Lyrics & Translation
Learning a language through music is a fantastic way to connect with its culture and emotion. "YA ME DA IGUAL" offers a great opportunity to learn Spanish through its clear and emotive lyrics centered around the universal theme of overcoming heartbreak. The song's blend of traditional flamenco with modern electronic beats makes it a unique and engaging track that will have you understanding the nuances of Spanish expression while enjoying its infectious rhythm.
One day you love me so much and the next you just leave.
You promised you'd destroy me,
just playing with my love.
Go on, get away from me, I can't even stand to see you.
Mom, open the door for me,
I’m coming home drunk.
That woman doesn't love me, and now I've got no one who...
Mom, open the door for me,
I’m coming home drunk.
That woman doesn't love me, and now there's no one left who cares for me.
She asks me to buy her flowers,
wants me to stay loyal, while she's the one betraying me.
Because of you I lost everything I had, it hurt so much and still I loved you.
You don’t get it, my heart loved you, it didn’t care.
You left me with this open wound.
Mom, open the door for me,
I’m coming home drunk.
That woman doesn't love me, and now I've got no one who...
Mom, open the door for me,
I’m coming home drunk.
That woman doesn't love me, and now there's no one left who cares for me.
A drink with friends, and a sunset on the beach.
A secret, a look and a kiss before we say goodbye.
Look at her, look at her, look how cool she is.
I’m walking right into her hands.
And I can't even deny it.
I’m going to be happy,
yeah, I’m going to be happy.
No idea when I’ll come back to forget about you.
I’m going to be happy,
yeah, I’m going to be happy. No idea when I’ll come back to forget about you.
Mom, open the door for me, I’m coming home drunk.
That woman doesn't love me, and now there's no one left who cares for me.
Mom, open the door for me, I’m coming home drunk.
That woman doesn't love me, and now there's no one left who cares for me.
Remember how you used to say you’d never leave and in the end, you did.
Now after all these years, you come back regretful for what you did to me.
Now, now I just don't care.
Don’t ever come back.
Since you left, I’ve felt happy.
Like a little boat, stranded, floating in the sea.
Mom, open the door for me, I’m coming home drunk.
That woman doesn't love me, and now I've got no one who...
Mom, open the door for me, I’m coming home drunk.
That woman doesn't love me, and now there's no one left who cares for me.
Key Vocabulary
| Vocabulary | Meanings |
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pasa /ˈpasa/ A1 |
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querer /keˈɾeɾ/ A1 |
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mujer /muˈxeɾ/ A1 |
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corazón /koɾaˈθon/ A2 |
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dolía /doˈli.a/ B1 |
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herida /eˈɾiða/ B1 |
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feliz /feˈliz/ A2 |
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puerta /ˈpweɾta/ A1 |
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copa /ˈkopa/ A2 |
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mirada /miˈɾaða/ B1 |
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secreto /seˈkɾeto/ B1 |
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arrepentido /a.re.penˈti.ðo/ B2 |
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igual /iˈɣwal/ B1 |
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borrachera /boɾaˈʃeɾa/ B2 |
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jugar /xuˈɣaɾ/ A1 |
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comer /koˈmeɾ/ A1 |
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Key Grammar Structures
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Qué coño pasa contigo, contigo ¿qué es lo que pasa?
➔ Emphatic interrogative structure with 'qué'
➔ The repetitive "qué es lo que pasa" intensifies the questioning. "Qué coño" is colloquial for emphasis.
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Mamá, ábreme la puerta, que vengo de borrachera.
➔ Imperative + causal 'que' clause
➔ "Ábreme" (open for me) uses imperative mood. "Que" introduces a causal clause without explicit conjunction.
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Te fuiste dejando la herida abierta.
➔ Gerund indicating consequence
➔ The gerund "dejando" expresses a simultaneous consequence of "te fuiste", translating to 'leaving the wound open'.
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Por ti perdí lo que tenía, tanto me dolía y aún así te amaba.
➔ Contrast with "aún así" + imperfect tense
➔ Imperfect tense (dolía/amaba) describes past emotional states. "Aún así" introduces contrast meaning 'even so'.
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Comiendo de su mano ando.
➔ Gerund inversion for emphasis
➔ Inverted word order places gerund "comiendo" first, emphasizing metaphorical dependence ('walking while eating from their hand').
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Recuerda cuando me decías que nunca te iría y al final te fuiste.
➔ Contrast: imperfect (habitual) vs. preterite (complete)
➔ Imperfect "decías" shows past recurring actions, while preterite "fuiste" signals a single completed action, highlighting broken promises.
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Que me voy a hacer feliz, que me voy a hacer feliz.
➔ Reduplication for emotional reinforcement
➔ The repeated phrase "que me voy a hacer feliz" intensifies resolve through syntactic parallelism.
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Ella me pide que le compre flores, que no la traicione, me traiciona a ella.
➔ Subjunctive contrast
➔ Subjunctive "compre/traicione" contrasts with indicative "traiciona" to expose hypocrisy between requests and actions.
