Lyrics & Translation
Embark on a linguistic and emotional journey with "Leva Tudo" by Calema and Dilsinho. This song offers a beautiful blend of Portuguese dialects, allowing you to immerse yourself in the rich sounds and expressions of both Portugal and Brazil. Its heartfelt lyrics about love and loss provide an authentic way to grasp common phrases and cultural sentiments, making it an engaging and special piece for language learners.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
|
levar /leˈvaɾ/ A2 |
|
|
tudo /ˈtudu/ A1 |
|
|
recordação /ʁekordaˈsɐ̃w/ B2 |
|
|
mala /ˈmala/ A2 |
|
|
lágrima /ˈlaɡɾimɐ/ B1 |
|
|
amor /aˈmoɾ/ A1 |
|
|
vinho /ˈviɲu/ B1 |
|
|
quarto /ˈkwaɾtu/ A1 |
|
|
salvar /salˈvaɾ/ B2 |
|
|
sentar /sẽˈtaɾ/ A2 |
|
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chorar /ʃoˈɾaɾ/ A2 |
|
|
feito /ˈfeito/ B1 |
|
|
carregador /kaʁeɡaˈdoɾ/ B2 |
|
|
cobertor /kubɛʁˈtoɾ/ B1 |
|
|
sentir /sẽˈtʃiɾ/ A2 |
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What does “levar” mean in the song "Leva Tudo"?
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Key Grammar Structures
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Alô, atende, me fala o que eu fiz
➔ Imperative Mood and Indirect Question
➔ “Atende” and “fala” are in the imperative mood, used to give orders or make requests. “O que eu fiz” is an indirect question, introduced by “o que” (what) and integrated into the main sentence.
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Tem horas que eu não sei se é você
➔ Impersonal Verb 'Ter' and Conjunction 'Se'
➔ The expression “Tem horas que...” is an impersonal form of 'haver' (to have/there is), meaning 'There are times when...'. The “se” introduces a subordinate clause indicating uncertainty or an indirect question.
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Sentado aqui no quarto, eu vejo
➔ Past Participle as an Adverbial Adjunct
➔ “Sentado” is a past participle functioning as an adverbial adjunct of manner or condition, describing the circumstance in which the main action (“eu vejo” - I see) occurs.
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Na sala uma mala feita
➔ Passive Voice (with Past Participle)
➔ “Feita” is the past participle of the verb 'fazer' (to make/do), used here as an adjective for “mala” (suitcase), indicating that the suitcase was prepared or packed by someone (passive voice).
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Aquele vinho branco que ninguém tomou
➔ Relative Pronoun 'Que' and Indefinite Pronoun 'Ninguém'
➔ “Que” is a relative pronoun that connects the clause “ninguém tomou” (nobody drank) to the antecedent “vinho branco” (white wine), specifying which wine. “Ninguém” is an indefinite pronoun meaning 'no one' or 'nobody'.
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Leva tudo o que eu te dei
➔ Demonstrative Pronoun 'O Que' and Object Pronouns
➔ “O que” functions as a neutral demonstrative pronoun followed by a relative pronoun, meaning 'that which' or 'what'. “Te” is an object pronoun indicating the indirect object ('to you').
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Não adianta, não / Dizer que tu entendes do que eu tô a sentir
➔ Impersonal Expression 'Não Adianta', Reported Speech, and Verbal Periphrasis 'Estar a + Infinitive'
➔ “Não adianta” is an impersonal expression meaning 'it's no use' or 'it's useless'. “Dizer que...” introduces a subordinate noun clause (reported speech). “Tô a sentir” (estou a sentir) is a verbal periphrasis common in European Portuguese, indicating a continuous action.
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Eu não sei mais viver
➔ Negation 'Não... Mais' and Infinitive as Object
➔ The structure “não... mais” expresses the idea of 'no longer' or 'not anymore,' indicating that an action or state has ceased. “Viver” (to live) is an infinitive used as the direct object of the verb “sei” (I know).
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Venha me salvar
➔ Imperative (Subjunctive) and Pronoun Placement
➔ “Venha” is the formal imperative (or third person singular subjunctive) of the verb 'vir' (to come). The placement of the object pronoun “me” before the verb (“me salvar”) is common in Brazilian Portuguese or informal contexts in Portugal, but formally it would be 'salvar-me' in Portugal.
Same Singer
Respirar
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Leva Tudo
Calema, Dilsinho
A Nossa Vez
Calema
Casa de Madeira
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Abraços
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Abraços
Calema, Antonio Mendes Ferreira, Fradique Mendes Ferreira, Nellson de Sousa, Erdzan Saidov, Nelson Gilberto Fortes Heleno
O Nosso Amor
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Te Amo
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Yellow
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Te Amo
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Onde Anda
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Gostu Sabi
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Calema
Perfume
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Amar Pela Metade
Calema
A Nossa Dança
Calema
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