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Count me out like sovereigns, payback for the good times 00:20
Right foot in the roses, left foot on a landmine 00:25
I'm not gonna be there tripping on the grapevine 00:30
They can sing the words while I cry into the bassline 00:35
Wear me out like Prada, devil in my detail 00:40
I swear it's getting harder even just to exhale 00:45
Backed up into corners, bitter in the lens 00:50
I'm sick of trying to hide it every time thеy take mine 00:56
So stick to me 01:02
Stick to mе like caramel 01:05
Walk beside me till you feel nothin' as well 01:12
They ask me, "Is it goin' good in the garden?" 01:22
Say, "I'm lost, but I beg no pardon" 01:25
Up on the dice but low on the cards 01:27
I try not to talk about how it's harder now 01:30
Can I get a mirror side-stage? 01:34
Looking sideways at my own visage, gettin' worse 01:35
Every time they try to shout my real name just to get a rise from me 01:38
Acting like I'm never stressed out by the hearsay 01:41
I guess that's what I get for trying to hide in the limelight 01:45
Guess that's what I get for having 20/20 hindsight 01:48
Everybody wants eyes on 'em, I just wanna hear you sing that top line 01:50
And if you don't think I mean it, then I understand 01:55
But I'm still glad you came, so let me see those hands 01:59
So stick to me 02:03
Stick to me like caramel 02:06
Walk beside me till you feel nothin' as well 02:14
I'm fallin' free of the final parallel 02:24
The sweetest dreams are bitter 02:34
But there's no one left to tell 02:38
Too young to get bitter over it all 02:46
Too old to retaliate like before 02:51
Too blessed to be caught ungrateful, I know 02:56
So I'll keep dancin' along to the rhythm 03:01
This stage is a prison, a beautiful nightmare (Too young to get bitter over it all) 03:06
A war of attrition, I'll take what I'm given (Too old to retaliate like before) 03:11
The deepest incisions, I thought I got better (Too blessed to be caught ungrateful, I know) 03:16
But maybe I didn't 03:21
(In these days of days) Tell me, did I give you what you came for? 03:45
(I wish it all away) Terrified to answer my own front door 03:56
(I thought things had changed) Missin' my wings in a realm of angels 04:07
(But everything's the same) 04:17
So I'll keep dancin' along to the rhythm 04:24
This stage is a prison, a beautiful nightmare 04:27
A war of attrition, I'll take what I'm given 04:33
The deepest incisions, I thought I got better 04:38
But maybe I didn't 04:43
04:47

Caramel

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가사:

[English]

Count me out like sovereigns, payback for the good times

Right foot in the roses, left foot on a landmine

I'm not gonna be there tripping on the grapevine

They can sing the words while I cry into the bassline

Wear me out like Prada, devil in my detail

I swear it's getting harder even just to exhale

Backed up into corners, bitter in the lens

I'm sick of trying to hide it every time thеy take mine

So stick to me

Stick to mе like caramel

Walk beside me till you feel nothin' as well

They ask me, "Is it goin' good in the garden?"

Say, "I'm lost, but I beg no pardon"

Up on the dice but low on the cards

I try not to talk about how it's harder now

Can I get a mirror side-stage?

Looking sideways at my own visage, gettin' worse

Every time they try to shout my real name just to get a rise from me

Acting like I'm never stressed out by the hearsay

I guess that's what I get for trying to hide in the limelight

Guess that's what I get for having 20/20 hindsight

Everybody wants eyes on 'em, I just wanna hear you sing that top line

And if you don't think I mean it, then I understand

But I'm still glad you came, so let me see those hands

So stick to me

Stick to me like caramel

Walk beside me till you feel nothin' as well

I'm fallin' free of the final parallel

The sweetest dreams are bitter

But there's no one left to tell

Too young to get bitter over it all

Too old to retaliate like before

Too blessed to be caught ungrateful, I know

So I'll keep dancin' along to the rhythm

This stage is a prison, a beautiful nightmare (Too young to get bitter over it all)

A war of attrition, I'll take what I'm given (Too old to retaliate like before)

The deepest incisions, I thought I got better (Too blessed to be caught ungrateful, I know)

But maybe I didn't

(In these days of days) Tell me, did I give you what you came for?

(I wish it all away) Terrified to answer my own front door

(I thought things had changed) Missin' my wings in a realm of angels

(But everything's the same)

So I'll keep dancin' along to the rhythm

This stage is a prison, a beautiful nightmare

A war of attrition, I'll take what I'm given

The deepest incisions, I thought I got better

But maybe I didn't

...

이 노래의 어휘:

연습 시작
어휘 의미

sovereigns

/ˈsɒvrɪnz/

C2
  • noun
  • - 주권자, 군주

roses

/ˈroʊzɪz/

A2
  • noun
  • - 장미

landmine

/ˈlændmaɪn/

B2
  • noun
  • - 지뢰

cry

/kraɪ/

A2
  • verb
  • - 울다
  • noun
  • - 울음

devil

/ˈdevl/

B1
  • noun
  • - 악마

bitter

/ˈbɪtər/

B2
  • adjective
  • - 쓴
  • adjective
  • - 쓰라린

caramel

/ˈkærəməl/

B1
  • noun
  • - 카라멜
  • adjective
  • - 카라멜 색깔의

garden

/ˈɡɑːrdn/

A2
  • noun
  • - 정원

dice

/daɪs/

A2
  • noun
  • - 주사위

mirror

/ˈmɪrər/

A2
  • noun
  • - 거울

visage

/ˈvɪzɪdʒ/

C1
  • noun
  • - 얼굴

stressed

/strest/

B1
  • adjective
  • - 스트레스받는

limelight

/ˈlaɪmlaɪt/

B2
  • noun
  • - 주목

hindsight

/ˈhaɪn(d)saɪt/

C1
  • noun
  • - 사후 인지

dreams

/driːmz/

A2
  • noun
  • - 꿈

prison

/ˈprɪzn/

B1
  • noun
  • - 감옥

nightmare

/ˈnaɪtmeər/

B1
  • noun
  • - 악몽

angels

/ˈeɪndʒlz/

A2
  • noun
  • - 천사

문법:

  • Count me out like sovereigns, payback for the good times

    ➔ 명령형 ("Count me out") 그리고 직유 ("like sovereigns")

    ➔ 이 문장은 명령형 "Count me out"을 사용하여 자신을 제외합니다. "like sovereigns" 구절은 직유를 사용하여 제외되는 행위를 통치자의 해임에 비유하여 중요한 거부 또는 배제를 암시합니다.

  • I'm not gonna be there tripping on the grapevine

    ➔ 비공식 미래 시제 ("gonna") 및 관용구 ("tripping on the grapevine")

    ➔ "gonna"는 미래 시제에 사용되는 "going to"의 구어체 약어입니다. "Tripping on the grapevine"은 소문이나 험담에 휘말리는 것을 의미하는 관용구입니다.

  • I'm sick of trying to hide it every time they take mine

    ➔ "sick of"와 함께 현재 진행형 및 "take" 뒤에 암시된 목적어

    ➔ "I'm sick of trying"은 현재 진행형을 사용하여 지속적인 좌절감을 강조합니다. "They take mine"은 "그들"이 화자에게 속한 무언가를 가져간다는 의미이지만 특정 목적어는 명시되지 않습니다. 'sick of + gerund' 구조는 일반적입니다.

  • Walk beside me till you feel nothin' as well

    ➔ 명령형 ("Walk beside me"), 종속 접속사 ("till"), 부정 부사 ("nothin'")

    ➔ "Walk beside me"는 명령 또는 요청입니다. "Till"은 시간 절을 소개합니다. "Nothin'"은 "nothing"의 구어체 형태로, 부사 역할을합니다.

  • I'm lost, but I beg no pardon

    ➔ 현재 단순형 및 부정 명령형 (간접적)

    ➔ "I'm lost"는 현재 상태를 나타냅니다. "I beg no pardon"은 '용서를 구하지 않습니다'라는 간접적인 표현이며, 부정 명령형입니다.

  • Can I get a mirror side-stage?

    ➔ 정중한 요청을 위한 조동사 ("Can")

    ➔ "Can"은 정중한 요청을하는 데 사용됩니다. 이것은 무언가를 요청하는 일반적인 방법입니다.

  • Acting like I'm never stressed out by the hearsay

    ➔ 분사 ("Acting")가 절을 소개하고 "like" 뒤에 가정법 ("I'm never stressed out")를 사용하여 불신을 나타냅니다.

    ➔ "Acting like"는 누군가가 가장하는 방식을 소개합니다. "I'm never stressed out"는 화자가 그 사람이 진정으로 스트레스를 받지 않는다고 믿지 않으며, 자신을 거짓으로 제시하고 있음을 암시합니다. 가정법은 사실과 반대되는 것을 표현하는 데 사용됩니다.

  • Guess that's what I get for trying to hide in the limelight

    ➔ 수동태와 관용구 "that's what I get for..."

    ➔ "That's what I get for..."는 자신의 행동의 결과를 나타내는 일반적인 관용구입니다. 종종 후회를 의미합니다. 이 구조는 이전 행동 또는 결정의 결과를 보여줍니다.

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