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♪ We don't know what we're made of ♪ 00:16
♪ the same thing we're afraid of might improve us ♪ 00:19
♪ stay up all night just lay up ♪ 00:27
♪ use half of this pay stub to make moves with ♪ 00:30
♪ or all of it of course ♪ 00:35
♪ And it ain't no room in Paris ♪ 00:38
♪ we can still fly high then crash here ♪ 00:44
♪ just make sure you pass it ♪ 00:49
♪ know you can't imagine ♪ 00:52
♪ ooo, its automatic ♪ 00:54
♪ the life we live is lavish ♪ 00:57
♪ We don't have to be here if we stay ♪ 01:01
♪ we don't have to leave if we go ♪ 01:03
♪ roll some mo' ♪ 01:07
♪ and we ain't too high if we see eye to eye ♪ 01:12
♪ know you feel the rush from a simple touch ♪ 01:15
♪ baby roll some mo' ♪ 01:18
♪ twisting, kissing , lifted off of your vision ♪ 01:24
♪ got me on my knees you're my religion ♪ 01:27
♪ speaking tongues all on your body no one's listening ♪ 01:30
♪ tap out on you that's a submission know you give in ♪ 01:32
♪ can't let no time go wasted ♪ 01:35
♪ this moment can't replace it ♪ 01:38
♪ sitting around so lazy ♪ 01:41
♪ comfortably we'll fade away ♪ 01:44
♪ And it ain't no room in Paris ♪ 01:47
♪ we can still fly high then crash here ♪ 01:52
♪ just make sure you pass it ♪ 01:57
♪ know you can't imagine ♪ 02:00
♪ ooo, its automatic ♪ 02:02
♪ the life we live is lavish ♪ 02:05
♪ We don't have to be here if we stay ♪ 02:08
♪ we don't have to leave if we go ♪ 02:11
♪ roll some mo' ♪ 02:14
♪ and we ain't too high if we see eye to eye ♪ 02:20
♪ know you feel the rush from a simple touch ♪ 02:23
♪ baby roll some mo' ♪ 02:25
♪♪ 02:31
♪♪ 02:41

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Letra:

[English]

♪ We don't know what we're made of ♪

♪ the same thing we're afraid of might improve us ♪

♪ stay up all night just lay up ♪

♪ use half of this pay stub to make moves with ♪

♪ or all of it of course ♪

♪ And it ain't no room in Paris ♪

♪ we can still fly high then crash here ♪

♪ just make sure you pass it ♪

♪ know you can't imagine ♪

♪ ooo, its automatic ♪

♪ the life we live is lavish ♪

♪ We don't have to be here if we stay ♪

♪ we don't have to leave if we go ♪

♪ roll some mo' ♪

♪ and we ain't too high if we see eye to eye ♪

♪ know you feel the rush from a simple touch ♪

♪ baby roll some mo' ♪

♪ twisting, kissing , lifted off of your vision ♪

♪ got me on my knees you're my religion ♪

♪ speaking tongues all on your body no one's listening ♪

♪ tap out on you that's a submission know you give in ♪

♪ can't let no time go wasted ♪

♪ this moment can't replace it ♪

♪ sitting around so lazy ♪

♪ comfortably we'll fade away ♪

♪ And it ain't no room in Paris ♪

♪ we can still fly high then crash here ♪

♪ just make sure you pass it ♪

♪ know you can't imagine ♪

♪ ooo, its automatic ♪

♪ the life we live is lavish ♪

♪ We don't have to be here if we stay ♪

♪ we don't have to leave if we go ♪

♪ roll some mo' ♪

♪ and we ain't too high if we see eye to eye ♪

♪ know you feel the rush from a simple touch ♪

♪ baby roll some mo' ♪

♪♪

♪♪

Vocabulário nesta música:

Vocabulário Significados

afraid

/əˈfreɪd/

A2
  • adjective
  • - amedrontado, assustado

improve

/ɪmˈpruːv/

B1
  • verb
  • - melhorar, aperfeiçoar

night

/naɪt/

A1
  • noun
  • - noite

crash

/kræʃ/

B1
  • verb
  • - bater
  • noun
  • - acidente (normalmente em um veículo)

imagine

/ɪˈmædʒɪn/

B1
  • verb
  • - imaginar

life

/laɪf/

A1
  • noun
  • - vida

lavish

/ˈlævɪʃ/

B2
  • adjective
  • - luxuoso, suntuoso
  • verb
  • - conceder generosamente

touch

/tʌtʃ/

A2
  • verb
  • - tocar, entrar em contato com
  • noun
  • - toque, contato

rush

/rʌʃ/

B1
  • noun
  • - pressa, onda
  • verb
  • - mover-se com urgência

knees

/niːz/

A2
  • noun
  • - joelhos

religion

/rɪˈlɪdʒən/

B1
  • noun
  • - religião

body

/ˈbɒdi/

A1
  • noun
  • - corpo

submission

/səbˈmɪʃən/

C1
  • noun
  • - submissão, rendição

wasted

/ˈweɪstɪd/

B1
  • adjective
  • - desperdiçado, inútil

moment

/ˈməʊmənt/

A1
  • noun
  • - momento

lazy

/ˈleɪzi/

A2
  • adjective
  • - preguiçoso

fade

/feɪd/

B2
  • verb
  • - desvanecer, desaparecer

Gramática:

  • the same thing we're afraid of might improve us

    ➔ Verbo modal 'might' expressando possibilidade

    ➔ Aqui, 'might' sugere uma possibilidade mais fraca do que 'will' ou 'may'. 'The same thing we're afraid of' é o sujeito do verbo 'improve'.

  • use half of this pay stub to make moves with

    ➔ Infinitivo de propósito ('to make moves with')

    ➔ A frase infinitiva 'to make moves with' explica o propósito de usar metade do recibo de pagamento. 'With' no final é coloquial e se refere ao uso do dinheiro.

  • And it ain't no room in Paris

    ➔ Dupla negação (não padrão)

    ➔ A frase 'ain't no room' é uma dupla negação, comum na fala coloquial. Em inglês padrão, seria 'there isn't any room' ou 'there is no room'.

  • know you can't imagine

    ➔ Elipse de 'I' (sujeito implícito)

    ➔ A frase implica 'I know you can't imagine'. O sujeito 'I' é omitido para brevidade e tom de conversa.

  • the life we live is lavish

    ➔ Oração relativa com pronome relativo omitido

    ➔ 'The life *that/which* we live is lavish.' O pronome relativo 'that' ou 'which' é omitido, mas entendido.

  • we don't have to be here if we stay

    ➔ Verbo modal 'have to' expressando obrigação/necessidade (forma negativa), oração condicional com 'if'

    ➔ 'Don't have to' significa que não há obrigação. A oração 'if' estabelece uma condição: se ficarmos, não temos que estar aqui (presumivelmente significando emocional/mentalmente, não fisicamente).

  • and we ain't too high if we see eye to eye

    ➔ Advérbio 'too' modificando um adjetivo ('high'), oração condicional com 'if', coloquial 'ain't'

    ➔ 'Too high' significa excessivamente alto. 'See eye to eye' é um idioma que significa concordar. A oração 'if' fornece a condição sob a qual eles não estão 'too high'. 'Ain't' é uma contração coloquial de 'are not/is not/am not/has not/have not'.

  • got me on my knees you're my religion

    ➔ Metáfora, Predicativo do sujeito

    ➔ 'You're my religion' é uma metáfora: A intensidade do amor é comparada a ser religioso. 'religion' é um predicativo do sujeito, descrevendo 'you'.

  • speaking tongues all on your body no one's listening

    ➔ Frase de particípio presente ('speaking tongues') atuando como modificador adverbial; sujeito implícito

    ➔ 'Speaking tongues all on your body' modifica o sujeito implícito (provavelmente 'I' ou 'we') e indica como a ação é realizada. 'No one's listening' fornece contexto. 'Speaking in tongues' aqui se refere a beijos/toques fervorosos e apaixonados.