Lyrics & Translation
Dive into the world of Japanese vocal synthesis with "ムシ" by 琴葉茜 and 琴葉葵! This song is a fantastic way to experience the nuances of the Japanese language through its engaging lyrics and the distinct voices of the Kotonoha sisters, Akane (Kansai dialect) and Aoi (Standard Japanese). Learn about their playful rivalry and the song's intriguing metaphors, all set to a dynamic, fast-tempo melody.
Key Vocabulary
Vocabulary | Meanings |
---|---|
愛する /あいする/ B1 |
|
味わう /あじわう/ B2 |
|
絡ませる /からませる/ C1 |
|
罵声 /ばせい/ C2 |
|
匂い /におい/ A2 |
|
狂う /くるう/ C1 |
|
美しい /うつくしい/ B1 |
|
溺れる /おぼれる/ B2 |
|
夏 /なつ/ A1 |
|
攫う /さらう/ C2 |
|
情 /じょう/ C1 |
|
酸い /すい/ B2 |
|
甘い /あまい/ A2 |
|
顔 /かお/ A1 |
|
風 /かぜ/ A1 |
|
“愛する, 味わう, 絡ませる” – got them all figured out?
⚡ Dive into vocabulary challenges in the app and lock in your knowledge right after jamming to "ムシ"
Key Grammar Structures
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僕がこの世で一番美しいでしょ
➔ Superlative degree with 「一番」 and a sentence-ending tag 「でしょ」 to seek agreement.
➔ In this line, the word "一番" marks the superlative.
-
ねえ 今日もくだらない顔して
➔ Use of the て-form to describe a continuing state; often the accompanying verb いる is omitted in casual speech.
➔ The "て" form here creates a descriptive clause for a continuing state, with the auxiliary "いる" omitted.
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このテーブルマナーが鼻につくのかしら
➔ Use of the question-ending 'のかしら' to express mild speculation or wonder.
➔ In this line, the phrase "のかしら" expresses a soft question or speculation.
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分かった 分かった
➔ Repetition for emphasis; stylistic device called reduplication or chiasmus in casual speech.
➔ The line repeats to add emphasis, a common casual stylistic device.
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絡ませておいで
➔ Verb + ておいで: imperative asking someone to do something and come; a casual command.
➔ The construction "verb ておいで" is an imperative requesting someone to perform an action and come over.
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愛してくれ
➔ Imperative form of the verb + くれる to request or demand someone's action for speaker.
➔ The verb "愛してくれ" uses the imperative of くれる to request someone to love me for the speaker.
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この酸いまでも 甘いまでも 味わっちゃえ
➔ Pattern "〜までも" meaning 'even...'; plus "味わっちゃえ" from てしまう + imperative as intense command.
➔ The phrase "〜までも" expresses extent (even). "味わっちゃえ" is the emphatic imperative of tasting fully (from "てしまう").
-
だってしょうがないよね しょうがないよね
➔ Set phrase 'しょうがない' meaning 'it can't be helped'; 'だって' gives a reason; 'よね' seeks agreement.
➔ The line uses the fixed phrase "しょうがない" with reason "だって" and confirmation tag "よね".
-
僕の匂いに攫われたんだからね
➔ Passive construction with agent marked by に; colonizer/agent expressed by 「僕の匂いに」; followed by "んだから" giving explanation.
➔ The clause uses the passive voice with the agent marked by "に" and the explanatory "んだから".
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まるで飛んで火に入る夏の君
➔ Use of まるで for a direct simile; ベース metaphorical phrase with '飛んで火に入る' as an idiom.
➔ The line employs "まるで" as a direct simile; the phrase "飛んで火に入る" is used metaphorically.
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