Peaches
가사:
[English]
♪♪♪
♪ I GOT MY PEACHES OUT IN GEORGIA ♪
♪ (OH YEA SHIT) ♪
♪ I GET MY WEED FROM CALIFORNIA ♪
♪ (THAT'S THAT SHIT) ♪
♪ I TOOK MY CHICK UP TO THE NORTH YEAH ♪
♪ (BAD ASS BITCH) ♪
♪ I GET MY LIGHT RIGHT FROM THE SOURCE YEAH ♪
♪ (YEAH THAT'S IT) ♪
♪ AND I SAY OH (OHHH) ♪
♪ THE WAY I BREATHE YOU IN ♪
♪ (HEY) ♪
♪ IT'S THE TEXTURE OF YOUR SKIN ♪
♪ OH I WANT TO WRAP MY ARMS AROUND YOU BABE AND NEVER LET YOU GO OHHH OH OH ♪
♪ AND I SAY OH ♪
♪ THERE'S NOTHING LIKE YOUR TOUCH ♪
♪ IT'S THE WAY YOU LIFT ME UP ♪
♪ YEA AND I'LL BE RIGHT HERE WITH YOU TILL THE END ♪
♪ I GOT MY PEACHES OUT IN GEORGIA ♪
♪ (OH YEA SHIT) ♪
♪ I GET MY WEED FROM CALIFORNIA ♪
♪ (THAT’S THAT SHIT) ♪
♪ I TOOK MY CHICK UP TO THE NORTH YEAH ♪
♪ (BAD ASS BITCH) ♪
♪ I GET MY LIGHT RIGHT FROM THE SOURCE YEAH ♪
♪ (YEAH THAT’S IT) ♪
♪♪♪
♪ [DANIEL CAESER] YOU AINT SURE YET ♪
♪ BUT I'M FOR YA ♪
♪ ALL I CAN WANT ♪
♪ ALL I CAN WISH FOR ♪
♪ NIGHTS ALONE THAT WE MISS MORE ♪
♪ AND DAYS WE SAVE AS SOUVENIRS ♪
♪ THERE'S NO TIME I WANNA MAKE MORE TIME ♪
♪ AND GIVE YOU MY WHOLE LIFE ♪
♪ I LEFT MY GIRL I'M IN MY YORKER ♪
♪ HATE TO LEAVE HER CALL IT TORTURE ♪
♪ REMEMBER WHEN I COULDN'T HOLD HER ♪
♪ LEFT HER BAGGAGE FOR A MOVER ♪
♪♪♪
♪ I GOT MY PEACHES OUT IN GEORGIA ♪
♪ (OH YEA SHIT) ♪
♪ I GET MY WEED FROM CALIFORNIA ♪
♪ (THAT'S THAT SHIT) ♪
♪ I TOOK MY CHICK UP TO THE NORTH YEAH ♪
♪ (BAD ASS BITCH) ♪
♪ I GET MY LIGHT RIGHT FROM THE SOURCE YEAH ♪
♪ (YEAH THAT'S IT) ♪
♪ [GIVEON] I GET THE FEELING SO I'M SURE ♪
♪ HAND IN MY HAND BECAUSE I'M YOURS (I CAN'T) ♪
♪ I CAN'T PRETEND I CAN'T IGNORE YOU'RE RIGHT FOR ME ♪
♪ DON'T THINK YOU WANT TO KNOW JUST WHERE I'VE BEEN ♪
♪ (NO) ♪
♪ DON'T BE DISTRACTED ♪
♪ THE ONE I NEED IS RIGHT IN MY ARMS ♪
♪ YOUR KISSES TASTE THE SWEETEST WITH MINE ♪
♪ AND I'LL BE RIGHT HERE WITH YA TILL THE END OF TIME ♪
♪ I GOT MY PEACHES OUT IN GEORGIA ♪
♪ (OH YEA SHIT) ♪
♪ I GET MY WEED FROM CALIFORNIA ♪
♪ (THAT'S THAT SHIT) ♪
♪ I TOOK MY CHICK UP TO THE NORTH YEAH ♪
♪ (BAD ASS BITCH) ♪
♪ I GET MY LIGHT RIGHT FROM THE SOURCE YEAH ♪
♪ (YEAH THAT'S IT) ♪
♪ I GOT MY PEACHES OUT IN GEORGIA ♪
♪ (OH YEA SHIT) ♪
♪ I GET MY WEED FROM CALIFORNIA ♪
♪ (THAT'S THAT SHIT) ♪
♪ I TOOK MY CHICK UP TO THE NORTH YEAH ♪
♪ (BAD ASS BITCH) ♪
♪ I GET MY LIGHT RIGHT FROM THE SOURCE YEAH ♪
♪ (YEAH THAT'S IT) ♪
♪ I GOT MY PEACHES OUT IN GEORGIA ♪
♪ (OH YEA SHIT) ♪
♪ I GET MY WEED FROM CALIFORNIA ♪
♪ (THAT'S THAT SHIT) ♪
♪ I TOOK MY CHICK UP TO THE NORTH YEAH ♪
♪ (BAD ASS BITCH) ♪
♪ I GET MY LIGHT RIGHT FROM THE SOURCE YEAH ♪
♪ (YEAH THAT'S IT) ♪
♪ I GOT MY PEACHES OUT IN GEORGIA ♪
♪ (OH YEA SHIT) ♪
♪ I GET MY WEED FROM CALIFORNIA ♪
♪ (THAT'S THAT SHIT) ♪
♪ I TOOK MY CHICK UP TO THE NORTH YEAH ♪
♪ (BAD ASS BITCH) ♪
♪ I GET MY LIGHT RIGHT FROM THE SOURCE ♪
♪ (YEAH THAT'S IT) ♪
♪♪♪
이 노래의 어휘:
| 어휘 | 의미 |
|---|---|
|
peaches /ˈpiːtʃɪz/ A1 |
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|
weed /wiːd/ A2 |
|
|
chick /tʃɪk/ B1 |
|
|
light /laɪt/ A1 |
|
|
source /sɔːrs/ B1 |
|
|
breathe /briːð/ A2 |
|
|
texture /ˈtekstʃər/ B2 |
|
|
skin /skɪn/ A1 |
|
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arms /ɑːrmz/ A1 |
|
|
touch /tʌtʃ/ A2 |
|
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lift /lɪft/ A2 |
|
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nights /naɪts/ A1 |
|
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days /deɪz/ A1 |
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souvenirs /ˌsuːvəˈnɪərz/ B2 |
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torture /ˈtɔːrtʃər/ B2 |
|
|
baggage /ˈbæɡɪdʒ/ B1 |
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|
feeling /ˈfiːlɪŋ/ A2 |
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kisses /ˈkɪsɪz/ A1 |
|
|
sweetest /ˈswiːtɪst/ A2 |
|
문법:
-
I GOT MY PEACHES OUT IN GEORGIA
➔ 과거 시제
➔ 단순 과거 시제 "got"을 사용하여 과거의 특정 시점에 발생한 행위를 설명합니다. 화자는 과거의 어느 시점에 조지아에서 복숭아를 얻었음을 암시합니다.
-
I GET MY WEED FROM CALIFORNIA
➔ 현재 시제
➔ 단순 현재 시제 "get"을 사용하여 반복되는 행위 또는 일반적인 진실을 설명합니다. 여기서는 화자가 캘리포니아에서 정기적으로 마리화나를 얻는다는 것을 의미합니다.
-
THE WAY I BREATHE YOU IN
➔ 관계절 (관계대명사 생략)
➔ 이 구절은 관계대명사 "that"이 생략된 관계절을 사용합니다. "the way"를 수식하고 화자가 숨쉬는 방식에 대한 더 많은 정보를 제공합니다.
-
THERE'S NOTHING LIKE YOUR TOUCH
➔ 존재 구문 'There is' + 비교 (함축적)
➔ "There's nothing like..." 구문을 사용하여 무언가가 독특하고 비교할 수 없음을 표현합니다. 최상급 비교를 의미하며, 당신의 손길이 최고임을 의미합니다.
-
YOU AIN'T SURE YET, BUT I'M FOR YA
➔ 줄임말 (ain't) + 단순 현재 (동의)
➔ "Ain't"는 "am not", "is not", 또는 "are not"의 줄임말입니다. 여기서는 "aren't"를 대체합니다. "I'm for ya"는 단순 현재를 사용하여 지지를 표현합니다.
-
NIGHTS ALONE THAT WE MISS MORE
➔ 관계절 (관계대명사)
➔ "that we miss more" 절은 "nights alone"을 수식하는 관계절입니다. 어떤 밤이 언급되고 있는지 지정합니다.
-
DAYS WE SAVE AS SOUVENIRS
➔ 관계절 (관계대명사 생략)
➔ 마찬가지로 이것은 관계대명사가 생략된 관계절입니다. 완전한 절은 "days that we save as souvenirs"입니다.
-
THERE'S NO TIME I WANNA MAKE MORE TIME
➔ 존재 구문 'There is' + 관계절 (관계대명사 생략) + 목적을 나타내는 부정사
➔ 이 복잡한 문장은 "There's no time"을 존재 구문으로 사용하고, 그 뒤에 관계절 "I wanna make"(시간과 "I" 사이에 'that'이 생략됨)와 목적을 나타내는 부정사 "to make more time"이 이어집니다. 전체 구조는 역설적인 의미를 만들어냅니다. 여유 시간이 없지만 화자는 더 많은 시간을 만들고 싶어합니다.
-
DON'T THINK YOU WANT TO KNOW JUST WHERE I'VE BEEN
➔ 부정 명령문 + 목적절 + 삽입된 의문문 (간접 의문문) + 현재 완료 진행형
➔ "Don't think"는 부정 명령문입니다. "you want to know just where I've been" 절은 "think"의 목적어 역할을 합니다. "Where I've been"은 삽입된 의문문(간접 의문문)입니다. "I've been"은 현재 완료 진행형을 사용하여 과거에 시작되어 현재까지 계속되는(또는 현재의 결과를 갖는) 행위(어딘가에 있는 것)를 나타냅니다.
