Lyrics & Translation
Discover the heartfelt French song "Voilà" by Barbara Pravi. Through its powerful lyrics and emotive delivery, you can explore themes of self-acceptance and vulnerability, gaining insight into the enduring tradition of French chanson.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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chanteuse /ʃɑ̃.tøz/ B1 |
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amours /a.muʁ/ B2 |
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amis /a.mi/ A1 |
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fille /fij/ A1 |
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yeux /jø/ A1 |
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noirs /nwaʁ/ A1 |
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rêve /ʁɛv/ A2 |
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fou /fu/ B1 |
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écrire /e.kʁiʁ/ A2 |
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histoires /is.twaʁ/ A2 |
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peur /pœʁ/ A2 |
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bruit /bʁɥi/ A2 |
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silence /si.lɑ̃s/ A2 |
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lèvres /lɛvʁ/ B1 |
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cri /kʁi/ B1 |
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fureur /fy.ʁœʁ/ C1 |
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What does “chanteuse” mean in the song "Voilà"?
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Key Grammar Structures
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Moi, la chanteuse à demi
➔ Apposition
➔ The phrase "la chanteuse à demi" is an appositive noun phrase that renames or identifies the pronoun "Moi". It's giving more information about who the speaker is.
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Moi c'que j'veux, c'est écrire des histoires qui arrivent jusqu'à vous
➔ Cleft sentence (emphasizing "écrire des histoires qui arrivent jusqu'à vous") and relative clause ("qui arrivent jusqu'à vous")
➔ "C'que j'veux, c'est..." is a cleft sentence structure, where the focus is on what the speaker wants. The "qui" introduces a relative clause that modifies "des histoires".
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Voilà, voilà, voilà, voilà qui je suis
➔ Present tense of "être" with "qui" acting as a relative pronoun to introduce the speaker's identity
➔ "Voilà qui je suis" literally translates to "Here is who I am", using "qui" to connect to the speaker's identity. It expresses a revelation of self.
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Me voilà, même si mise à nu, j'ai peur, oui
➔ Past participle as adjective ("mise à nu") and conjunction "même si" introducing a concession
➔ "Mise à nu" acts as an adjective describing the speaker, meaning "exposed" or "laid bare". "Même si" introduces a contrasting idea, indicating that despite being vulnerable, the speaker is still present.
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Quoi vous dire, que les lèvres d'une autre ne vous diront pas
➔ Subjunctive mood ("disent" would be indicative) in the relative clause expressing uncertainty/hypothetical, and interrogative pronoun "quoi" used as an introduction
➔ The implicit structure is "Qu'est-ce que vous dire que...". Using subjunctive mood "disent" after que expresses a hypothetical situation. The speaker is implying that what they have to offer is unique.
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C'est ma gueule, c'est mon cri, me voilà tant pis
➔ Use of "c'est" for emphasis and "tant pis" as an idiomatic expression of resignation
➔ "C'est ma gueule, c'est mon cri" emphasizes the speaker's identity and expression. "Tant pis" means "too bad" or "never mind," suggesting acceptance of their situation.
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Ça m'sauvera peut-être pas, non / Mais faire sans vous j'sais pas comment
➔ Conditional mood (implied) and negative construction with "sans"
➔ The first line implies a conditional statement: "Ça ne me sauvera peut-être pas". The second line, "faire sans vous j'sais pas comment", shows dependence, the speaker doesn't know how to do "faire", without the listener's presence.
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Aimez-moi comme on aime un ami qui s'en va pour toujours
➔ Imperative mood (Aimez-moi), "comme" expressing comparison and relative pronoun qui
➔ "Aimez-moi" is an imperative requesting love. "Comme on aime un ami qui s'en va pour toujours" creates a comparison and sets the type of love being requested: a farewell love, as if the speaker is leaving forever.
Same Singer
Voilà
Barbara Pravi, Igit
Voilà
Barbara Pravi
Qui j'étais
Barbara Pravi
La femme
Barbara Pravi
La Pieva
Barbara Pravi
Reviens pour l'hiver
Barbara Pravi
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