Lyrics & Translation
Dive into the emotional depths of Kenshi Yonezu's "Uma to Shika," a powerful J-Pop ballad that offers a unique window into Japanese lyricism. Through its poetic exploration of resilience and the profound question of love, you can experience the beauty and emotional nuance of the Japanese language. The song's thoughtful wordplay and evocative imagery make it a compelling piece for language learners to uncover deeper meanings and cultural insights.
Key Vocabulary
Vocabulary | Meanings |
---|---|
春 /haru/ A1 |
|
傷 /kizu/ B1 |
|
愛 /ai/ A2 |
|
心 /kokoro/ A2 |
|
痛み /itami/ B1 |
|
言葉 /kotoba/ B1 |
|
願い /negai/ B2 |
|
影 /kage/ B2 |
|
花 /hana/ A1 |
|
名前 /namae/ A2 |
|
目 /me/ A1 |
|
魂 /tamashii/ B2 |
|
歩く /aruku/ A1 |
|
消える /kieru/ B1 |
|
強い /tsuyoi/ A2 |
|
冷たい /tsumetai/ B1 |
|
続く /tsuzuku/ B1 |
|
What does “春” mean in the song "馬と鹿"?
Learn fast – go deep – and remember longer with interactive exercises in the app!
Key Grammar Structures
-
まだ味わうさ 噛み終えたガムの味
➔ The use of まだ (mada) indicates 'still' or 'yet', expressing an ongoing state.
➔
-
呼べよ 花の名前をただ一つだけ
➔ The command form 呼べよ (yobe yo) is a casual imperative, used to give a strong suggestion or command.
➔
-
痛みは消えないままでいい
➔ The phrase ままでいい (mamade ii) expresses that it is acceptable to remain in the current state.
➔
-
傷跡隠して歩いた
➔ The te-form 隠して (kakushite) combined with 歩いた (aruita) indicates 'hid and then walked', showing sequence or manner.
➔
-
終わるにはまだ早いだろう
➔ The combination に is used here to indicate purpose or point of view, 'to', as in 'to end'.
➔
-
誰にも奪えない魂
➔ The potential form 奪えない (utae nai) indicates 'cannot be stolen', emphasizing inability.
➔
-
何に例えよう 君と僕を
➔ The verb 例えよう (tatoeyou) is volitional, meaning 'let's compare' or 'shall we compare'.
➔
Same Singer

カナリヤ
米津玄師

カムパネルラ
米津玄師

感電
米津玄師

感電
米津玄師

馬と鹿
米津玄師

パプリカ
米津玄師, Foorin

海の幽霊
米津玄師

TEENAGE RIOT
米津玄師

Flamingo
米津玄師

Lemon
米津玄師

春雷
米津玄師

打ち上げ花火
DAOKO,米津玄師

ピースサイン
米津玄師

orion
米津玄師

LOSER
米津玄師

リビングデッド・ユース
米津玄師

サンタマリア
米津玄師

ゴーゴー幽霊船
米津玄師

BOW AND ARROW
米津玄師

Plazma
米津玄師
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