Lyrics & Translation
Learning a language can be a fun and immersive experience, and 'Wine slow' by Franglish and Kalash is a great place to start with French and its Caribbean influences. The song's blend of modern slang and cultural references offers a unique window into contemporary French and Caribbean expression. Its danceable rhythm and catchy chorus make the lyrics easier to remember, allowing you to pick up new vocabulary while enjoying the vibrant sounds of dancehall and reggaeton.
Pup, pup, it's J-Wine
I knew the flop, now I only know the top
Stacks on stacks, we cash in non-stop
Don't act tough, just forget your block
We're full up, we're many men
I knew the flop, now I only know the top
Stacks on stacks, we cash in non-stop
Don't act tough, just forget your block
We're full up, we're many men
She dances on me and wines slow (wines slow)
Do it right, you have my go (my go)
She dances on me and wines slow
Give it to me baby, oh-lala
She dances on me and wines slow (wines slow, baby)
Do it right, you have my go (my go)
She dances on me and wines slow
Give it to me baby, oh-lala
I'm the bullet that can pierce your body
Badman, I think she likes it, she loves it
I'm the bullet that can pierce your body
Badman, I think she likes it, she loves it
I'm the bullet that can pierce your body
Badman, I think she likes it, she loves it
I'm the bullet that can pierce your body
Badman, I think she likes it, she loves it
Badman
Six bullets in the chamber
Kill the husband, save the bride
No matter where your allies come from
They'll end up dead on the doorstep
Mwaka boss, crazy allied boss
The bullets make you dance like Fally
Pussy, do you speak English?
You're gonna die, ask Franglish
Disappearance, no tomb
Badman from Martinique to Congo
They think the teams will save them
I have infiltrators among them, the poor ones
A real badman
We ain't afraid of bomboclat
Boss yo, I'm the boss, bomboclat
Artists that we are
No one extorts us for sums
That the guys, that the guys
It's hot here, she wants that guy
It's hot here, do you want the truth or not?
Tell me, what are we doing
Me, I'm ready (yeah)
I buy your pleasure (yes)
I'm a big shot (yeah)
Yeah, get on board (yeah)
I switch to sport mode (yeah)
You broke the score
I want your body (let's go)
She would like to know him (she wants to taste him)
He just wants to hit it
She would like to know him (she wants to know him)
He just wants to hit it (let's go)
You gotta let me go (you gotta let me go)
I don't love you (I don't love you)
You gotta let me go (you gotta let me go)
I don't love you (I don't love you)
You gotta let me go (let me go)
I don't love you (I don't love you)
You gotta let me go (leave that)
I don't love you
She loves the bad boys, the bad boys, the bad boys (she loves too much)
The bad boys, the bad boys, the bad boys
The bandits, the naughty ones (ooh)
She lives in bad behavior
Bad gyal
Oh-oh-oh, she wants all that, it's hot (it's hot over there)
Oh-oh-oh, it seems I like it, oh-oh
She's my Rihanna (let's get it)
My princess Lady Diana (she's my Rihanna)
Her husband isn't here, I know he's hurting (too much pain)
It's too much, she doesn't want the nice guy, but the jerk
It's hot here, she wants Franglish and Mwaka
It's hot here, she wants that guy
It's hot here, do you want the truth or not?
She would like to know him (she wants to taste him)
He just wants to hit it
She would like to know him (she wants to know him)
He just wants to hit it (let's go)
You gotta let me go (you gotta let me go)
I don't love you (I don't love you)
You gotta let me go (you gotta let me go)
I don't love you (I don't love you)
You gotta let me go (let me go)
I don't love you (I don't love you)
You gotta let me go (leave that)
I don't love you (yes)
The bad boys, the bad boys, the bad boys
The bad boys, the bad boys, the bad boys
The bad boys, the bad boys, the bad boys, oh-oh
The bad boys, the bad boys, the bad boys
This is the 'glish, the super cool, the Congo
A fraternal alliance
Mwaka, the Caribbean in all its splendor
Key Vocabulary
Vocabulary | Meanings |
---|---|
flop /flɒp/ B2 |
|
top /tɒp/ A1 |
|
block /blɒk/ A2 |
|
dance /dæns/ A1 |
|
body /ˈbɒdi/ A1 |
|
love /lʌv/ A1 |
|
badman /ˈbæd.mæn/ B2 |
|
truth /truːθ/ B1 |
|
pleasure /ˈplɛʒ.ər/ B2 |
|
want /wɒnt/ A1 |
|
know /noʊ/ A1 |
|
speak /spiːk/ A2 |
|
dance /dæns/ A1 |
|
mariée /maʁie/ B1 |
|
bullet /ˈbʌlɪt/ B2 |
|
truth /truːθ/ B1 |
|
“flop, top, block” – got them all figured out?
⚡ Dive into vocabulary challenges in the app and lock in your knowledge right after jamming to "Wine slow"
Key Grammar Structures
-
J'ai connu l'flop, maintenant j'connais que l'top
➔ Use of passé composé (J'ai connu) vs. present tense (j'connais)
➔ Shows a contrast between a past experience (failure) and the present situation (success). The "passé composé" describes a completed action in the past, while the present tense describes the current state.
-
Fais pas le badman, allez fuck ton block
➔ Imperative mood (Fais pas) and vulgar slang (fuck)
➔ "Fais pas" is the negative imperative of "faire." "Fuck" is a vulgar interjection. The line is a direct and aggressive command.
-
Elle danse sur moi et wine slow
➔ Simple present tense and use of slang/loanword 'wine'
➔ "Elle danse" is present tense, describing an ongoing action. "Wine" is likely used as a slang term or loanword referring to a type of dance, probably originating from Caribbean culture.
-
Tuer le mari, sauver la mariée
➔ Infinitive used as a noun/theme (Tuer, sauver)
➔ Here, "tuer" (to kill) and "sauver" (to save) are used as nouns, creating a concise and impactful statement about the scenario.
-
Disparition, pas de tombeau
➔ Ellipsis (omission of verb)
➔ The verb is omitted for brevity and stylistic effect. It implies "There is a disappearance, [there is] no tomb."
-
We nuh 'fraid to bomboclat
➔ Non-standard English (dialectal variation), use of loanword (bomboclat)
➔ "Nuh 'fraid" is a dialectal form of "not afraid". "Bomboclat" is a Jamaican Patois term, typically considered an insult or expletive.
-
Que les zom, que les zom
➔ Repetition for emphasis
➔ The repetition of "Que les zom" (roughly translated as "just the guys" or "just the homies") emphasizes the focus on a specific group or community.
-
C'est chaud là, elle veut ce monsieur-là
➔ Demonstrative adjective (ce) to emphasize specific person
➔ "Ce monsieur-là" uses the demonstrative adjective "ce" to specifically point out which man is being referred to, adding emphasis. The addition of "-là" further emphasizes the specificity.
-
Faut qu'tu me laisses (faut qu'tu me laisses) Moi je t'aime pas (j'aime pas)
➔ Informal contraction ('Faut qu') and negative construction (je t'aime pas)
➔ "'Faut qu'" is a contracted, informal way of saying "il faut que," meaning "it is necessary that" or "you have to". "Je t'aime pas" is the negative form of "je t'aime," meaning "I don't love you." The omission of "ne" in "ne t'aime pas" is typical in colloquial French.
Album: AURA x G-WAVE
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