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Look, if you had one shot or one opportunity 00:34

To seize everything you ever wanted in one moment 00:43

Would you capture it or just let it slip? 00:49

Yo 00:52

His palms are sweaty, knees weak, arms are heavy 00:53

There's vomit on his sweater already, mom's spaghetti 00:56

He's nervous, but on the surface, he looks calm and ready 00:59

To drop bombs, but he keeps on forgetting 01:02

What he wrote down, the whole crowd goes so loud 01:04

He opens his mouth, but the words won't come out 01:07

He's chokin', how? Everybody's jokin' now 01:10

The clock's run out, time's up, over, blaow 01:13

Snap back to reality, ope, there goes gravity 01:16

Ope, there goes Rabbit, he choked, he's so mad 01:19

But he won't give up that easy, no, he won't have it 01:21

He knows his whole back's to these ropes, it don't matter 01:24

He's dope, he knows that, but he's broke, he's so stagnant 01:27

He knows when he goes back to this mobile home, that's when it's 01:30

Back to the lab again, yo, this old rhapsody 01:33

Better go capture this moment and hope it don't pass him 01:36

You better lose yourself in the music 01:38

The moment, you own it, you better never let it go (go) 01:40

You only get one shot, do not miss your chance to blow 01:43

This opportunity comes once in a lifetime- 01:47

You better lose yourself in the music 01:49

The moment, you own it, you better never let it go (go) 01:52

You only get one shot, do not miss your chance to blow 01:55

This opportunity comes once in a lifetime- 01:58

You better- 02:00

His soul's escaping through this hole that is gaping 02:01

This world is mine for the taking, make me king 02:04

As we move toward a new world order 02:07

A normal life is boring, but superstardom's 02:10

Close to post-mortem, it only grows harder 02:12

Homie grows hotter, he blows, it's all over 02:15

These hoes is all on him, coast-to-coast shows 02:18

He's known as the Globetrotter, lonely roads 02:20

God only knows he's grown farther from home, he's no father 02:23

He goes home and barely knows his own daughter 02:26

But hold your nose 'cause here goes the cold water 02:29

These hoes don't want him no mo', he's cold product 02:32

They moved on to the next schmoe who flows 02:35

He nose-dove and sold nada, and so the soap opera 02:37

Is told, it unfolds, I suppose it's old, partner 02:40

But the beat goes on, da-da-dom, da-dom- 02:43

You better lose yourself in the music 02:45

The moment, you own it, you better never let it go (go) 02:48

You only get one shot, do not miss your chance to blow 02:51

This opportunity comes once in a lifetime- 02:54

You better lose yourself in the music 02:57

The moment, you own it, you better never let it go (go) 02:59

You only get one shot, do not miss your chance to blow 03:02

This opportunity comes once in a lifetime- 03:05

You better- 03:08

No more games, I'ma change what you call rage 03:08

Tear this motherfuckin' roof off like two dogs caged 03:11

I was playin' in the beginning, the mood all changed 03:14

I've been chewed up and spit out and booed off stage 03:16

But I kept rhymin' and stepped right in the next cypher 03:19

Best believe somebody's payin' the Pied Piper 03:22

All the pain inside amplified by the 03:25

Fact that I can't get by with my nine-to- 03:28

Five and I can't provide the right type of life for my family 03:31

'Cause, man, these goddamn food stamps don't buy diapers 03:34

And there's no movie, there's no Mekhi Phifer, this is my life 03:38

And these times are so hard, and it's gettin' even harder 03:41

Tryna feed and water my seed, plus teeter-totter 03:44

Caught up between bein' a father and a prima donna 03:47

Baby-mama drama, screamin' on her, too much for me to wanna 03:50

Stay in one spot, another day of monotony's gotten me 03:53

To the point I'm like a snail, I've got 03:56

To formulate a plot or end up in jail or shot 03:58

Success is my only motherfuckin' option, failure's not 04:01

Mom, I love you, but this trailer's got to go 04:05

I cannot grow old in Salem's Lot 04:07

So here I go, it's my shot 04:09

Feet, fail me not 04:11

This may be the only opportunity that I got 04:12

You better lose yourself in the music 04:15

The moment, you own it, you better never let it go (go) 04:17

You only get one shot, do not miss your chance to blow 04:20

This opportunity comes once in a lifetime- 04:23

You better lose yourself in the music 04:26

The moment, you own it, you better never let it go (go) 04:28

You only get one shot, do not miss your chance to blow 04:31

This opportunity comes once in a lifetime- 04:35

You better- 04:37

You can do anything you set your mind to, man 04:40

04:42

Lose Yourself

가수

Eminem

앨범

8 Mile

조회수

288,945,394

이 노래 배우기

가사:

[English]

Look, if you had one shot or one opportunity

To seize everything you ever wanted in one moment

Would you capture it or just let it slip?

His palms are sweaty, knees weak, arms are heavy

There's vomit on his sweater already, mom's spaghetti

He's nervous, but on the surface, he looks calm and ready

To drop bombs, but he keeps on forgetting

What he wrote down, the whole crowd goes so loud

He opens his mouth, but the words won't come out

He's chokin', how? Everybody's jokin' now

The clock's run out, time's up, over, blaow

Snap back to reality, ope, there goes gravity

Ope, there goes Rabbit, he choked, he's so mad

But he won't give up that easy, no, he won't have it

He knows his whole back's to these ropes, it don't matter

He's dope, he knows that, but he's broke, he's so stagnant

He knows when he goes back to this mobile home, that's when it's

Back to the lab again, yo, this old rhapsody

Better go capture this moment and hope it don't pass him

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better-

His soul's escaping through this hole that is gaping

This world is mine for the taking, make me king

As we move toward a new world order

A normal life is boring, but superstardom's

Close to post-mortem, it only grows harder

Homie grows hotter, he blows, it's all over

These hoes is all on him, coast-to-coast shows

He's known as the Globetrotter, lonely roads

God only knows he's grown farther from home, he's no father

He goes home and barely knows his own daughter

But hold your nose 'cause here goes the cold water

These hoes don't want him no mo', he's cold product

They moved on to the next schmoe who flows

He nose-dove and sold nada, and so the soap opera

Is told, it unfolds, I suppose it's old, partner

But the beat goes on, da-da-dom, da-dom-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better-

No more games, I'ma change what you call rage

Tear this motherfuckin' roof off like two dogs caged

I was playin' in the beginning, the mood all changed

I've been chewed up and spit out and booed off stage

But I kept rhymin' and stepped right in the next cypher

Best believe somebody's payin' the Pied Piper

All the pain inside amplified by the

Fact that I can't get by with my nine-to-

Five and I can't provide the right type of life for my family

'Cause, man, these goddamn food stamps don't buy diapers

And there's no movie, there's no Mekhi Phifer, this is my life

And these times are so hard, and it's gettin' even harder

Tryna feed and water my seed, plus teeter-totter

Caught up between bein' a father and a prima donna

Baby-mama drama, screamin' on her, too much for me to wanna

Stay in one spot, another day of monotony's gotten me

To the point I'm like a snail, I've got

To formulate a plot or end up in jail or shot

Success is my only motherfuckin' option, failure's not

Mom, I love you, but this trailer's got to go

I cannot grow old in Salem's Lot

So here I go, it's my shot

Feet, fail me not

This may be the only opportunity that I got

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better-

You can do anything you set your mind to, man

...

이 노래의 어휘:

연습 시작

어휘	의미
shot /ʃɒt/ A2	noun - 무언가를 하거나 달성하려는 시도. verb - 총에서 총알을 쏘다
capture /ˈkæptʃər/ B2	verb - 무력으로 소유하거나 통제하는 것.
slip /slɪp/ B1	verb - 짧은 거리를 의도치 않게 미끄러지다. noun - 무심코 미끄러지는 행위
heavy /ˈhevi/ A2	adjective - 무게가 큼; 들어 올리거나 움직이기 어렵다.
nervous /ˈnɜːrvəs/ B1	adjective - 쉽게 동요하거나 놀라다.
calm /kɑːm/ A2	adjective - 긴장, 분노 또는 기타 감정을 나타내거나 느끼지 않음.
drop /drɒp/ A2	verb - (무언가) 떨어지거나 느슨하게 매달리도록 내버려 두거나 허용합니다.
crowd /kraʊd/ A2	noun - 공공 장소에 함께 모인 많은 사람들.
choke /tʃoʊk/ B2	verb - 무언가가 목이나 기관을 막고 있기 때문에 숨쉬기가 매우 어렵습니다.
gravity /ˈɡrævəti/ B2	noun - 물체를 지구 중심으로 끌어당기거나 질량을 가진 다른 물리적 물체로 끌어당기는 힘.
mad /mæd/ A2	adjective - 화난; 격렬한.
dop /doʊp/ B2	adjective - (속어) 아주 좋아; 뛰어난
stagnant /ˈstæɡnənt/ C1	adjective - (물이나 대기의 몸에서) 흐르거나 움직이지 않음.
rhapsody /ˈræpsədi/ C1	noun - 감정을 격렬하게 열광하거나 황홀하게 표현하는 것.
soul /soʊl/ B1	noun - 불멸로 간주되는 인간 또는 동물의 영적 또는 비물질적 부분.
gape /ɡeɪp/ B2	verb - 입을 벌리고 멍하니 쳐다보는 것, 일반적으로 놀라움이나 경이로움에 빠져서.
bore /bɔːr/ B1	adjective - 관심 부족으로 인해 지치고 안절부절 못하게 만드는 것.
rage /reɪdʒ/ C1	noun - 폭력적이고 통제할 수 없는 분노.
rhyme /raɪm/ B1	verb - (단어, 음절 또는 줄의) 다른 소리에 해당하는 소리를 갖거나 끝맺습니다.
fail /feɪl/ A2	verb - 자신의 목표를 달성하는 데 성공하지 못하다.

어휘

의미

shot

/ʃɒt/

noun
- 무언가를 하거나 달성하려는 시도.

verb
- 총에서 총알을 쏘다

capture

/ˈkæptʃər/

verb
- 무력으로 소유하거나 통제하는 것.

slip

/slɪp/

verb
- 짧은 거리를 의도치 않게 미끄러지다.

noun
- 무심코 미끄러지는 행위

heavy

/ˈhevi/

adjective
- 무게가 큼; 들어 올리거나 움직이기 어렵다.

nervous

/ˈnɜːrvəs/

adjective
- 쉽게 동요하거나 놀라다.

calm

/kɑːm/

adjective
- 긴장, 분노 또는 기타 감정을 나타내거나 느끼지 않음.

drop

/drɒp/

verb
- (무언가) 떨어지거나 느슨하게 매달리도록 내버려 두거나 허용합니다.

crowd

/kraʊd/

noun
- 공공 장소에 함께 모인 많은 사람들.

choke

/tʃoʊk/

verb
- 무언가가 목이나 기관을 막고 있기 때문에 숨쉬기가 매우 어렵습니다.

gravity

/ˈɡrævəti/

noun
- 물체를 지구 중심으로 끌어당기거나 질량을 가진 다른 물리적 물체로 끌어당기는 힘.

mad

/mæd/

adjective
- 화난; 격렬한.

dop

/doʊp/

adjective
- (속어) 아주 좋아; 뛰어난

stagnant

/ˈstæɡnənt/

adjective
- (물이나 대기의 몸에서) 흐르거나 움직이지 않음.

rhapsody

/ˈræpsədi/

noun
- 감정을 격렬하게 열광하거나 황홀하게 표현하는 것.

soul

/soʊl/

noun
- 불멸로 간주되는 인간 또는 동물의 영적 또는 비물질적 부분.

gape

/ɡeɪp/

verb
- 입을 벌리고 멍하니 쳐다보는 것, 일반적으로 놀라움이나 경이로움에 빠져서.

bore

/bɔːr/

adjective
- 관심 부족으로 인해 지치고 안절부절 못하게 만드는 것.

rage

/reɪdʒ/

noun
- 폭력적이고 통제할 수 없는 분노.

rhyme

/raɪm/

verb
- (단어, 음절 또는 줄의) 다른 소리에 해당하는 소리를 갖거나 끝맺습니다.

fail

/feɪl/

verb
- 자신의 목표를 달성하는 데 성공하지 못하다.

문법:

If you had one shot or one opportunity To seize everything you ever wanted in one moment

➔ 가정법 과거

➔ **가정법 과거** (If + 과거 단순, would + 동사 원형)는 현재 또는 미래의 비현실적이거나 있을 법하지 않은 상황에 대해 이야기하는 데 사용됩니다. 여기서 가정은 가상적입니다. 그는 아직 한 번의 기회를 실제로 *가지고* 있지 않습니다.
Would you capture it or just let it slip?

➔ 'Would'를 사용한 조건부 질문

➔ 이 줄은 가상 행동에 대한 질문을 만들기 위해 'would'를 사용합니다. 'Would you capture it'은 상상된 시나리오에서 무엇이 *일어날지* 표현합니다. 'let it slip'에서 동사 'let'은 무언가가 손실되거나 낭비되도록 허용하는 것을 의미합니다.
He's nervous, but on the surface, he looks calm and ready To drop bombs, but he keeps on forgetting What he wrote down

➔ 대조 접속사 (but), 습관적 행동을 강조하는 현재 진행형 (keeps on forgetting)

➔ 'But'은 그의 내면의 긴장과 외모의 대비를 보여줍니다. 'He keeps on forgetting'은 현재 진행형을 사용하여 그가 잊어버리는 반복적인 특성을 강조하여 더욱 좌절감을 줍니다. 'Keep on + verb+ing'은 지속성을 보여주는 관용구입니다.
Snap back to reality, ope, there goes gravity Ope, there goes Rabbit, he choked, he's so mad

➔ 명령형 (Snap back), 현재 단순 ('there goes' - 강조와 즉시성을 위해 사용)

➔ 'Snap back to reality'는 명령형이며 직접적인 명령입니다. 'There goes gravity'와 'There goes Rabbit'은 현재 시제를 특이한 방식으로 사용합니다. 일반적으로 'there goes'는 무언가가 멀어지는 것을 나타내지만 여기서는 상황에 대한 통제를 빠르게 잃는 것을 의미합니다. 그것을 사용하면 장면의 영향력과 즉시성이 추가됩니다.
He knows his whole back's to these ropes, it don't matter He's dope, he knows that, but he's broke, he's so stagnant

➔ 비공식 약어 ('back's', 'don't'), 대조 접속사 ('but')

➔ 이 줄은 'back's'(back is) 및 'don't'(does not)와 같은 비공식 약어를 사용하여 대화식 스트리트 레벨 스타일을 반영합니다. 'But'은 다시 그의 재능('dope')과 현재 상황('broke', 'stagnant') 간의 대비를 만듭니다.
You better lose yourself in the music The moment, you own it, you better never let it go (go)

➔ 'Better' (had better) + 동사 원형 (lose), 명령법.

➔ 'You better lose yourself'는 강력한 권장 사항 또는 경고입니다. 'Had better'는 구어에서 'better'로 단축되는 경우가 많습니다. 그것은 긴급성을 표현합니다. 명령법은 지시를 제공합니다.
No more games, I'ma change what you call rage Tear this motherfuckin' roof off like two dogs caged

➔ 비공식 약어 ('I'ma'), 명사절 ('what you call rage'), 직유 ('like two dogs caged')

➔ 'I'ma'는 'I am going to'의 매우 비공식적인 약어입니다. 'What you call rage'는 동사 'change'의 목적어 역할을 하는 명사절입니다. 'Like two dogs caged'는 그의 격렬한 분노를 감금된 동물의 분노와 비교하는 직유입니다.
Best believe somebody's payin' the Pied Piper All the pain inside amplified by the Fact that I can't get by with my nine-to-Five and I can't provide the right type of life for my family

➔ 생략 ('best believe' - 원래는 'you best believe'여야 함), 수동태 ('amplified by'), 관계절 ('that I can't get by...')

➔ 'Best believe'는 간결함과 영향력을 위해 단어가 생략된 생략의 예입니다. 'amplified by the fact'에서 수동태는 행위자가 아닌 작용을 받고 있는 고통을 강조하는 데 사용됩니다. 'That I can't get by...'는 단어 'fact'를 수정하는 관계절입니다.