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[ELEVATOR BELL DINGS] 00:00
- OH YEAH REAL EXCLUSIVE. 00:02
TYPICAL ARI. 00:04
- YOU KNOW I THINK I LIKED HER BETTER 00:06
WHEN HER PONYTAIL WAS A FEW CENTIMETERS HIGHER. 00:07
- RIGHT, AND I MEAN WHO CARES IF SHE'S HAPPY. 00:09
I DON'T WANT HAPPY, I WANT ART. [DING] 00:12
- UGH I MISS THE OLD ARI, YOU KNOW THE SINGER. 00:14
- YOU DON'T SAY 00:20
I HEAR SHE'S STARTING HER OWN ARTISANAL HUMMUS LINE NEXT 00:22
- OMG DID SHE REALLY DO THAT? 00:26
- WELL I READ IT ON THE INTERNET SO IT MUST BE TRUE. 00:27
- WELL IT MUST BE 00:30
♪♪♪ 00:35
[VOCALIZATION] 00:47
♪♪♪ 01:06
♪ IN CASE YOU HAVEN’T NOTICED ♪ 01:21
♪ WELL, EVERYBODY’S TIRED ♪ 01:25
♪ AND HEALING FROM SOMEBODY ♪ 01:29
♪ OR SOMETHING WE DON’T SEE JUST RIGHT ♪ 01:33
♪ BOY COME ON PUT YOUR LIPSTICK ON ♪ 01:37
♪ (NO ONE CAN TELL YOU NOTHING) ♪ 01:41
♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪ 01:42
♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪ 01:45
♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪ 01:46
♪ TURN ON YOUR LIGHT AND BE LIKE ♪ 01:50
♪ “YES, AND?” ♪ 01:54
♪ SAY THAT SHIT WITH YOUR CHEST AND ♪ 01:57
♪ BE YOUR OWN FUCKIN BEST FRIEND ♪ 02:01
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 02:05
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 02:07
♪ “YES, AND?” ♪ 02:09
♪ NOW I’M SO DONE WITH CARING ♪ 02:11
♪ WHAT YOU THINK, NO I WON’T HIDE ♪ 02:14
♪ UNDERNEATH YOUR OWN PROJECTIONS ♪ 02:17
♪ OR CHANGE MY MOST AUTHENTIC LIFE ♪ 02:22
♪ BOY COME ON PUT YOUR LIPSTICK ON ♪ 02:25
♪ (NO ONE CAN TELL YOU NOTHING) ♪ 02:29
♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪ 02:31
♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪ 02:33
♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪ 02:35
♪ TURN ON YOUR LIGHT AND BE LIKE ♪ 02:39
♪ “YES, AND?” ♪ 02:43
♪ SAY THAT SHIT WITH YOUR CHEST AND ♪ 02:45
♪ BE YOUR OWN FUCKIN BEST FRIEND ♪ 02:49
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 02:53
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 02:56
♪ “YES, AND?” ♪ 02:58
♪ MY TONGUE IS SACRED, I SPEAK UPON WHAT I LIKE ♪ 02:59
♪ PROTECTED, SEXY, DISCERNING WITH MY TIME ♪ 03:03
♪ YOUR ENERGY IS YOURS AND MINE IS MINE ♪ 03:09
♪ WHAT’S MINE IS MINE ♪ 03:12
♪ MY FACE IS SITTING I DON’T NEED NO DISGUISE ♪ 03:15
♪ DON’T COMMENT ON MY BODY, DO NOT REPLY ♪ 03:19
♪ YOUR BUSINESS IS YOURS AND MINE IS MINE ♪ 03:23
♪ WHY DO YOU CARE SO MUCH WHOSE I RIDE ♪ 03:26
♪ WHY? ♪ 03:30
♪ “YES, AND?” ♪ 03:31
♪ SAY THAT SHIT WITH YOUR CHEST AND ♪ 03:34
♪ BE YOUR OWN FUCKIN BEST FRIEND ♪ 03:38
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 03:42
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 03:44
♪ “YES, AND?” ♪ 03:46
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 03:50
♪ AND BE YOUR OWN FUCKIN BEST FRIEND ♪ 03:53
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 03:58
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 04:00
♪ “YES, AND?” ♪ 04:02
[CHEERS AND APPLAUSE] 04:07

yes, and?

By
Ariana Grande
Viewed
104,123,153
Learn this song

Lyrics:

[English]

[ELEVATOR BELL DINGS]

- OH YEAH REAL EXCLUSIVE.

TYPICAL ARI.

- YOU KNOW I THINK I LIKED HER BETTER

WHEN HER PONYTAIL WAS A FEW CENTIMETERS HIGHER.

- RIGHT, AND I MEAN WHO CARES IF SHE'S HAPPY.

I DON'T WANT HAPPY, I WANT ART. [DING]

- UGH I MISS THE OLD ARI, YOU KNOW THE SINGER.

- YOU DON'T SAY

I HEAR SHE'S STARTING HER OWN ARTISANAL HUMMUS LINE NEXT

- OMG DID SHE REALLY DO THAT?

- WELL I READ IT ON THE INTERNET SO IT MUST BE TRUE.

- WELL IT MUST BE

♪♪♪

[VOCALIZATION]

♪♪♪

♪ IN CASE YOU HAVEN’T NOTICED ♪

♪ WELL, EVERYBODY’S TIRED ♪

♪ AND HEALING FROM SOMEBODY ♪

♪ OR SOMETHING WE DON’T SEE JUST RIGHT ♪

♪ BOY COME ON PUT YOUR LIPSTICK ON ♪

♪ (NO ONE CAN TELL YOU NOTHING) ♪

♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪

♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪

♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪

♪ TURN ON YOUR LIGHT AND BE LIKE ♪

♪ “YES, AND?” ♪

♪ SAY THAT SHIT WITH YOUR CHEST AND ♪

♪ BE YOUR OWN FUCKIN BEST FRIEND ♪

♪ SAY THAT SHIT WITH YOUR CHEST ♪

♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪

♪ “YES, AND?” ♪

♪ NOW I’M SO DONE WITH CARING ♪

♪ WHAT YOU THINK, NO I WON’T HIDE ♪

♪ UNDERNEATH YOUR OWN PROJECTIONS ♪

♪ OR CHANGE MY MOST AUTHENTIC LIFE ♪

♪ BOY COME ON PUT YOUR LIPSTICK ON ♪

♪ (NO ONE CAN TELL YOU NOTHING) ♪

♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪

♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪

♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪

♪ TURN ON YOUR LIGHT AND BE LIKE ♪

♪ “YES, AND?” ♪

♪ SAY THAT SHIT WITH YOUR CHEST AND ♪

♪ BE YOUR OWN FUCKIN BEST FRIEND ♪

♪ SAY THAT SHIT WITH YOUR CHEST ♪

♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪

♪ “YES, AND?” ♪

♪ MY TONGUE IS SACRED, I SPEAK UPON WHAT I LIKE ♪

♪ PROTECTED, SEXY, DISCERNING WITH MY TIME ♪

♪ YOUR ENERGY IS YOURS AND MINE IS MINE ♪

♪ WHAT’S MINE IS MINE ♪

♪ MY FACE IS SITTING I DON’T NEED NO DISGUISE ♪

♪ DON’T COMMENT ON MY BODY, DO NOT REPLY ♪

♪ YOUR BUSINESS IS YOURS AND MINE IS MINE ♪

♪ WHY DO YOU CARE SO MUCH WHOSE I RIDE ♪

♪ WHY? ♪

♪ “YES, AND?” ♪

♪ SAY THAT SHIT WITH YOUR CHEST AND ♪

♪ BE YOUR OWN FUCKIN BEST FRIEND ♪

♪ SAY THAT SHIT WITH YOUR CHEST ♪

♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪

♪ “YES, AND?” ♪

♪ SAY THAT SHIT WITH YOUR CHEST ♪

♪ AND BE YOUR OWN FUCKIN BEST FRIEND ♪

♪ SAY THAT SHIT WITH YOUR CHEST ♪

♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪

♪ “YES, AND?” ♪

[CHEERS AND APPLAUSE]

Vocabulary in this song:

Vocabulary Meanings

tired

/ˈtaɪərd/

A2
  • adjective
  • - feeling a need to rest or sleep

healing

/ˈhiːlɪŋ/

B1
  • verb
  • - the process of becoming healthy again

lipstick

/ˈlɪpstɪk/

A2
  • noun
  • - a cosmetic in stick form, usually colored, for application to the lips

fire

/ˈfaɪər/

A1
  • noun
  • - combustion or burning

mind

/maɪnd/

A2
  • noun
  • - the element of a person that enables them to be aware of the world and their experiences, to think, and to feel; the faculty of consciousness

dark

/dɑːrk/

A1
  • adjective
  • - with little or no light

situation

/ˌsɪtʃuˈeɪʃən/

B1
  • noun
  • - a set of circumstances

light

/laɪt/

A1
  • noun
  • - the natural agent that stimulates sight and makes things visible

chest

/tʃest/

A2
  • noun
  • - the upper front part of the body of humans and some animals, between the neck and the abdomen

friend

/frend/

A1
  • noun
  • - a person whom one knows and with whom one has a bond of mutual affection

moving

/ˈmuːvɪŋ/

A2
  • verb
  • - going in a specified direction or manner; changing position.

done

/dʌn/

A2
  • adjective
  • - completed or finished

hide

/haɪd/

A2
  • verb
  • - to put something out of sight

life

/laɪf/

A1
  • noun
  • - the condition that distinguishes organisms from inorganic matter, including the capacity for growth, reproduction, functional activity, and continual change preceding death.

tongue

/tʌŋ/

A2
  • noun
  • - the fleshy muscular organ in the mouth of a mammal, used for tasting, licking, swallowing, and articulating speech.

sacred

/ˈseɪkrɪd/

B2
  • adjective
  • - regarded with great respect by a particular religious group and having a spiritual value

sexy

/ˈseksi/

B1
  • adjective
  • - sexually attractive or arousing

energy

/ˈenərdʒi/

B1
  • noun
  • - the strength and vitality required for sustained physical or mental activity

face

/feɪs/

A1
  • noun
  • - the front part of the head, from the forehead to the chin

body

/ˈbɒdi/

A1
  • noun
  • - the physical structure of a human or an animal

Grammar:

  • I THINK I LIKED HER BETTER WHEN HER PONYTAIL WAS A FEW CENTIMETERS HIGHER.

    ➔ Past Simple vs. Past Continuous with 'when' (for describing a state vs. an action in progress)

    ➔ The sentence compares a past preference (“I liked her better”) – a state, with a specific past condition indicated by "when" (“when her ponytail was a few centimeters higher”). The first part is the main clause in the past simple, while the 'when' clause sets the scene (past simple as well, to indicate a completed action).

  • WHO CARES IF SHE'S HAPPY.

    ➔ Embedded question using 'if' (indicating uncertainty/a condition)

    ➔ This sentence uses an embedded question beginning with 'if'. 'If' introduces a clause expressing uncertainty or a condition. It's not a direct question, but a statement containing a question as a part of it. Here, it highlights the speaker's indifference to whether the subject is happy.

  • I MISS THE OLD ARI, YOU KNOW, THE SINGER.

    ➔ Appositive (noun phrase clarifying another noun).

    ➔ The phrase "the singer" is an appositive because it clarifies which 'old Ari' the speaker is referring to. It's a noun phrase that renames or provides more information about the preceding noun ('old Ari').

  • I HEAR SHE'S STARTING HER OWN ARTISANAL HUMMUS LINE NEXT

    ➔ Present Continuous for future arrangements (plans or intentions)

    "She's starting" is the present continuous tense used to indicate a future plan. It conveys that the subject has a definite plan to start her own artisanal hummus line.

  • IN CASE YOU HAVEN’T NOTICED, WELL, EVERYBODY’S TIRED.

    ➔ Present Perfect Simple (haven't noticed) to emphasize experience up to now and the use of 'everybody' as singular

    ➔ 'Haven't noticed' uses the Present Perfect to indicate that up to this point, the listener may not have been aware of something (everybody's tiredness). 'Everybody' is treated as singular in this sentence.

  • BOY COME ON PUT YOUR LIPSTICK ON, (NO ONE CAN TELL YOU NOTHING)

    ➔ Imperative mood (put your lipstick on) and double negative (no one can tell you nothing)

    "Put your lipstick on" is a command using the imperative mood. "No one can tell you nothing" is an example of a double negative, which although technically incorrect in standard English, is often used in informal speech for emphasis. In this context, it means 'no one can tell you anything'.

  • AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST TURN ON YOUR LIGHT AND BE LIKE

    ➔ Conditional sentences (zero or first conditional implication) combined with imperative (Turn on your light and be like)

    ➔ This sentence combines a conditional clause ('If you find yourself in a dark situation') with an imperative clause ('Turn on your light and be like'). It suggests a cause-and-effect relationship: if a certain situation arises, then take a specific action. The 'be like' is an informal way to say 'act like'.

  • MY TONGUE IS SACRED, I SPEAK UPON WHAT I LIKE

    ➔ Relative clause using "what" as a fused relative pronoun (functions as both the pronoun and the noun it modifies).

    ➔ The phrase "what I like" functions as a noun clause, the object of the preposition "upon." Here, "what" merges the function of a relative pronoun and a noun, meaning 'the things that'.