Lyrics & Translation
Explore the passionate and extravagant world of "Chula Vente" by Luis R Conriquez, Neton Vega, and Fuerza Regida. This song offers a glimpse into contemporary Latin music and bold expressions of desire, making it a vibrant experience for language learners interested in modern Spanish slang and cultural themes.
Don't let them wait for you at your house because today you're staying with me
The cuckold is asleep
And if he asks you later, tell him I'm your friend
I'm coming for you in the 'Rari, smoking weed
I've got the route figured out
A penthouse in Cali, a full set of Cavalli
I've got your life all sorted out
Baby, come over because I really want to eat you up
In the front seat
Get on top of me, a few moments to get things heated up
Baby, come over because I really want to eat you up
In the front seat
Come on, take away this heat
I've got a lot of desire for you, girl, why am I lying?
I'm gonna take your dress off right here in the parking lot
So you can feel comfortable, I pushed the seat back
To give it to you hard until we run out of breath
I want to heal you, detonate you
Kiss you, make the bed squeak and take you to the moon
Oh, Amalia, throw me your sandal
She already knows there's no mistake here, here's your double, yeah, yeah
Baby, I really want to eat you because I seriously can't stand the desire
I want to lock myself away with you for the whole week
She already knows I don't fight over money with you
Tell your mom you're going to Punta Cana
I want to eat you because I seriously can't stand the desire
To lock myself away with you for the whole week
She already knows I don't fight over money with you
Tell your mom you're going to Punta Cana
Baby, come over because I really want to eat you up
In the front seat
Get on top of me, a few moments to get things heated up
Baby, come over because I really want to eat you up
In the front seat
Come on, take away this heat
Oh, mami, how good you look
With desire for everything and even turning you upside down
Please, take one off so I can imagine the other
She took them both off and wasn't so nervous
And what if we smoke marijuana?
We'll invite your sister, right?
Crazy, weekend, right?
How good you look without panties
She eats it without an excuse
You should see how I've enjoyed sex with you
Oh, how I love it when you eat it with kisses
When you eat it with kisses
Baby, come over because I really want to eat you up
In the front seat
Get on top of me, a few moments to get things heated up
Baby, come over because I really want to eat you up
In the front seat
Come on, take away this heat
All my cash is for you
I'm not giving you roses so you can be with me
I'll fly you in private to Las Vegas to the casino
I'm not going to give you Chinese-thread chains
Better something finer
YSL heels, FL diamonds
You'll make the TV models jealous
I'm not putting any limits on you, anything is possible here
Grab the one from the Indian and rasp it until it burns
Crazy, crazy
Torn from the hoodie, there's no one like you
A goddess
Who has her dude, the one who always supports her
Crazy, crazy
Torn from the hoodie, there’s no one like you
A goddess
Who has her dude, the one who always supports her
Baby, come over because I really want to eat you up
In the front seat
Get on top of me, a few moments to get things heated up
Baby, come over because I really want to eat you up
In the front seat
Come on, take away this heat
Key Vocabulary
Vocabulary | Meanings |
---|---|
efectivo /efekˈtiβo/ B1 |
|
quedar /keˈðaɾ/ A2 |
|
dormido /doɾˈmiðo/ A2 |
|
amigo /aˈmiɣo/ A1 |
|
mari /maˈɾi/ B1 |
|
penthouse /pentˈhaus/ B2 |
|
resuelto /resˈwelto/ B2 |
|
comer /koˈmeɾ/ A2 |
|
ganas /ˈɣanas/ B1 |
|
mentir /menˈtiɾ/ B1 |
|
gusto /ˈɣusto/ A2 |
|
detonar /detoˈnaɾ/ B2 |
|
sandalia /sanˈðalja/ A2 |
|
falla /ˈfaʎa/ B1 |
|
lana /ˈlana/ A2 |
|
rica /ˈrika/ A2 |
|
calzón /kalˈθon/ B1 |
|
disfrutar /disfɾuˈtaɾ/ B1 |
|
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Key Grammar Structures
-
Traigo un kilo en efectivo
➔ Present Tense - Habitual Action
➔ The use of 'Traigo' (I bring) in the present tense indicates a regular or ongoing action. It's not a one-time event.
-
Y si al rato te pregunta, dile que yo soy tu amigo
➔ Conditional Clause (Si...), Subjunctive Mood (dile)
➔ The 'Si' clause introduces a hypothetical situation. 'Dile' (tell him/her) is in the subjunctive mood, used for expressing doubt, possibility, or wishes.
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Voy por ti en la 'Rari, fumando la mari
➔ Present Continuous (Voy)
➔ 'Voy' (I go) in the present continuous indicates an action happening right now or around now. It emphasizes the ongoing nature of the journey.
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Te tengo la vida resuelta
➔ Present Tense - Future Implication
➔ While using the present tense ('tengo'), the phrase implies a future state of having your life resolved. It's a figurative use of the present to express a future outcome.
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Que te me montes, unos sentones pa lo caliente
➔ Informal Pronoun ('te me'), Colloquial Expression
➔ 'Te me' is an informal and colloquial construction. The phrase as a whole is a slang expression with a sexual connotation, meaning 'get on top' or 'be very intimate'.
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Pa que te sientas a gusto, hice pa atrás el asiento
➔ Subjunctive Mood (hice)
➔ The use of 'hice' (I did) in the subjunctive mood expresses a purpose or intention. It indicates that the action of moving the seat back was done *so that* you would feel comfortable.
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Avísale a tu mamá que te vas pa Punta Cana
➔ Imperative Mood (Avísale)
➔ 'Avísale' (Tell her) is in the imperative mood, giving a direct command or instruction. It's a forceful way of telling someone to inform the person's mother.
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Loca, loca, Tronada de la chompa, como tú ya no hay otra
➔ Repetition for Emphasis, Figurative Language
➔ The repetition of 'Loca, loca' emphasizes the speaker's admiration. 'Tronada de la chompa' is a figurative expression (slang) meaning something is outstanding or impressive. The phrase 'como tú ya no hay otra' means 'like you, there's no other' - a superlative compliment.