Lyrics & Translation
Immerse yourself in the heartfelt emotions of Rauw Alejandro's "Lejos del Cielo." Through its poignant lyrics and slow reggaeton rhythm, you can explore themes of lost love and emotional turmoil, gaining insight into the complexities of heartbreak and the yearning for connection.
Key Vocabulary
Vocabulary | Meanings |
---|---|
dónde /ˈdonde/ A1 |
|
estar /esˈtar/ A1 |
|
llamar /ʝaˈmar/ A1 |
|
miedo /ˈmjɛðo/ A2 |
|
corazón /koɾaˈθon/ A2 |
|
triste /ˈtɾiste/ A2 |
|
vida /ˈbiða/ A2 |
|
cielo /ˈθjelo/ A2 |
|
perder /peɾˈðeɾ/ B1 |
|
entender /enˈtendeɾ/ B1 |
|
cicatriz /sikaˈtɾiz/ B2 |
|
capítulo /kaˈpitulo/ B2 |
|
descanso /desˈkanso/ B2 |
|
sueño /ˈsweɲo/ B2 |
|
infierno /inˈfjerno/ B2 |
|
mala /ˈmala/ B2 |
|
dueño /ˈdweɲo/ B2 |
|
🚀 "dónde", "estar" – from “Lejos del Cielo” still a mystery?
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Key Grammar Structures
-
¿Dónde, dónde estás?
➔ Interrogative Adverbs and Repetition for Emphasis
➔ The use of "¿Dónde?" repeated twice emphasizes the singer's desperation in searching for the person. The adverb "dónde" means "where."
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Llevo rato llamando, contesta
➔ Present Progressive Implied and Imperative
➔ "Llevo rato llamando" implies the continuous action of calling (present progressive implied). "Contesta" is the imperative form of "contestar" (to answer), meaning "answer (the phone).".
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No corren las manecilla' del reloj
➔ Present Tense with Impersonal Subject
➔ The subject "las manecillas del reloj" (the hands of the clock) is an object, not a person. The verb "corren" (run) is conjugated in the third person plural to agree with the plural subject.
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Aunque perderte da miedo, en verdad mejor dime que no
➔ Subjunctive Mood after 'Aunque' and Conditional Sentence
➔ "Aunque" (although) often introduces a clause requiring the subjunctive mood when expressing doubt, uncertainty, or something contrary to fact. Here, the subjunctive isn't explicitly present but the implied possibility triggers the desire for a direct answer. "Mejor dime que no" expresses a preference in a hypothetical situation.
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Uno perdona, ¿pero quién borra las cicatrice'?
➔ Impersonal 'Uno' and Rhetorical Question
➔ "Uno" is used as an impersonal pronoun, meaning "one" or "people in general". The rhetorical question challenges the ease with which one might forgive, contrasting it with the difficulty of erasing emotional scars. The apostrophe in "cicatrice'" is slang for "cicatrices".
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Llevo más de 10 borradore' de la carta que hice
➔ Preterite and Slang
➔ "Hice" is the preterite (simple past) form of "hacer" (to do, to make). "Borradores" is misspelled as "borradore'" showing slang or dialectal variation. "Llevo + time period + gerund" shows the duration of an action.
-
¿De qué me vale tener una fortuna si por dentro me quiebro?
➔ Conditional Clause with Rhetorical Question and Reflexive Verb
➔ The question poses a hypothetical situation where wealth is contrasted with inner emotional breakdown. "Me quiebro" uses the reflexive verb "quebrarse" to indicate the speaker is breaking down internally. The phrase "¿De qué me vale...?" is used to express the uselessness of something.
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Solo llorando, pero en un Ferro, yeah
➔ Gerund Phrase and Ellipsis
➔ "Llorando" is the gerund form of "llorar" (to cry). There is an ellipsis (omission) of a verb, like "Estoy" (I am) to say "Estoy solo llorando".
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Deja que te lo haga, Por última vez en mi cama
➔ Subjunctive Mood and Pronoun Placement
➔ "Deja que te lo haga" translates to "Let me do it to you". "Deja" is the imperative form of "dejar", which requires the subjunctive in the subordinate clause introduced by "que". The pronouns "te" and "lo" are placed before the verb in this case.
Same Singer

Carita Linda
Rauw Alejandro

Khé?
Rauw Alejandro, Romeo Santos

Lejos del Cielo
Rauw Alejandro

VAMPIROS
ROSALÍA, Rauw Alejandro

VAMPIROS
ROSALÍA, Rauw Alejandro

Tattoo
Rauw Alejandro

FORNI
Los Ballers, Clarent, Rauw Alejandro
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