Lyrics & Translation
Dive into the world of Vietnamese music with "Sóng Gió," a powerhouse track by ICM and Jack. While the song masterfully blends Pop Ballad, folk influences, and rap, its emotional narrative and complex structure offer a rich cultural snapshot. Exploring its lyrics and story provides a fascinating gateway into contemporary Vietnamese storytelling through music.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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thương /tʰɯəŋ/ A2 |
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phêu du /fɪəw du/ B1 |
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lênh đênh /lɛn dəŋ/ B2 |
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vấp ngã /vəp ŋǎ/ A2 |
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lẻ loi /lɛ lɔj/ A2 |
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suy tư /suj tɨ/ B1 |
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hành trang /hɑn t͡ɕaŋ/ B1 |
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di cư /di kɨ/ A2 |
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vây quanh /vaj kʷaŋ/ A2 |
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quỷ dữ /kwi zɨ/ B1 |
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trói /t͡ɕɔj/ A2 |
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chung lối /t͡ɕuŋ lǝj/ B1 |
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tăm tối /təm tɔj/ B1 |
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thề /tʰe/ A2 |
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vụn vỡ /vuən vɔ/ B1 |
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Key Grammar Structures
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từ ngày thơ ấy còn ngủ mơ **đến khi** em thờ ơ ờ
➔ Temporal clause with **đến khi** (until)
➔ The phrase **đến khi** introduces a point in time when the action "em thờ ơ" occurs.
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**Nếu** em có về, anh sẽ mang hết những suy tư
➔ First‑conditional clause with **Nếu... sẽ** (if… will)
➔ The word **Nếu** introduces a realistic condition; **sẽ** marks the future result.
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rượu nào **mà** chả đắng
➔ Negative clause with **mà** (not… but…)
➔ Here **mà** links the negative particle **chả** with the adjective "đắng", emphasizing that the wine is not sweet but bitter.
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Ngày buồn giờ áo **ai** khâu vá quàng **rồi**
➔ Perfective aspect with **rồi** (already/completed)
➔ **rồi** signals that the action of “khâu vá” is finished at the moment of speaking.
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Ta **chả** bận lòng, **hay** chẳng thể nói tụi mình có khác gì nhau
➔ Negation with **chả** and disjunctive **hay** (or)
➔ **chả** is a colloquial negative equivalent to "không"; **hay** works like "or" connecting two possible statements.
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từ người yêu **hoá** thành người dưng **đến khi** ta tự xưng à
➔ Range expression **từ… đến khi** (from… until)
➔ **từ** marks the starting point "người yêu" and **đến khi** marks the ending point "ta tự xưng".
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Lòng người **ai** đâu có hay
➔ Rhetorical question with **đâu có** (doesn’t… at all)
➔ **đâu có** intensifies the negation, implying that “no one’s heart ever understands”.
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Anh **thà** lênh đênh **không có ngày** về hoá kiếp thân trai như Thuỷ Hử
➔ Preference structure with **thà** (would rather) and idiomatic **không có ngày** (no day ever)
➔ **thà** expresses a strong preference (“I’d rather …”), while **không có ngày** emphasizes an impossibility (“there is no day that …”).
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