Lyrics & Translation
Baby, Ousi's talking to you
You know we always roll with the movie on play
What do you think if we make a sextape?
So you always have it
Baby, Secho's talking to you
I see a couple of new things you've had done
You tag me, but hide the mention
Those cheeks of yours are poppin' out
Uh, mama
It's just that no one comes back for you anymore
How good it feels to feel your wetness
It's that it makes me addicted to what you give me
The bed's asking when are we gonna stop
It's that you know, baby, we're not gonna stop
How good it feels to feel your wetness
It's that it makes me addicted to what you give me (yeah-yeah)
Pussy on my face, just like the trend
Mami, you're a Maybach, not a Mercedes-Benz, yo
I put on my dark glasses
So when I go out, I can pick up that ass
Ey, mami, it's Ousi, the one with the trucks, the one with the mansions
Wh-When I come out, it's a movie, they yell "action"
I-I dress street, but if it's to see you, ma, I dress fashionably
You're my girl forever, I'm always imagining us
You and me lit with the AC on high
That feels badass, mami
You're my Baby Schai
Imagine you and me alone looking each other in the eyes, Tony Dize
One, two, three rounds
Nobody's looking for me, but inside you I hide
Baby, let me put it in real deep
Nobody's looking for me, but inside you I hide
She blurted out an "I love you" when I hit the bottom, bad girl
Uh, mama
It's just that no one comes back for you anymore
How good it feels to feel your wetness
It's that it makes me addicted to what you give me
The bed's asking when are we gonna stop
It's that you know, baby, we're not gonna stop
How good it feels to feel your wetness
It's that it makes me addicted to what you give me (one more time, yo, wuh!)
In the car I pick you up in, it's a car that I salt
Good girl who likes a bad boy
Baby, I know I'm a dog and I have to fix that
If the interest goes away, I have to look for it
And I apologize, but for the ego, fuck it
If you don't accept it, I'll keep grinding while I
I pour myself something, roll something up, and alofoke
Like a camera, you put me in or take me out of focus (yah)
But I'm hooked, lowkey
In your heart, I'm the center, Gran Vía
You already made me spill the tips
You got me screwed up all day
If you want to come back, I'm here (I'm here)
But she doesn't trust me
The gym put you at your peak
And I'm always doing my thing
Baby, Ousi's talking to you
You know we always roll with the movie on play
What do you think if we make a sextape?
So you always have it
Baby, Secho's talking to you
I see a couple of new things you've had done
You tag me, but hide the mention
Those cheeks of yours are poppin' out
Uh, mama
It's just that no one comes back for you anymore
How good it feels to feel your wetness
It's that it makes me addicted to what you give me
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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Baby /ˈbeɪ.bi/ A1 |
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grabar /ɡɾaˈβaɾ/ A2 |
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sentir /senˈtiɾ/ A2 |
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cama /ˈkama/ A1 |
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pussy /ˈpʊsi/ B2 |
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lentes /ˈlentes/ A2 |
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calle /ˈkaʎe/ A1 |
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nena /ˈnena/ A2 |
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escondo /esˈkondo/ B1 |
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fondo /ˈfondo/ A2 |
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arreglar /areˈɡlaɾ/ B1 |
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perdon /peɾˈdon/ A1 |
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volver /bolˈβeɾ/ A2 |
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confía /konˈfia/ A2 |
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sacando /saˈkando/ A2 |
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🚀 "Baby", "grabar" – from “BABY” still a mystery?
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Key Grammar Structures
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¿Qué tú crees si grabamo un sextape?
➔ Subjunctive Mood (Hypothetical/Polite Suggestion)
➔ Use of the present subjunctive "grabamo" to suggest or hypothesize about recording a sextape. The sentence implies a suggestion or question about a hypothetical action. The conditional "si" introduces the hypothetical situation.
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Esas nalgas tuyas 'tan sacando pecho
➔ Idiomatic Expression with a Reflexive Verb (Exaggeration/Figurative Language)
➔ The expression "sacando pecho" literally means 'taking out chest' but it's used figuratively to mean 'showing off' or 'being proud.' The verb "sacar" (to take out) is used in a reflexive way to describe the buttocks. This is not about literal chest.
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La cama preguntando cuándo vamo a parar
➔ Indirect Question (Embedded Clause with Interrogative)
➔ The sentence contains an indirect question "cuándo vamo a parar" (when are we going to stop) embedded within the main clause. It is not a direct question but rather a statement about what the bed is 'asking'.
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Pa cuando salga, ligarte ese culo
➔ Infinitive Phrase with Purpose (Purpose Clause)
➔ The phrase "Pa cuando salga, ligarte ese culo" uses the infinitive "ligarte" (to flirt with/pick up) to express the purpose of waiting until she goes out. "Pa" (Para) here shows purpose or intention.
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Tú y yo prendío' con el aire en high
➔ Adjective Agreement (Masculine Plural) and Informal Contraction
➔ The adjective "prendío'" (lit. turned on, but in this context, high/intoxicated) agrees in gender and number with the masculine plural "Tú y yo" (You and I - referring to two males). The apostrophe indicates a colloquial elision of the final -d.
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Uno, do', tre' polvo'
➔ Ellipsis (Omission of Words)
➔ The words "polvo" (referring to having sex) are counted. The ' is to shorten dos and tres, leaving off the 's' . The words like "acto de" or "relaciones" are omitted, leaving only the count and the implied action.
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Si el interés se va, yo tengo que buscarlo
➔ Conditional Sentence (Type 1 - Real Condition)
➔ This is a type 1 conditional, expressing a real or likely condition. "Si el interés se va" (if the interest goes away) is the conditional clause, and "yo tengo que buscarlo" (I have to look for it) is the main clause expressing the consequence.
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Como cámara tú me pone' o quita' enfoque (yah)
➔ Figurative Language (Simile) with Informal Contraction
➔ This sentence uses a simile comparing her to a camera, saying she can put him in focus or out of focus depending on her actions. "Como" introduces the comparison. The apostrophe indicates an informal elision.
