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Apunta, dispara 00:07
Yo pongo el pecho a la bala 00:09
Mi perra no ladra 00:11
Pero como muerde la almohada 00:13
Ah, tiene ese efecto 00:15
Ah, es tan perfecto 00:17
Ah, cómo lo hacemos 00:19
Ah, sucio y directo 00:21
Me la comía (¡chiquita!) 00:23
Siempre a escondidas 00:27
Es que esa nena está muy buena y me fascina 00:31
Ah-ah-ah-ah 00:35
Te quiero encima, nada encima 00:39
Solo el "Cinco" de Chanel 00:41
Ya rompimos la tarima 00:43
Luego el cuarto del hotel 00:45
Una noche enamoradas 00:47
Después nos volvimo' a ver 00:49
Ya le dimos la portada 00:51
Ahora dame de comer 00:53
Te quiero encima, nada encima 00:55
Solo el "Cinco" de Chanel 00:57
Ya rompimos la tarima 00:59
Luego el cuarto del hotel 01:01
Una noche enamoradas 01:03
Después nos volvimo' a ver 01:05
Ya le dimos la portada 01:07
Ahora dame de comer 01:09
Caña, caña, caña 01:11
La cosa se pone ruda 01:13
Está perreándome hasta abajo 01:15
Y de a poco me desnuda 01:17
Escándalo 01:19
Las dos somo' un escándalo 01:20
Todos están grabándonos 01:22
Me dice: "nena, vámonos, ya vámonos" 01:24
Me la comía (¡chiquita!) 01:27
Siempre a escondidas 01:31
Es que esa nena está muy buena y me fascina 01:35
Ah-ah-ah-ah 01:38
Te quiero encima, nada encima 01:43
Solo el "Cinco" de Chanel 01:45
Ya rompimos la tarima 01:47
Luego el cuarto del hotel 01:49
Una noche enamoradas 01:51
Después nos volvimo' a ver 01:53
Ya le dimos la portada 01:55
Ahora dame de comer 01:57
Te quiero encima, nada encima 01:59
Solo el "Cinco" de Chanel 02:01
Ya rompimos la tarima 02:03
Luego el cuarto del hotel 02:05
Una noche enamoradas 02:07
Después nos volvimo' a ver 02:09
Ya le dimos la portada 02:11
Ahora dame de comer 02:13
Encima, nada encima 02:15
Solo el "Cinco" de Chanel 02:17
Ya rompimos la tarima 02:19
Luego el cuarto del hotel, ah 02:21
Encima, nada encima 02:23
Solo el "Cinco" de Chanel 02:25
Ya rompimos la tarima 02:27
Luego el cuarto del hotel, ah 02:29
02:31

N5 – Bilingual Lyrics Spanish/English

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By
Lali
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Lyrics & Translation

Dive into Lali's 'N5' to not only enjoy its infectious pop, house, and flamenco rhythms but also to explore the nuances of Spanish, particularly as it captures the vibrant Madrilenian nightlife and personal narratives. The song's candid lyrics about a same-sex relationship, combined with its cultural references and Lali's unique vocal style, make it a compelling piece for language learners to connect with authentic contemporary Spanish expressions and themes of empowerment and desire.

[English]
Aim, shoot
I take the bullet
My girl doesn't bark
But how she bites the pillow
Ah, it has that effect
Ah, it's so perfect
Ah, how we do it
Ah, dirty and direct
I was all over her (little one!)
Always in secret
That girl is so hot and I’m fascinated
Ah-ah-ah-ah
I want you on top, nothing on top
Just the "Five" from Chanel
We already broke the stage
Then the hotel room
A night in love
Then we saw each other again
We already gave it the cover
Now feed me
I want you on top, nothing on top
Just the "Five" from Chanel
We already broke the stage
Then the hotel room
A night in love
Then we saw each other again
We already gave it the cover
Now feed me
Sugar, sugar, sugar
Things are getting rough
She’s grinding on me down low
And slowly undressing me
Scandal
We’re both a scandal
Everyone is recording us
She says: "Baby, let’s go, let’s go now"
I was all over her (little one!)
Always in secret
That girl is so hot and I’m fascinated
Ah-ah-ah-ah
I want you on top, nothing on top
Just the "Five" from Chanel
We already broke the stage
Then the hotel room
A night in love
Then we saw each other again
We already gave it the cover
Now feed me
I want you on top, nothing on top
Just the "Five" from Chanel
We already broke the stage
Then the hotel room
A night in love
Then we saw each other again
We already gave it the cover
Now feed me
On top, nothing on top
Just the "Five" from Chanel
We already broke the stage
Then the hotel room, ah
On top, nothing on top
Just the "Five" from Chanel
We already broke the stage
Then the hotel room, ah
...
[Spanish] Show

Key Vocabulary

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Vocabulary Meanings

apunta

/aˈpun.ta/

A2
  • verb
  • - to aim

dispara

/disˈpa.ɾa/

A2
  • verb
  • - to shoot

pecho

/ˈpe.tʃo/

A1
  • noun
  • - chest

bala

/ˈba.la/

A2
  • noun
  • - bullet

perra

/ˈpe.ra/

A2
  • noun
  • - female dog

muerde

/ˈmweɾ.ðe/

A2
  • verb
  • - to bite

perfecto

/peɾˈfek.to/

B1
  • adjective
  • - perfect

fascina

/fasˈsi.na/

B1
  • verb
  • - to fascinate

noche

/ˈno.tʃe/

A1
  • noun
  • - night

cuarto

/ˈkwaɾ.to/

A2
  • noun
  • - room

hotel

/oˈtel/

A1
  • noun
  • - hotel

comer

/koˈmeɾ/

A1
  • verb
  • - to eat

encima

/enˈsi.ma/

A2
  • adverb
  • - on top

escándalo

/esˈkan.da.lo/

B2
  • noun
  • - scandal

grabando

/ɡɾaˈβan.do/

B1
  • verb
  • - recording

rompimos

/romˈpi.mos/

B1
  • verb
  • - we broke

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Key Grammar Structures

  • Apunta, dispara

    ➔ Imperative mood

    ➔ These are commands. "Apunta" means "Aim" and "dispara" means "Shoot". The imperative mood is used to give direct orders or instructions.

  • Yo pongo el pecho a la bala

    ➔ Present simple tense

    "Yo pongo" is the first person singular present tense of the verb "poner" (to put, to place). It's used to express a general truth or an action happening now. Literally, "I put my chest to the bullet", meaning "I face the bullet."

  • Pero como muerde la almohada

    ➔ Subjunctive mood (implied)

    ➔ While the verb "muerde" is in the indicative, the "como" introduces an element of comparison and exaggeration. The sentence hints at the intensity or manner of the biting of the pillow, as if it were more than just a regular action. There's a sense of an implied subjunctive, particularly if it were rephrased as "Cómo muerda la almohada!"

  • Es que esa nena está muy buena y me fascina

    ➔ Emphasis with "es que"

    "Es que" introduces an explanation or a reason. It's used to emphasize the following statement. Here, it emphasizes why the speaker is so captivated.

  • Te quiero encima, nada encima

    ➔ Use of pronouns and ellipsis

    "Te quiero" uses the direct object pronoun "te" (you). The second "encima" omits the verb, creating a contrast and highlighting the desire for closeness, emphasizing "nothing else".

  • Ya rompimos la tarima

    ➔ Preterite (perfect) tense

    "Rompimos" is the first person plural preterite form of the verb "romper" (to break). It indicates a completed action in the past. It translates to "We broke the stage."

  • Después nos volvimo' a ver

    ➔ Preterite tense and reflexive verb

    "Volvimo'" is a shortened version of "volvimos", which is the first person plural preterite of "volver" (to return) with a reflexive pronoun. "Volverse a ver" means "to see each other again." The preterite indicates a completed action in the past.

  • Está perreándome hasta abajo

    ➔ Present continuous tense with a slang verb

    "Está perreándome" is the present continuous form of the verb "perrear" (to twerk or dance suggestively) with an object pronoun attached. The present continuous describes an ongoing action. "Hasta abajo" means "all the way down", emphasizing the intensity of the dance.