Amor de Pistola – Bilingual Lyrics Spanish/English

• By: El Jhota, Keen Levy, Papaa Tyga
• Album: Amor de Pistola

Lyrics & Translation

Dive into the vibrant world of 'Amor de Pistola,' a compelling track by El Jhota, Keen Levy, and Papaa Tyga. This song offers a fantastic opportunity to immerse yourself in Spanish, featuring lyrics that explore passionate and complex relationships through urban and flamenco-infused rhythms. Its unique blend of Latin Hip Hop, Reggaeton, and traditional Spanish sounds makes it a special piece for language learners to experience diverse vocal styles and contemporary Spanish slang.

[English]

Po poro poro poro poro po po po

Po poro poro poro poro po po po

Po poro poro poro poro po po po

Po poro poro poro poro po po po

When I squeeze it, it goes po po po.

Take the vibe and ride with me.

She doesn't bend, she stays alert.

I'm the one who keeps her hooked.

When I caress her, it goes po po po.

Take the vibe and ride with me.

She never bends, she stays on point.

Because I keep her hooked.

When she gets angry, it goes po po po.

When I squeeze it, it goes po po po.

She aims at you and po po po.

My gun, I'll empty the clip on you.

And when I caress her, it goes po po po.

And she aims at you and goes po po po.

When I caress her, it goes po po po.

And she aims at you and goes po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

I take my crazy girl out to the block.

I carry her clean, no prints, no lock.

She's a little crazy, she's wild.

My girl is active 24/7.

She talks like a Russian, she's foreign.

She always holds on tight to my hip.

She screams for me to squeeze her, to ask for whatever she wants.

That she'd die for me and kill anyone.

If she gets angry, po po, beautiful mommy, let the smoke out.

Without surgery, that ass is incredible.

She doesn't run away from home, she won't marry anyone.

I'm her lover, her number one.

When I caress her, it goes po po po.

Take the vibe and ride with me.

She never bends, she stays on point.

Because I keep her hooked.

So sadistic, everything's cold with her whenever the guy touches her.

The rivals are hurt, she doesn't bend in the streets.

And she's never stopped, that's why...

I take you with me and I'm lost with you.

It's intense when I caress you and we finish a joint.

With a hit of molly, I make you call for help.

I have a showgirl mommy who looks out for me.

The gangsters respect her, that's why she gets me going.

No, no.

And when she gets angry, po po po.

When I squeeze her, po po po.

She aims at you, po po po.

And I'll empty the clip on you.

A serious problem.

The neighbor is messing with me, no.

She doesn't fall in love or want anything serious.

She only calls me when she's high.

I have a plan B for when...

I see her again.

She'll definitely fall in love.

When she sees me appear.

With a Valentino edge.

And tattoos on her skin.

A bad face with you.

I want to have one night.

And when she gets angry, po po po.

When I squeeze her, po po po.

She aims at you and po po po.

My gun, I'll empty the clip on you.

When she gets angry, po po po.

When I squeeze her, po po po.

She aims at you and po po po.

My gun, I'll empty the clip on you.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

From the street for the street.

Tell 'em El Loki Lowi.

Keen Levy, the essence.

Papaa Tyga.

From Spain to the world.

Not tomorrow or the day after.

There is no tomorrow or the day after.

A tough guy of tough guys.

From the house.

Girao forever.

Jhota Matón.

Keen Levy, Papaa Tyga, El Bulto.

[Spanish]

Po poro poro poro poro po po po

Po poro poro poro poro po po po

Po poro poro poro poro po po po

Po poro poro poro poro po po po

Cuando la aprieto hace po po po.

Coge la nota y conmigo se va.

Ella no se dobla se mantiene alerta.

Yo que la mantengo siempre engancha.

Cuando la sobo hace po po po.

Coge la nota y conmigo se va.

Ella nunca dobla se mantiene a cuarta.

Porque la mantengo siempre engancha.

Cuando se enfada hace po po po.

Cuando la aprieto hace po po po.

Te pone en la mira y po po po.

Mi pistola yo te vacío el cargador.

Y cuando la sobo hace po po po.

Y te pone en la mira y hace po po po.

Cuando la sobo hace po po po.

Y te pone en la mira y hace po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Saco yo a mi loca voy por el bloque.

La llevo limpia sin huellas sin locked.

Es medio maluca está al garete.

Mi nena activa 24/7.

Habla como rusa es extranjera.

Siempre se agarra fuerte a mi cadera.

Me grita que la apriete que pida lo que quiera.

Que por mi muere y que mata a cualquiera.

Si se enfada po po mami chula suelta el humo.

Sin cirujano tremendo ese culo.

No se escapa de su casa, no se casa con ninguno.

Yo soy su amante su número uno.

Cuando la sobo hace po po po.

Coge la nota y conmigo se va.

Ella nunca dobla se mantiene a cuarta.

Porque la mantengo siempre engancha.

Que sádica con ella está to' frío siempre que el loco la choca.

Los contrarios están dolidos, ella no dobla en los juideros.

Y nunca se ha detenido por eso es que.

Yo te llevo y contigo estoy fundido.

Que heavy te sobo y matamos un porro.

Con una nota de molly te pongo a pedir socorro.

Una mami de vitrina yo tengo que me vaquea.

Los gánster le dan respeto por eso ella me tripea.

No, no.

Y cuando se enfada po po po.

Cuando la aprieto po po po.

Te pone en la mira po po po.

Y yo te vacío el cargador.

Un problema que es muy serio.

La vecina me tira al medio, no.

No se enamora ni quiere algo serio.

Solo me llama cuando se va roquelio.

Tengo un plan B para cuando.

Yo la vuelva a ver.

Seguro que se enamora.

Cuando me ve aparecer.

Con piquete Valentino.

Y tatuajes en la piel.

La cara malo contigo.

Una noche quiero tener.

Y cuando se enfada po po po.

Cuando la aprieto po po po.

Te pone en la mira y po po po.

Mi pistola yo te vacío el cargador.

Cuando se enfada po po po.

Cuando la aprieto po po po.

Te pone en la mira y po po po.

Mi pistola yo te vacío el cargador.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

Po poro poro poro poro po po po.

De la calle para la calle.

Dime El Loki Lowi.

Keen Levy la esencia.

Papaa Tyga.

De España para el mundo.

Mañana ni pasado.

No hay mañana ni pasado.

Matón de matones.

From the house.

Girao forever.

Jhota Matón.

Keen Levy, Papaa Tyga, El Bulto.

Key Vocabulary

Vocabulary	Meanings
pistola /piˈstola/ B1	noun - pistol, handgun
cargador /kaɾɣaˈðoɾ/ B1	noun - magazine (for a firearm)
vacío /baˈθjo/ B1	verb - to empty adjective - empty
enfada /enˈfaða/ B1	verb - gets angry
mira /ˈmiɾa/ A2	noun - sight, aim
mantengo /manˈtengo/ B1	verb - I maintain
bloque /ˈblokɛ/ A2	noun - block (of a city)
limpia /ˈlimpja/ A2	adjective - clean
agarra /aˈɣaɾa/ A2	verb - grabs, holds on
muere /ˈmweɾe/ B1	verb - dies
mata /ˈmata/ B1	verb - kills
dolidos /doˈliðos/ B2	adjective - hurt, aggrieved
fundido /funˈðiðo/ B2	adjective - merged, blended
socorro /soˈkoɾo/ A2	noun - help, assistance
tripea /tɾiˈpea/ B2	verb - excites, thrills (slang)
serio /ˈseɾjo/ A2	adjective - serious
aparecer /apaɾeˈθeɾ/ A2	verb - to appear

Key Grammar Structures

• Cuando la aprieto hace po po po.

  ➔ Present Indicative of 'apretar' (to squeeze/press)

  ➔ The phrase uses the present indicative tense, 'aprieto' (I press/squeeze), to describe an action that happens regularly or habitually.

• Ella no se dobla se mantiene alerta.

  ➔ Use of reflexive verbs 'doblarse' and 'mantenerse'

  ➔ 'se dobla' (she doesn't bend/fold) and 'se mantiene' (she stays/keeps) are reflexive verbs, indicating the action is done to oneself or for oneself, emphasizing the subject's state or action.

• Yo que la mantengo siempre engancha.

  ➔ Present Indicative of 'mantener' with an object pronoun

  ➔ 'mantengo' (I keep/maintain) is in the present indicative. 'la' is a direct object pronoun referring to 'ella' (her), indicating that 'I' am the one keeping 'her' engaged.

• Mi pistola yo te vacío el cargador.

  ➔ Direct object pronoun placement and verb conjugation

  ➔ 'vacío' (I empty) is in the present indicative. The placement of 'te' (you) before the verb and 'el cargador' (the magazine) after emphasizes the direct action towards 'you' with the pistol.

• Con una nota de molly te pongo a pedir socorro.

  ➔ Causative construction 'poner a' + infinitive

  ➔ 'te pongo a pedir socorro' means 'I make you ask for help'. The structure 'poner a alguien a hacer algo' (to make someone do something) is used to indicate causing someone to perform an action.

• Una mami de vitrina yo tengo que me vaquea.

  ➔ Idiomatic expression 'tener que vaquea' and pronoun placement

  ➔ 'tener que vaquea' is a colloquial phrase meaning 'has my back' or 'supports me'. The pronoun 'me' is attached to 'vaquea' as is common with infinitives or certain verb forms in Spanish.

• Tengo un plan B para cuando yo la vuelva a ver.

  ➔ Subjunctive mood in a temporal clause ('cuando' + subjunctive)

  ➔ The clause 'cuando yo la vuelva a ver' (when I see her again) uses the present subjunctive 'vuelva' because it refers to a future, uncertain event. 'Volver a + infinitive' means 'to do something again'.

• Seguro que se enamora. Cuando me ve aparecer.

  ➔ Future probability with 'Seguro que' + Indicative

  ➔ 'Seguro que se enamora' expresses a high degree of certainty about a future event. 'Seguro que' is followed by the indicative mood when expressing such probability.

• La cara malo contigo.

  ➔ Colloquial use of 'cara' and adjective placement

  ➔ This is a colloquial phrase, likely meaning 'with a bad attitude towards you' or 'looking tough with you'. 'Cara' (face) is used metaphorically, and 'malo' (bad) describes the attitude or appearance.