Lyrics & Translation
Dive into the world of modern Mexican music with "PRIMO" by Tito Double P and Natanael Cano. This corrido tumbado offers a gripping narrative, showcasing the genre's storytelling prowess and its blend of traditional sounds with contemporary flair. Learn about themes of friendship, resilience, and navigating high-stakes situations through its vivid lyrics and captivating rhythm.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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viejo /ˈbje.xo/ A1 |
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polvo /ˈpol.βo/ A2 |
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botella /boˈte.ʎa/ A1 |
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antro /ˈan.tɾo/ B2 |
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bella /ˈbe.ʎa/ A2 |
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mesa /ˈme.sa/ A1 |
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terrenos /teˈre.nos/ B1 |
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piense /ˈpjẽn.se/ A2 |
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balazos /baˈla.sos/ B1 |
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piso /ˈpi.so/ A1 |
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muerto /ˈmweɾ.to/ A2 |
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leyes /ˈle.ʝes/ B1 |
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tiro /ˈti.ɾo/ A2 |
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paniqueado /pa.ni.keˈa.ðo/ B2 |
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Key Grammar Structures
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Quería que me echara un polvo rosa como ella
➔ Imperfect subjunctive mood used after 'quería que' to express a wish or desire.
➔
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Pidiera otra botella
➔ Imperfect subjunctive tense of 'pedir' (to ask for) used here to express a past-moment wish or hypothetical situation.
➔
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Cuando llegué al antro miré que era la más bella
➔ Preterite tense 'llegué' (I arrived) and preterite 'miré' (I saw) indicating completed actions in the past.
➔
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No andamos esos terrenos, mejor hay que abrirnos
➔ Use of 'no andamos' (we do not go / do not operate in) present tense, and impersonal expression 'hay que' (must) + infinitive.
➔
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Sonaron siete balazos y todos al piso
➔ Preterite tense 'sonaron' (they sounded) describing a completed action, and the phrase 'y todos al piso' indicating everyone fell to the ground.
➔
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Primo
➔ Use of the vocative 'Primo' (cousin or close friend) for addressing someone directly.
➔
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Ay, mamá
➔ Exclamatory interjection expressing surprise or shock.
➔
Same Singer
Champagne
Tito Double P
Nadie
Tito Double P
Tattoo
Tito Double P
Rosones
Tito Double P
5 - 7
Tito Double P, Junior H
Escápate
Tito Double P, Chino Pacas
Dos Días
Tito Double P, Peso Pluma
PRIMO
Tito Double P, Natanael Cano
MALEDUCADO
Luis R Conriquez, Tito Double P
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