Lyrics & Translation
Dive into DILLOM's "Muñecas" to experience a potent blend of hip-hop and experimental sounds, revealing a gripping, albeit dark, narrative. This song, part of his 'Por cesárea' album, offers a unique opportunity to engage with Spanish lyrics that delve into complex emotions and a compelling story, making it a powerful piece for language learners seeking rich, authentic content.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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muñeca muˈɲeka A1 |
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perdí perˈði A2 |
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shady ˈʃeɪdi B1 |
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Reiki ˈreɪki B1 |
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escort ɛsˈkɔrt B1 |
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boludo boˈluðo A2 |
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pretendiente pɾetenˈdjente A2 |
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inerte iˈneɾte B2 |
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feng fɛŋ C1 |
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shui ʃwi C1 |
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sopermi soˈpeɾmi B2 |
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divierte diˈβjerte A2 |
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🚀 "muñeca", "perdí" – from “Muñecas” still a mystery?
Learn trendy vocab – vibe with music, get the meaning, and use it right away without sounding awkward!
Key Grammar Structures
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Voy a contarte cuando todo lo perdí
➔ Future intent with "voy a + infinitive" and temporal clause "cuando + past"
➔ The phrase "**voy a**" signals a near‑future action. "**cuando**" introduces a past event as the time reference.
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Lo hice todo por mi cuenta, como en un auto service
➔ Prepositional phrase "por mi cuenta" (by myself) and comparative "como" (like)
➔ "**por mi cuenta**" means ‘by myself’. "**como**" introduces a simile, here comparing the situation to an "auto service".
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De chico no me pagaban la membresía de Club Penguin
➔ Imperfect tense for habitual past action; negative with "no" + indirect object pronoun "me"
➔ "**no me pagaban**" uses the imperfect to show a repeated situation in childhood; "**me**" is the indirect object pronoun (to me).
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Te propongo lo siguiente, vayamos a un hotel
➔ Imperative verb "propongo" followed by a suggestion introducing a subjunctive clause "vayamos"
➔ "**propongo**" (I propose) introduces a suggestion; the verb in the second clause appears in the present subjunctive "**vayamos**" because of the proposal.
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¿Te pensás que soy boludo?, ¿que no sé cuándo me mienten?
➔ Use of the verb "pensar" + "que" with indicative; indirect question "cuándo" introduces a subordinate clause
➔ "**pensás que**" (do you think that) takes a clause in the indicative "**soy**". "**cuándo**" introduces an indirect question "**no sé cuándo me mienten**".
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Te agarré de la muñeca, me pediste que te suelte
➔ Past simple "agarré"; request with "pedir que" + subjunctive "suelte"
➔ "**agarré**" (I grabbed) is a simple past. After "**pediste que**" (you asked that), the verb appears in the subjunctive "**suelte**" because it expresses a request.
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Les dije que era mi perro, que no se alerten, pasa siempre
➔ Reported speech with "dije que" + imperfect "era"; negative command in subjunctive "se alerten"
➔ "**dije que**" introduces reported speech; the verb "**era**" stays in the imperfect because the statement was ongoing. "**se alerten**" is a negative command in the subjunctive ("don’t alert").
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Quería romperte, quemarte, pegarte fuerte
➔ Infinitive construction after "quería" (imperfect of desire); sequence of infinitives
➔ "**Quería**" (I wanted) is followed by three infinitives "**romperte**", "**quemarte**", "**pegarte**" to list desired actions.
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Hay problemas que solo los soluciona la muerte
➔ Relative clause with "que" and infinitive verb "soluciona" as a subject‑verb agreement; existential "hay"
➔ "**Hay**" (there are) introduces existence. "**que**" starts a relative clause, and "**soluciona**" agrees with its singular subject "problemas".
Same Singer
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HEGEMONICA
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Post Mortem
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