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Count me out like sovereigns, payback for the good times 00:20
Right foot in the roses, left foot on a landmine 00:25
I'm not gonna be there tripping on the grapevine 00:30
They can sing the words while I cry into the bassline 00:35
Wear me out like Prada, devil in my detail 00:40
I swear it's getting harder even just to exhale 00:45
Backed up into corners, bitter in the lens 00:50
I'm sick of trying to hide it every time thеy take mine 00:56
So stick to me 01:02
Stick to mе like caramel 01:05
Walk beside me till you feel nothin' as well 01:12
They ask me, "Is it goin' good in the garden?" 01:22
Say, "I'm lost, but I beg no pardon" 01:25
Up on the dice but low on the cards 01:27
I try not to talk about how it's harder now 01:30
Can I get a mirror side-stage? 01:34
Looking sideways at my own visage, gettin' worse 01:35
Every time they try to shout my real name just to get a rise from me 01:38
Acting like I'm never stressed out by the hearsay 01:41
I guess that's what I get for trying to hide in the limelight 01:45
Guess that's what I get for having 20/20 hindsight 01:48
Everybody wants eyes on 'em, I just wanna hear you sing that top line 01:50
And if you don't think I mean it, then I understand 01:55
But I'm still glad you came, so let me see those hands 01:59
So stick to me 02:03
Stick to me like caramel 02:06
Walk beside me till you feel nothin' as well 02:14
I'm fallin' free of the final parallel 02:24
The sweetest dreams are bitter 02:34
But there's no one left to tell 02:38
Too young to get bitter over it all 02:46
Too old to retaliate like before 02:51
Too blessed to be caught ungrateful, I know 02:56
So I'll keep dancin' along to the rhythm 03:01
This stage is a prison, a beautiful nightmare (Too young to get bitter over it all) 03:06
A war of attrition, I'll take what I'm given (Too old to retaliate like before) 03:11
The deepest incisions, I thought I got better (Too blessed to be caught ungrateful, I know) 03:16
But maybe I didn't 03:21
(In these days of days) Tell me, did I give you what you came for? 03:45
(I wish it all away) Terrified to answer my own front door 03:56
(I thought things had changed) Missin' my wings in a realm of angels 04:07
(But everything's the same) 04:17
So I'll keep dancin' along to the rhythm 04:24
This stage is a prison, a beautiful nightmare 04:27
A war of attrition, I'll take what I'm given 04:33
The deepest incisions, I thought I got better 04:38
But maybe I didn't 04:43
04:47

Caramel – English Lyrics

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By
Sleep Token
Album
Even In Arcadia
Viewed
1,629,719
Language
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Lyrics & Translation

Dive into the complex world of Sleep Token's "Caramel," a song that mixes metal with unexpected genres to explore the challenges of fame. Discover how Vessel uses personal lyrics to express his experiences, offering a unique opportunity to understand the cost of success and the importance of privacy in the modern music industry.

[English]
Count me out like sovereigns, payback for the good times
Right foot in the roses, left foot on a landmine
I'm not gonna be there tripping on the grapevine
They can sing the words while I cry into the bassline
Wear me out like Prada, devil in my detail
I swear it's getting harder even just to exhale
Backed up into corners, bitter in the lens
I'm sick of trying to hide it every time thеy take mine
So stick to me
Stick to mе like caramel
Walk beside me till you feel nothin' as well
They ask me, "Is it goin' good in the garden?"
Say, "I'm lost, but I beg no pardon"
Up on the dice but low on the cards
I try not to talk about how it's harder now
Can I get a mirror side-stage?
Looking sideways at my own visage, gettin' worse
Every time they try to shout my real name just to get a rise from me
Acting like I'm never stressed out by the hearsay
I guess that's what I get for trying to hide in the limelight
Guess that's what I get for having 20/20 hindsight
Everybody wants eyes on 'em, I just wanna hear you sing that top line
And if you don't think I mean it, then I understand
But I'm still glad you came, so let me see those hands
So stick to me
Stick to me like caramel
Walk beside me till you feel nothin' as well
I'm fallin' free of the final parallel
The sweetest dreams are bitter
But there's no one left to tell
Too young to get bitter over it all
Too old to retaliate like before
Too blessed to be caught ungrateful, I know
So I'll keep dancin' along to the rhythm
This stage is a prison, a beautiful nightmare (Too young to get bitter over it all)
A war of attrition, I'll take what I'm given (Too old to retaliate like before)
The deepest incisions, I thought I got better (Too blessed to be caught ungrateful, I know)
But maybe I didn't
(In these days of days) Tell me, did I give you what you came for?
(I wish it all away) Terrified to answer my own front door
(I thought things had changed) Missin' my wings in a realm of angels
(But everything's the same)
So I'll keep dancin' along to the rhythm
This stage is a prison, a beautiful nightmare
A war of attrition, I'll take what I'm given
The deepest incisions, I thought I got better
But maybe I didn't
...

Key Vocabulary

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Vocabulary Meanings

caramel

/ˈkærəmɛl/

A2
  • noun
  • - a brown, sticky substance made by heating sugar

sovereigns

/ˈsɒvərɪnz/

B2
  • noun
  • - gold coins of a specified value

landmine

/ˈlændaɪn/

B1
  • noun
  • - an explosive device placed underground or on the ground

exhale

/ɛkˈheɪl/

B1
  • verb
  • - to breathe out

bitter

/ˈbɪtər/

A2
  • adjective
  • - having a sharp, unpleasant taste

retaliate

/riˈtæliˌeɪt/

B2
  • verb
  • - to take action in response to an injury or offense

visage

/ˈvɪzɪdʒ/

C1
  • noun
  • - a person's face, especially when regarded as expressing their character or mood

attrition

/əˈtrɪʃən/

C1
  • noun
  • - the process of reducing something's strength or effectiveness through sustained attack or pressure

incision

/ɪnˈsɪʒən/

C1
  • noun
  • - a cut made during a surgical operation

limelight

/ˈlaɪmlaɪt/

B2
  • noun
  • - public attention or fame

hindsight

/ˈhaɪnˌsaɪt/

C1
  • noun
  • - the ability to understand an event or situation only after it has happened

blessed

/blɛst/

A2
  • adjective
  • - having divine favor or protection

prison

/ˈprɪzən/

A2
  • noun
  • - a place where people are confined as punishment

nightmare

/ˈnaɪtˌmɛər/

A2
  • noun
  • - a frightening or unpleasant dream

What does “caramel” mean in the song "Caramel"?

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Key Grammar Structures

  • Count me out like sovereigns, payback for the good times

    ➔ Imperative mood ("Count me out") and simile ("like sovereigns")

    ➔ The sentence uses the imperative mood "Count me out" to exclude himself. The phrase "like sovereigns" employs a simile, comparing the act of being counted out to the dismissal of rulers, suggesting a significant rejection or exclusion.

  • I'm not gonna be there tripping on the grapevine

    ➔ Informal Future Tense ("gonna") and idiom ("tripping on the grapevine")

    "gonna" is a colloquial shortening of "going to", used for the future tense. "Tripping on the grapevine" is an idiom that signifies being caught up in rumors or gossip.

  • I'm sick of trying to hide it every time they take mine

    ➔ Present Continuous with "sick of" and implied object after "take"

    "I'm sick of trying" uses the present continuous to emphasize the ongoing frustration. "They take mine" implies that "they" are taking something that belongs to the speaker, but the specific object is unstated. The structure 'sick of + gerund' is common.

  • Walk beside me till you feel nothin' as well

    ➔ Imperative mood ("Walk beside me"), subordinating conjunction ("till"), and negative adverb ("nothin'")

    "Walk beside me" is a command or request. "Till" introduces a time clause. "Nothin'" is a colloquial form of "nothing", acting as an adverb.

  • I'm lost, but I beg no pardon

    ➔ Present Simple and Negative Imperative (indirect)

    "I'm lost" states a current condition. "I beg no pardon" is an indirect way of saying 'I don't ask for forgiveness', a negative imperative.

  • Can I get a mirror side-stage?

    ➔ Modal verb ("Can") for a polite request

    "Can" is used to make a polite request. It's a common way to ask for something.

  • Acting like I'm never stressed out by the hearsay

    ➔ Present participle ("Acting") introducing a clause, and the subjunctive mood ("I'm never stressed out") after "like" to show disbelief

    "Acting like" introduces the way someone is pretending to be. "I'm never stressed out" suggests the speaker doesn't believe the person is truly never stressed, implying they are falsely presenting themselves. Subjunctive is used to express something contrary to fact.

  • Guess that's what I get for trying to hide in the limelight

    ➔ Passive voice with the idiom "that's what I get for..."

    "That's what I get for..." is a common idiom expressing a consequence of one's actions. It often implies regret. The structure shows the result of a previous action or decision.