Lyrics & Translation
Dive into the vibrant world of “群青讃歌” by Eve, a song that beautifully captures the essence of youth and the courage to face the future. By exploring its heartfelt lyrics and dynamic music video, you'll discover how music can inspire and uplift, turning everyday moments into extraordinary experiences. A perfect starting point for learning about Japanese music and culture.
But I've already said goodbye to the me of yesterday
I spent a blue spring, a distant lightning bolt
I cried suddenly, and when I looked ahead
I wonder how much more at peace I could have been
The only hope that shook my heart
I've stopped asking for things that can't be, an incomplete human
Only a wonderful world holds the answer
I'm giving up, and there are so many regrets waiting ahead
But I won't be lost, I won't be uncertain anymore
Even this wound, I've come to love
I'll keep piling them up, even if it's not pretty
Run, with that stride, run, let your voice echo
Embracing both expectations and anxiety equally
Weaving a future with you, shining a light on the present
君と今を紡ぐ未来照らして
We, who don't know each other's faces or names
Make just one sound, a moment like a miracle
A fleeting moment, like a prank, flows by in an instant
The fear of existing, just as we are
We can't regain the time we've lost
But looking back on the past, crying, is okay
Because only the pain and regret affirm you
When I grow up, I'll forget
The place where I made a promise with you
Is gone, I want to remember
Even memories, I've come to love
I'll keep piling them up, even if it's not pretty
That voice echoes on, forever
I've come this far, with a clear reason
This journey is far from over
Before I know it, my feelings will take shape, in this white morning
Unforgettable, that's why
I'm giving up, and there are so many regrets waiting ahead
But I won't be lost, I won't be uncertain anymore
Irreplaceable things, overflowing
The answer is in your hands
Don't let go, the story moves forward, one step
離さないで 物語は一歩前へ
I'm giving up, and there are so many regrets waiting ahead
But I won't be lost, I won't be uncertain anymore
Even this wound, I've come to love
I'll keep piling them up, even if it's not pretty
Run, with that stride, run, let your voice echo
Embracing both expectations and anxiety equally
Weaving a future with you, shining a light on the present
君と今を紡ぐ未来照らして
Key Vocabulary
| Vocabulary | Meanings |
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信じられる /ɕindʑiɾaɾeɾu/ B2 |
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青い /aoi/ A2 |
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心 /kokoro/ A2 |
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未来 /mirai/ B1 |
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傷 /kizu/ B1 |
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走れ /hashire/ A2 |
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期待 /kitai/ B1 |
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不安 /fuan/ B1 |
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後悔 /kōkai/ B2 |
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物語 /monogatari/ B1 |
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約束 /yakusoku/ B1 |
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素晴らしき /subarashiki/ C1 |
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旅路 /tabiji/ B2 |
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時 /toki/ A1 |
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流れる /nagareru/ B1 |
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思い出 /omoide/ B1 |
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🚀 "信じられる", "青い" – from “群青讃歌” still a mystery?
Learn trendy vocab – vibe with music, get the meaning, and use it right away without sounding awkward!
Key Grammar Structures
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だってもう昨日の僕らにおさらば
➔ using 'だって' to mean 'because' or 'even if'
➔ 'だって' is a conjunction used to express justification or contrast, similar to 'because' or 'even if'.
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過去を振り返ってばかりじゃ 泣いたっていいんだ
➔ using 'ばかり' with negative to mean 'just' or 'nothing but'
➔ 'ばかり' with negative expresses the idea of 'just' or 'nothing but', emphasizing exclusivity or limitation.
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答えは君のその手の中に
➔ using 'の' to indicate possession ('the answer is in your hand')
➔ 'の' is a possessive particle indicating that 'your hand' contains the 'answer'.
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確かな理由を抱いてここまで来たんだ
➔ using 'を' to mark the direct object of '抱く' (to hold/embrace)
➔ 'を' marks the direct object of the verb '抱く' (to hold/embrace), indicating what is being held.
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重ねてしまうよ 不格好なまんまでいいから
➔ using 'てしまう' to express completion or unintended action
➔ 'てしまう' expresses the idea of completing an action or doing something unintentionally.
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走れ その歩幅で 走れ 声 轟かせてくれ
➔ imperative form of '走る' (to run) used for encouragement or commands
➔ '走れ' is the imperative form of '走る' (to run), used here to motivate or command to run.
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期待と不安を同じくらい抱きしめて
➔ using 'と' to connect nouns 'hope' and 'anxiety' as a compound subject
➔ 'と' connects '期待' (hope) and '不安' (anxiety), forming a combined object or subject for the verb.
