Lyrics & Translation
Dive into the raw and compelling narrative of "GAVILÁN II" by Peso Pluma and Tito Double P, a prime example of modern regional Mexican music. This song offers a vivid portrayal of loyalty and resilience within a dangerous world, making it an excellent opportunity to learn Spanish slang and cultural references embedded in contemporary corridos tumbados. Its direct language and intense storytelling provide a unique window into the genre, making it special for those eager to understand authentic Spanish expression.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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chambear /tʃamˈbe.aɾ/ B2 |
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matar /maˈtaɾ/ B1 |
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rezar /reˈsaɾ/ B1 |
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sombra /ˈsombɾa/ A2 |
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fosa /ˈfosa/ C1 |
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militar /miliˈtaɾ/ B1 |
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comandar /komanˈdaɾ/ B2 |
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rifle /ˈrifle/ B2 |
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operar /opeˈɾaɾ/ B1 |
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blindaje /blinˈdaxe/ C1 |
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calzado /kalˈsaðo/ B1 |
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pistola /pisˈtola/ A2 |
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balazo /baˈlaso/ C1 |
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patrullar /patruˈʎaɾ/ C1 |
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mando /ˈmando/ B2 |
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armado /aɾˈmaðo/ B1 |
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Key Grammar Structures
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Ya me escucharon por ahí
➔ Present perfect passive with 'ya' (already) + verb
➔ The adverb "ya" emphasizes that the action "escucharon" has already happened.
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Y si la orden es matar, esa no se cuestiona
➔ Conditional clause with 'si' + indicative; passive reflexive 'se' construction
➔ The phrase "la orden" is the subject of the clause "es matar", and "se cuestiona" shows a passive meaning without a direct agent.
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Al diablo le he de rezar
➔ Periphrastic modal 'he de' + infinitive (obligation)
➔ "He" is part of the modal expression "he de" meaning "must"; the infinitive "rezar" follows it.
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Aquí no hay chanza de hablar, los echo pa’ la fosa
➔ Double negative with 'no hay' + noun; clitic pronoun 'los' before verb
➔ The negative particle "no" negates "hay"; "los" (them) is an object pronoun placed before "echo" (I throw).
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Traigo puro ex militar
➔ Noun phrase with adjective "puro" used emphatically; omission of article
➔ "puro" intensifies "ex militar" (former military); no article before the phrase is typical in informal speech.
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Si intento fantochear, dependo de los Guzmán
➔ Conditional clause with "si" + present indicative; verb "dependir de" + noun phrase
➔ The verb "intento" (I try) sets a realistic condition; "dependo" shows reliance on "los Guzmán".
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Rifles de esos que ni se imaginan, yo los tengo aquí a la mano
➔ Relative clause "que ni se imaginan"; object pronoun "los" before verb "tengo"
➔ "que" introduces the relative clause describing "esos" rifles; "los" replaces "rifles" as the direct object of "tengo".
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Vienen escuchando rap
➔ Present progressive formed with implicit auxiliary "estar" + gerund "escuchando"
➔ "Escuchando" is a gerund showing an ongoing action; the subject "vienen" already contains the sense of "estar".
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Se me va a olvidar que peleamos
➔ Future periphrastic "ir a + infinitive"; reflexive pronoun "se" with dative "me"
➔ "va a olvidar" means "will forget"; "se me" indicates that the forgetting happens unintentionally to the speaker.
Album: GÉNESIS
Rio d'Água
SYRO, Gisela João
新地球
林俊傑
NUEVA VIDA
Peso Pluma
CARNAL
Peso Pluma, Natanael Cano
GAVILÁN II
Peso Pluma, Tito Double P
SU CASA
Peso Pluma, Luis R Conriquez
ZAPATA
Peso Pluma
LAGUNAS
Peso Pluma, Jasiel Nuñez
Same Singer
Champagne
Tito Double P
Nadie
Tito Double P
Tattoo
Tito Double P
Rosones
Tito Double P
5 - 7
Tito Double P, Junior H
Escápate
Tito Double P, Chino Pacas
Dos Días
Tito Double P, Peso Pluma
PRIMO
Tito Double P, Natanael Cano
MALEDUCADO
Luis R Conriquez, Tito Double P
GAVILÁN II
Peso Pluma, Tito Double P
Farandulitas
Tito Double P
Mr. Internacional
Tito Double P, Los Dareyes de la Sierra
Detona
Tito Double P, Gabito Ballesteros
Farandulitas
Tito Double P
Blanca Rosita y Maria II
Tito Double P, Blas Murrieta, Luis David Verdugo Huerta, Jesús Roberto Laija García, Sergio Humberto Espinoza
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