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[ELEVATOR BELL DINGS] 00:00
- OH YEAH REAL EXCLUSIVE. 00:02
TYPICAL ARI. 00:04
- YOU KNOW I THINK I LIKED HER BETTER 00:06
WHEN HER PONYTAIL WAS A FEW CENTIMETERS HIGHER. 00:07
- RIGHT, AND I MEAN WHO CARES IF SHE'S HAPPY. 00:09
I DON'T WANT HAPPY, I WANT ART. [DING] 00:12
- UGH I MISS THE OLD ARI, YOU KNOW THE SINGER. 00:14
- YOU DON'T SAY 00:20
I HEAR SHE'S STARTING HER OWN ARTISANAL HUMMUS LINE NEXT 00:22
- OMG DID SHE REALLY DO THAT? 00:26
- WELL I READ IT ON THE INTERNET SO IT MUST BE TRUE. 00:27
- WELL IT MUST BE 00:30
♪♪♪ 00:35
[VOCALIZATION] 00:47
♪♪♪ 01:06
♪ IN CASE YOU HAVEN’T NOTICED ♪ 01:21
♪ WELL, EVERYBODY’S TIRED ♪ 01:25
♪ AND HEALING FROM SOMEBODY ♪ 01:29
♪ OR SOMETHING WE DON’T SEE JUST RIGHT ♪ 01:33
♪ BOY COME ON PUT YOUR LIPSTICK ON ♪ 01:37
♪ (NO ONE CAN TELL YOU NOTHING) ♪ 01:41
♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪ 01:42
♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪ 01:45
♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪ 01:46
♪ TURN ON YOUR LIGHT AND BE LIKE ♪ 01:50
♪ “YES, AND?” ♪ 01:54
♪ SAY THAT SHIT WITH YOUR CHEST AND ♪ 01:57
♪ BE YOUR OWN FUCKIN BEST FRIEND ♪ 02:01
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 02:05
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 02:07
♪ “YES, AND?” ♪ 02:09
♪ NOW I’M SO DONE WITH CARING ♪ 02:11
♪ WHAT YOU THINK, NO I WON’T HIDE ♪ 02:14
♪ UNDERNEATH YOUR OWN PROJECTIONS ♪ 02:17
♪ OR CHANGE MY MOST AUTHENTIC LIFE ♪ 02:22
♪ BOY COME ON PUT YOUR LIPSTICK ON ♪ 02:25
♪ (NO ONE CAN TELL YOU NOTHING) ♪ 02:29
♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪ 02:31
♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪ 02:33
♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪ 02:35
♪ TURN ON YOUR LIGHT AND BE LIKE ♪ 02:39
♪ “YES, AND?” ♪ 02:43
♪ SAY THAT SHIT WITH YOUR CHEST AND ♪ 02:45
♪ BE YOUR OWN FUCKIN BEST FRIEND ♪ 02:49
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 02:53
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 02:56
♪ “YES, AND?” ♪ 02:58
♪ MY TONGUE IS SACRED, I SPEAK UPON WHAT I LIKE ♪ 02:59
♪ PROTECTED, SEXY, DISCERNING WITH MY TIME ♪ 03:03
♪ YOUR ENERGY IS YOURS AND MINE IS MINE ♪ 03:09
♪ WHAT’S MINE IS MINE ♪ 03:12
♪ MY FACE IS SITTING I DON’T NEED NO DISGUISE ♪ 03:15
♪ DON’T COMMENT ON MY BODY, DO NOT REPLY ♪ 03:19
♪ YOUR BUSINESS IS YOURS AND MINE IS MINE ♪ 03:23
♪ WHY DO YOU CARE SO MUCH WHOSE I RIDE ♪ 03:26
♪ WHY? ♪ 03:30
♪ “YES, AND?” ♪ 03:31
♪ SAY THAT SHIT WITH YOUR CHEST AND ♪ 03:34
♪ BE YOUR OWN FUCKIN BEST FRIEND ♪ 03:38
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 03:42
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 03:44
♪ “YES, AND?” ♪ 03:46
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 03:50
♪ AND BE YOUR OWN FUCKIN BEST FRIEND ♪ 03:53
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 03:58
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 04:00
♪ “YES, AND?” ♪ 04:02
[CHEERS AND APPLAUSE] 04:07

yes, and?

Por
Ariana Grande
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Letra:

[English]

[ELEVATOR BELL DINGS]

- OH YEAH REAL EXCLUSIVE.

TYPICAL ARI.

- YOU KNOW I THINK I LIKED HER BETTER

WHEN HER PONYTAIL WAS A FEW CENTIMETERS HIGHER.

- RIGHT, AND I MEAN WHO CARES IF SHE'S HAPPY.

I DON'T WANT HAPPY, I WANT ART. [DING]

- UGH I MISS THE OLD ARI, YOU KNOW THE SINGER.

- YOU DON'T SAY

I HEAR SHE'S STARTING HER OWN ARTISANAL HUMMUS LINE NEXT

- OMG DID SHE REALLY DO THAT?

- WELL I READ IT ON THE INTERNET SO IT MUST BE TRUE.

- WELL IT MUST BE

♪♪♪

[VOCALIZATION]

♪♪♪

♪ IN CASE YOU HAVEN’T NOTICED ♪

♪ WELL, EVERYBODY’S TIRED ♪

♪ AND HEALING FROM SOMEBODY ♪

♪ OR SOMETHING WE DON’T SEE JUST RIGHT ♪

♪ BOY COME ON PUT YOUR LIPSTICK ON ♪

♪ (NO ONE CAN TELL YOU NOTHING) ♪

♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪

♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪

♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪

♪ TURN ON YOUR LIGHT AND BE LIKE ♪

♪ “YES, AND?” ♪

♪ SAY THAT SHIT WITH YOUR CHEST AND ♪

♪ BE YOUR OWN FUCKIN BEST FRIEND ♪

♪ SAY THAT SHIT WITH YOUR CHEST ♪

♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪

♪ “YES, AND?” ♪

♪ NOW I’M SO DONE WITH CARING ♪

♪ WHAT YOU THINK, NO I WON’T HIDE ♪

♪ UNDERNEATH YOUR OWN PROJECTIONS ♪

♪ OR CHANGE MY MOST AUTHENTIC LIFE ♪

♪ BOY COME ON PUT YOUR LIPSTICK ON ♪

♪ (NO ONE CAN TELL YOU NOTHING) ♪

♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪

♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪

♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪

♪ TURN ON YOUR LIGHT AND BE LIKE ♪

♪ “YES, AND?” ♪

♪ SAY THAT SHIT WITH YOUR CHEST AND ♪

♪ BE YOUR OWN FUCKIN BEST FRIEND ♪

♪ SAY THAT SHIT WITH YOUR CHEST ♪

♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪

♪ “YES, AND?” ♪

♪ MY TONGUE IS SACRED, I SPEAK UPON WHAT I LIKE ♪

♪ PROTECTED, SEXY, DISCERNING WITH MY TIME ♪

♪ YOUR ENERGY IS YOURS AND MINE IS MINE ♪

♪ WHAT’S MINE IS MINE ♪

♪ MY FACE IS SITTING I DON’T NEED NO DISGUISE ♪

♪ DON’T COMMENT ON MY BODY, DO NOT REPLY ♪

♪ YOUR BUSINESS IS YOURS AND MINE IS MINE ♪

♪ WHY DO YOU CARE SO MUCH WHOSE I RIDE ♪

♪ WHY? ♪

♪ “YES, AND?” ♪

♪ SAY THAT SHIT WITH YOUR CHEST AND ♪

♪ BE YOUR OWN FUCKIN BEST FRIEND ♪

♪ SAY THAT SHIT WITH YOUR CHEST ♪

♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪

♪ “YES, AND?” ♪

♪ SAY THAT SHIT WITH YOUR CHEST ♪

♪ AND BE YOUR OWN FUCKIN BEST FRIEND ♪

♪ SAY THAT SHIT WITH YOUR CHEST ♪

♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪

♪ “YES, AND?” ♪

[CHEERS AND APPLAUSE]

Vocabulário nesta música:

Vocabulário Significados

tired

/ˈtaɪərd/

A2
  • adjective
  • - cansado

healing

/ˈhiːlɪŋ/

B1
  • verb
  • - cura

lipstick

/ˈlɪpstɪk/

A2
  • noun
  • - batom

fire

/ˈfaɪər/

A1
  • noun
  • - fogo

mind

/maɪnd/

A2
  • noun
  • - mente

dark

/dɑːrk/

A1
  • adjective
  • - escuro

situation

/ˌsɪtʃuˈeɪʃən/

B1
  • noun
  • - situação

light

/laɪt/

A1
  • noun
  • - luz

chest

/tʃest/

A2
  • noun
  • - peito

friend

/frend/

A1
  • noun
  • - amigo

moving

/ˈmuːvɪŋ/

A2
  • verb
  • - movendo

done

/dʌn/

A2
  • adjective
  • - feito

hide

/haɪd/

A2
  • verb
  • - esconder

life

/laɪf/

A1
  • noun
  • - vida

tongue

/tʌŋ/

A2
  • noun
  • - língua

sacred

/ˈseɪkrɪd/

B2
  • adjective
  • - sagrado

sexy

/ˈseksi/

B1
  • adjective
  • - sexy

energy

/ˈenərdʒi/

B1
  • noun
  • - energia

face

/feɪs/

A1
  • noun
  • - rosto

body

/ˈbɒdi/

A1
  • noun
  • - corpo

Gramática:

  • I THINK I LIKED HER BETTER WHEN HER PONYTAIL WAS A FEW CENTIMETERS HIGHER.

    ➔ Pretérito Perfeito Simples vs. Pretérito Imperfeito com 'quando' (para descrever um estado versus uma ação em progresso)

    ➔ A frase compara uma preferência passada (“I liked her better”) – um estado, com uma condição passada específica indicada por "quando" (“when her ponytail was a few centimeters higher”). A primeira parte é a oração principal no pretérito perfeito simples, enquanto a oração 'quando' estabelece o contexto (também no pretérito perfeito simples, para indicar uma ação completada).

  • WHO CARES IF SHE'S HAPPY.

    ➔ Pergunta incorporada usando 'se' (indicando incerteza/uma condição)

    ➔ Esta frase usa uma pergunta incorporada que começa com 'se'. 'Se' introduz uma oração que expressa incerteza ou uma condição. Não é uma pergunta direta, mas uma afirmação que contém uma pergunta como parte dela. Aqui, destaca a indiferença do falante sobre se o sujeito é feliz.

  • I MISS THE OLD ARI, YOU KNOW, THE SINGER.

    ➔ Aposição (frase nominal que esclarece outro substantivo).

    ➔ A frase "the singer" é uma aposição porque esclarece a qual 'old Ari' o falante se refere. É uma frase nominal que renomeia ou fornece mais informações sobre o substantivo anterior ('old Ari').

  • I HEAR SHE'S STARTING HER OWN ARTISANAL HUMMUS LINE NEXT

    ➔ Presente Contínuo para arranjos futuros (planos ou intenções)

    "She's starting" é o presente contínuo usado para indicar um plano futuro. Transmite que o sujeito tem um plano definido para começar sua própria linha de hummus artesanal.

  • IN CASE YOU HAVEN’T NOTICED, WELL, EVERYBODY’S TIRED.

    ➔ Pretérito Perfeito Simples (haven't noticed) para enfatizar a experiência até agora e o uso de 'everybody' como singular

    ➔ 'Haven't noticed' usa o Pretérito Perfeito para indicar que até este ponto, o ouvinte pode não ter estado ciente de algo (o cansaço de todos). 'Everybody' é tratado como singular nesta frase.

  • BOY COME ON PUT YOUR LIPSTICK ON, (NO ONE CAN TELL YOU NOTHING)

    ➔ Modo imperativo (put your lipstick on) e dupla negação (no one can tell you nothing)

    "Put your lipstick on" é uma ordem usando o modo imperativo. "No one can tell you nothing" é um exemplo de dupla negação, que embora tecnicamente incorreto em inglês padrão, é frequentemente usado na fala informal para enfatizar. Neste contexto, significa 'no one can tell you anything'.

  • AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST TURN ON YOUR LIGHT AND BE LIKE

    ➔ Orações condicionais (implicação condicional zero ou primeira) combinadas com imperativo (Turn on your light and be like)

    ➔ Esta frase combina uma cláusula condicional ('If you find yourself in a dark situation') com uma cláusula imperativa ('Turn on your light and be like'). Sugere uma relação de causa e efeito: se uma determinada situação surgir, então tome uma ação específica. O 'be like' é uma forma informal de dizer 'act like'.

  • MY TONGUE IS SACRED, I SPEAK UPON WHAT I LIKE

    ➔ Oração relativa usando "what" como um pronome relativo fundido (funciona como um pronome e o substantivo que ele modifica).

    ➔ A frase "what I like" funciona como uma oração substantiva, o objeto da preposição "upon". Aqui, "what" funde a função de um pronome relativo e um substantivo, significando 'as coisas que'.