Bâtiment
Lyrics:
Vocabulary in this song:
Vocabulary | Meanings |
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bâtiment /bɑ.ti.mɑ̃/ B1 |
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rue /ʁy/ A1 |
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justice /ʒys.tis/ A2 |
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quartier /kaʁ.tje/ A2 |
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sentiment /sɑ̃.ti.mɑ̃/ B1 |
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destin /dɛs.tɛ̃/ B1 |
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misère /mi.zɛʁ/ B1 |
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peuple /pœpl/ B1 |
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ambiance /ɑ̃.bjɑ̃s/ B1 |
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malsaine /mal.sɛn/ B2 |
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incarcérer /ɛ̃.kaʁ.se.ʁe/ B2 |
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guetter /ɡe.te/ B1 |
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balancer /ba.lɑ̃.se/ A2 |
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châtiment /ʃɑ.ti.mɑ̃/ C1 |
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peine /pɛn/ A2 |
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clochar /klo.ʃaʁ/ B2 |
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rafale /ʁa.fal/ B2 |
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taureau /to.ʁo/ A2 |
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conta /kɔ̃.ta/ B2 |
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prier /pʁi.je/ A2 |
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Grammar:
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À mes premiers lovés, j'ai acheté un gros tarpé
➔ Passé Composé, use of 'à' for temporal context, informal vocabulary.
➔ The line uses the *passé composé* ("j'ai acheté" - "I bought") to describe a completed action in the past. The preposition ""à"" combined with ""mes premiers lovés"" (my first earnings) indicates the specific time frame or occasion when the action occurred, functioning as "when I had my first earnings". ""Lovés"" and ""tarpé"" are slang terms for money and a joint, respectively.
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Ça va barder, j'ai tiré j'ai fini embarqué
➔ Futur Proche, sequence of Passé Composé, 'finir' + participe passé.
➔ ""Ça va barder"" uses the *futur proche* (aller + infinitive) to express an immediate future action or consequence, often with a sense of impending trouble. The second part shows a sequence of past actions using the *passé composé* ("j'ai tiré" - "I shot"). ""J'ai fini embarqué"" employs the structure "finir + participe passé" (or "finir par + infinitif") to indicate the outcome or conclusion of an action, meaning "I ended up arrested/taken away."
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Ils balaient les couilles qu'on est grandi ensemble
➔ Vulgar idiom, informal verb conjugation error (common in spoken French).
➔ ""Ils balaient les couilles"" is a very vulgar and informal idiom meaning "they don't care at all" or "they completely disregard." The phrase ""qu'on est grandi"" is grammatically incorrect in standard French; it should be ""qu'on **a** grandi"" (using *avoir* as the auxiliary verb for *grandir* when meaning "to grow up"). This illustrates a common informal speech pattern where *être* might incorrectly replace *avoir* with certain verbs.
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D'avant que la bac s'applique
➔ Informal temporal conjunction 'd'avant que' + Subjunctive mood.
➔ ""D'avant que"" is an informal or regional variant of ""avant que"" (before), which always requires the *subjonctif* mood in the following clause to express anticipation or a condition not yet met. Here, ""s'applique"" is the present subjunctive of the verb *s'appliquer* (to apply oneself, to act effectively), referring to the police (BAC) taking action. This construction is advanced, reflecting authentic spoken French.
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C'est pour ceux qui font des classe et qu'on incarcère
➔ Relative pronoun 'qui', indefinite pronoun 'on' used in a general or passive sense.
➔ ""C'est pour ceux qui..."" introduces a relative clause using ""qui"" as the subject pronoun for ""ceux"" (those), specifying who the song is for. The second part, ""et qu'on incarcère,"" uses ""on"" (meaning "one," "people in general," or here, implying "they" as in "the authorities") with a passive sense, meaning "and who are incarcerated." The initial ""que"" before ""on"" is a common elision of "et que."
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Je révisais des plaques de schmith mais pas mes partielles
➔ Imparfait for habitual past actions, contrastive conjunction 'mais', informal vocabulary.
➔ The verb ""révisais"" is in the *imparfait* tense, indicating a repeated or habitual action in the past: the speaker used to regularly check ""plaques de schmith"" (slang for police car license plates). The conjunction ""mais"" (but) highlights a contrast with ""pas mes partielles"" (not my partial exams), showing where the speaker's focus truly lay.
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Je suis rentré en B dange, je suis ressorti sans la sé
➔ Passé Composé with 'être' for verbs of movement, informal elliptical expressions.
➔ Both ""je suis rentré"" and ""je suis ressorti"" use the *passé composé* with the auxiliary verb *être*, which is standard for verbs of movement like *rentrer* (to enter/go back in) and *ressortir* (to come out/go out again). ""En B dange"" and ""sans la sé"" are highly informal and elliptical, likely referring to a specific prison section or gang context ("B. Danger") and ""la sé"" possibly meaning "la sentence" (the sentence) or "le casier" (criminal record), implying he got out without a criminal record.
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J'ai pris le taureau par les sentiments
➔ Modified idiom / Figurative language.
➔ This line plays on the well-known French idiom ""prendre le taureau par les cornes"" (to take the bull by the horns), which means to tackle a problem head-on and courageously. By replacing ""les cornes"" (the horns) with ""les sentiments"" (feelings/emotions), the speaker twists the idiom to suggest a different approach—perhaps dealing with a difficult situation using emotional intelligence or by confronting emotional challenges directly. This demonstrates a sophisticated use of language.
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qu'il nous éloigne des bâtards et du châtiment
➔ Subjunctive mood (after an implicit wish/prayer), pronominal verb 's'éloigner de'.
➔ This phrase, following "J'ai prié Dieu pour tout le continent," uses the *subjonctif* mood (""éloigne"" from *éloigner*) because it expresses a wish, a desire, or a prayer. The ""que"" introduces a subordinate clause of purpose or desire. The verb ""s'éloigner de"" is a pronominal verb meaning "to move away from" or "to keep away from," used here to express a plea for protection.
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Que serait cette musique sans Niquesi, sans kof
➔ Conditional tense, hypothetical statement.
➔ ""Que serait"" uses the *conditionnel présent* (conditional tense) to express a hypothetical situation or a rhetorical question. It asks what the music would be like ""without Niquesi, without Kofs,"" implying that their presence is crucial or indispensable to its identity. This structure is common for discussing possibilities or dependencies.