic 02:41
Después de lo que hiciste conmigo 02:43
Quererte no tiene sentido 02:44
Hey, wait!, qué ganas de pegarte un tiro 02:46
Y de paso morirme contigo, fuck them 02:48
Y no sé por qué mierda no volviste 02:52
No, no, no, no, no, no, no, no 02:55
Que sigamo hablando no nos sirve 02:59
Desde el día en que te fuiste (te fuiste) 03:03
Yo no sé por qué mierda no volviste (no volviste) 03:06
Sigo aferrada a algo que no existe 03:10
Pensar que me olvidaste es tan triste (tan triste) 03:14
Desde el día en que me fui sé (no, no, no, no) 03:18
Que iban a quedar las cicatrices (no, no, no, no) 03:21
Tuve que alejarme pa no herirte (algo que no existe) 03:25
Que sigamo hablando no nos sirve (So fucking sad) 03:29
Ey, ey (yeah, yeah, yeah) 03:35
Leones con Flow (yeah, yeah, yeah) 03:37
Paulo Londra (yeah, yeah, yeah) 03:40
Y La Nena de Argentina (yeah, yeah, yeah) 03:43
Dímelo, XROSS 03:46
Dos, dos, tres 03:47
03:49

RAMEN PARA DOS – Bilingual Lyrics Spanish/English

💡 "RAMEN PARA DOS" is packed with cool phrases waiting for you in the app!
By
Maria Becerra, Paulo Londra
Viewed
5,585,409
Language
Learn this song

Lyrics & Translation

Dive into the emotional depth of "RAMEN PARA DOS" by Maria Becerra and Paulo Londra, a poignant Latin R&B and trap ballad. Through its raw and honest lyrics, you can explore expressions of longing, heartbreak, and the complexities of unreciprocated feelings in Spanish. This song offers a unique opportunity to learn conversational Spanish related to relationships and emotions, showcasing the collaborative power of two of Argentina's biggest musical talents. Its viral origin and dual narrative make it a compelling piece to understand Argentine youth culture and modern Spanish language use.

[English]
It's been seventeen days since I've heard from you
My psychologist told me that you're running away from me
Where are you, why aren't you answering the phone?
You left me alone, baby
What's going on? You left
You better have died
Oh, how can this be?, she doesn't want to see me
I stood at your door to wait for you yesterday
Where are you?
Even the walls are talking to me about you
It's been a while since I've spoken to you
And if they ask me, I pretend not to
Baby, it's just your imagination
I keep ordering ramen for two
But we were never "the two"
I put on old audios to listen to your voice (how?)
Since the day you left
I don't know why the hell you didn't come back
I'm still clinging to something that doesn't exist
To think you forgot about me is so sad (so sad)
Since the day you left (no, no, no, no, no)
I don't know why the hell you didn't come back (no, no, no, no, no)
I'm still clinging to something that doesn't exist
To think you forgot about me is so sad (oh, no, no)
How I wish we could talk without having to shout
You have more imagination than honesty
If I left, it was only out of necessity
That intensity isn't for me
It's obsession, it's not love, now the psychologist is for the two of us
You assure me that you love me as if you knew me
I wish someone would see the situation
Understand it, please
How is something that never started going to end?
We're going from bad to worse and no one believed me
Everyone thinks that I'm the fool and the bad guy
I don't know what to do, I go for a run, but I see you everywhere
Like Pucca and Garu; you're crazy like Helga, Hey, Arnold!
Even the walls are talking to me about you
You don't understand that I need you
And if they ask me, I say no
I know it's not just my imagination
Baby, understand that I'm better alone
Ramen for two
So I ask you, don't call the phone (what?)
Since the day I left, I know (no, no, no)
That the scars were going to remain (no, no)
I had to leave to not hurt you
That we keep talking isn't helping us (let's go, yes)
Since the day I left, I know (no, no, no)
That the scars were going to remain
I had to leave to not hurt you (okay)
That we keep talking isn't helping us
Lady, pa
Baby, I'm crazy and you want a Miss Stacy
I used to put your songs on my playlist
And you preferred the basic bitch
After what you did to me
Loving you makes no sense
Hey, wait!, I feel like shooting you
And also dying with you, fuck them
And I don't know why the hell you didn't come back
No, no, no, no, no, no, no, no
That we keep talking isn't helping us
Since the day you left (you left)
I don't know why the hell you didn't come back (didn't come back)
I'm still clinging to something that doesn't exist
To think you forgot about me is so sad (so sad)
Since the day I left, I know (no, no, no, no)
That the scars were going to remain (no, no, no, no)
I had to leave to not hurt you (something that doesn't exist)
That we keep talking isn't helping us (So fucking sad)
Ey, ey (yeah, yeah, yeah)
Leones con Flow (yeah, yeah, yeah)
Paulo Londra (yeah, yeah, yeah)
And La Nena de Argentina (yeah, yeah, yeah)
Tell me, XROSS
Two, two, three
...
[Spanish] Show

Key Vocabulary

Start Practicing
Vocabulary Meanings

psicóloga

/siˈkoloɣa/

B1
  • noun
  • - psychologist (female)

huyendo

/uˈyendo/

B2
  • verb
  • - fleeing, running away

phone

/foʊn/

A1
  • noun
  • - telephone

moriste

/moˈɾiste/

B1
  • verb
  • - died

puerta

/ˈpweɾta/

A1
  • noun
  • - door

paredes

/paˈɾedes/

A2
  • noun
  • - walls

ramen

/ˈɾamen/

A1
  • noun
  • - ramen

audios

/ˈawðjos/

A2
  • noun
  • - audios

voz

/bos/

A1
  • noun
  • - voice

aferrada

/afeˈraða/

B2
  • adjective
  • - clinging, attached

olvidaste

/olbiˈðaste/

B1
  • verb
  • - forgot

gritar

/ɡɾiˈtaɾ/

A2
  • verb
  • - to shout, to scream

honestidad

/onesˈtiðað/

B2
  • noun
  • - honesty

necesidad

/nesesiˈðað/

B2
  • noun
  • - necessity, need

obsesión

/obseˈsjon/

B2
  • noun
  • - obsession

cicatrices

/θikaˈtɾises/

B2
  • noun
  • - scars

herirte

/eɾˈirte/

B2
  • verb
  • - to hurt you

canciones

/kanˈθjones/

A2
  • noun
  • - songs

sentido

/senˈtido/

B1
  • noun
  • - sense, meaning

Do you remember what “psicóloga” or “huyendo” means in "RAMEN PARA DOS"?

Hop into the app to practice now – quizzes, flashcards, and native-like pronunciation are waiting!

Key Grammar Structures

  • Hace diecisiete días que no sé nada de ti

    ➔ Present Perfect

    ➔ The phrase uses the present perfect to indicate an action that started in the past and continues to the present, emphasizing the duration of 17 days.

  • Me dejaste alone, baby

    ➔ Past Simple + Code-Switching

    ➔ The past simple 'dejaste' is used to describe a completed action, while 'alone' is an English word inserted into the Spanish sentence, showcasing code-switching.

  • Sigo pidiendo ramen para dos

    ➔ Present Continuous

    ➔ The present continuous 'sigo pidiendo' highlights an action that is ongoing, emphasizing the habit of ordering ramen for two.

  • Desde el día en que te fuiste

    ➔ Prepositional Phrase with Past Simple

    ➔ The prepositional phrase 'desde el día en que' introduces a starting point in the past, followed by the past simple 'fuiste' to describe a completed action.

  • Que sigamo hablando no nos sirve

    ➔ Subjunctive Mood

    ➔ The subjunctive mood 'que sigamo' is used to express a wish or suggestion, indicating that continuing to talk is not helpful.

  • Baby, entiende que estoy mejor alone

    ➔ Imperative Mood + Code-Switching

    ➔ The imperative mood 'entiende' is a direct command, while 'alone' is an English word inserted into the Spanish sentence, showcasing code-switching.

  • Tuve que alejarme pa no herirte

    ➔ Past Perfect

    ➔ The past perfect 'tuve que alejarme' indicates an action that occurred before another past action, emphasizing the reason for distancing.

  • Pensar que me olvidaste es tan triste

    ➔ Infinitive in Subjunctive Context

    ➔ The infinitive 'pensar' is used in a subjunctive context to express an emotion or opinion, highlighting the sadness of being forgotten.