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Count me out like sovereigns, payback for the good times 00:20
Right foot in the roses, left foot on a landmine 00:25
I'm not gonna be there tripping on the grapevine 00:30
They can sing the words while I cry into the bassline 00:35
Wear me out like Prada, devil in my detail 00:40
I swear it's getting harder even just to exhale 00:45
Backed up into corners, bitter in the lens 00:50
I'm sick of trying to hide it every time thеy take mine 00:56
So stick to me 01:02
Stick to mе like caramel 01:05
Walk beside me till you feel nothin' as well 01:12
They ask me, "Is it goin' good in the garden?" 01:22
Say, "I'm lost, but I beg no pardon" 01:25
Up on the dice but low on the cards 01:27
I try not to talk about how it's harder now 01:30
Can I get a mirror side-stage? 01:34
Looking sideways at my own visage, gettin' worse 01:35
Every time they try to shout my real name just to get a rise from me 01:38
Acting like I'm never stressed out by the hearsay 01:41
I guess that's what I get for trying to hide in the limelight 01:45
Guess that's what I get for having 20/20 hindsight 01:48
Everybody wants eyes on 'em, I just wanna hear you sing that top line 01:50
And if you don't think I mean it, then I understand 01:55
But I'm still glad you came, so let me see those hands 01:59
So stick to me 02:03
Stick to me like caramel 02:06
Walk beside me till you feel nothin' as well 02:14
I'm fallin' free of the final parallel 02:24
The sweetest dreams are bitter 02:34
But there's no one left to tell 02:38
Too young to get bitter over it all 02:46
Too old to retaliate like before 02:51
Too blessed to be caught ungrateful, I know 02:56
So I'll keep dancin' along to the rhythm 03:01
This stage is a prison, a beautiful nightmare (Too young to get bitter over it all) 03:06
A war of attrition, I'll take what I'm given (Too old to retaliate like before) 03:11
The deepest incisions, I thought I got better (Too blessed to be caught ungrateful, I know) 03:16
But maybe I didn't 03:21
(In these days of days) Tell me, did I give you what you came for? 03:45
(I wish it all away) Terrified to answer my own front door 03:56
(I thought things had changed) Missin' my wings in a realm of angels 04:07
(But everything's the same) 04:17
So I'll keep dancin' along to the rhythm 04:24
This stage is a prison, a beautiful nightmare 04:27
A war of attrition, I'll take what I'm given 04:33
The deepest incisions, I thought I got better 04:38
But maybe I didn't 04:43
04:47

Caramel

Par
Sleep Token
Album
Even In Arcadia
Vues
1,629,717
Apprendre cette chanson

Paroles:

[English]

Count me out like sovereigns, payback for the good times

Right foot in the roses, left foot on a landmine

I'm not gonna be there tripping on the grapevine

They can sing the words while I cry into the bassline

Wear me out like Prada, devil in my detail

I swear it's getting harder even just to exhale

Backed up into corners, bitter in the lens

I'm sick of trying to hide it every time thеy take mine

So stick to me

Stick to mе like caramel

Walk beside me till you feel nothin' as well

They ask me, "Is it goin' good in the garden?"

Say, "I'm lost, but I beg no pardon"

Up on the dice but low on the cards

I try not to talk about how it's harder now

Can I get a mirror side-stage?

Looking sideways at my own visage, gettin' worse

Every time they try to shout my real name just to get a rise from me

Acting like I'm never stressed out by the hearsay

I guess that's what I get for trying to hide in the limelight

Guess that's what I get for having 20/20 hindsight

Everybody wants eyes on 'em, I just wanna hear you sing that top line

And if you don't think I mean it, then I understand

But I'm still glad you came, so let me see those hands

So stick to me

Stick to me like caramel

Walk beside me till you feel nothin' as well

I'm fallin' free of the final parallel

The sweetest dreams are bitter

But there's no one left to tell

Too young to get bitter over it all

Too old to retaliate like before

Too blessed to be caught ungrateful, I know

So I'll keep dancin' along to the rhythm

This stage is a prison, a beautiful nightmare (Too young to get bitter over it all)

A war of attrition, I'll take what I'm given (Too old to retaliate like before)

The deepest incisions, I thought I got better (Too blessed to be caught ungrateful, I know)

But maybe I didn't

(In these days of days) Tell me, did I give you what you came for?

(I wish it all away) Terrified to answer my own front door

(I thought things had changed) Missin' my wings in a realm of angels

(But everything's the same)

So I'll keep dancin' along to the rhythm

This stage is a prison, a beautiful nightmare

A war of attrition, I'll take what I'm given

The deepest incisions, I thought I got better

But maybe I didn't

...

Vocabulaire dans cette chanson:

Commencer la pratique
Vocabulaire Significations

sovereigns

/ˈsɒvrɪnz/

C2
  • noun
  • - souverains, monarques

roses

/ˈroʊzɪz/

A2
  • noun
  • - roses

landmine

/ˈlændmaɪn/

B2
  • noun
  • - mine terrestre

cry

/kraɪ/

A2
  • verb
  • - pleurer
  • noun
  • - cri

devil

/ˈdevl/

B1
  • noun
  • - diable

bitter

/ˈbɪtər/

B2
  • adjective
  • - amer
  • adjective
  • - amer

caramel

/ˈkærəməl/

B1
  • noun
  • - caramel
  • adjective
  • - couleur caramel

garden

/ˈɡɑːrdn/

A2
  • noun
  • - jardin

dice

/daɪs/

A2
  • noun
  • - dés

mirror

/ˈmɪrər/

A2
  • noun
  • - miroir

visage

/ˈvɪzɪdʒ/

C1
  • noun
  • - visage

stressed

/strest/

B1
  • adjective
  • - stressé

limelight

/ˈlaɪmlaɪt/

B2
  • noun
  • - feux de la rampe

hindsight

/ˈhaɪn(d)saɪt/

C1
  • noun
  • - rétrospective

dreams

/driːmz/

A2
  • noun
  • - rêves

prison

/ˈprɪzn/

B1
  • noun
  • - prison

nightmare

/ˈnaɪtmeər/

B1
  • noun
  • - cauchemar

angels

/ˈeɪndʒlz/

A2
  • noun
  • - anges

Grammaire:

  • Count me out like sovereigns, payback for the good times

    ➔ Impératif ("Count me out") et comparaison ("like sovereigns")

    ➔ La phrase utilise l'impératif "Count me out" pour s'exclure. L'expression "like sovereigns" utilise une comparaison, comparant l'acte d'être exclu au rejet des dirigeants, suggérant un rejet ou une exclusion significative.

  • I'm not gonna be there tripping on the grapevine

    ➔ Futur informel ("gonna") et expression idiomatique ("tripping on the grapevine")

    ➔ "gonna" est une abréviation familière de "going to", utilisée pour le futur. "Tripping on the grapevine" est une expression idiomatique qui signifie être pris dans des rumeurs ou des commérages.

  • I'm sick of trying to hide it every time they take mine

    ➔ Présent continu avec "sick of" et objet implicite après "take"

    ➔ "I'm sick of trying" utilise le présent continu pour souligner la frustration continue. "They take mine" implique qu' "ils" prennent quelque chose qui appartient au locuteur, mais l'objet spécifique n'est pas indiqué. La structure 'sick of + gerund' est courante.

  • Walk beside me till you feel nothin' as well

    ➔ Impératif ("Walk beside me"), conjonction de subordination ("till") et adverbe négatif ("nothin'")

    ➔ "Walk beside me" est un ordre ou une demande. "Till" introduit une proposition de temps. "Nothin'" est une forme familière de "nothing", qui agit comme un adverbe.

  • I'm lost, but I beg no pardon

    ➔ Présent simple et impératif négatif (indirect)

    ➔ "I'm lost" énonce une condition actuelle. "I beg no pardon" est une manière indirecte de dire 'Je ne demande pas pardon', un impératif négatif.

  • Can I get a mirror side-stage?

    ➔ Verbe modal ("Can") pour une requête polie

    ➔ "Can" est utilisé pour faire une requête polie. C'est une manière courante de demander quelque chose.

  • Acting like I'm never stressed out by the hearsay

    ➔ Participe présent ("Acting") introduisant une clause, et le subjonctif ("I'm never stressed out") après "like" pour montrer l'incrédulité

    ➔ "Acting like" introduit la façon dont quelqu'un prétend être. "I'm never stressed out" suggère que le locuteur ne croit pas que la personne ne soit jamais stressée, ce qui implique qu'elle se présente faussement. Le subjonctif est utilisé pour exprimer quelque chose de contraire aux faits.

  • Guess that's what I get for trying to hide in the limelight

    ➔ Voix passive avec l'expression idiomatique "that's what I get for..."

    ➔ "That's what I get for..." est une expression idiomatique courante exprimant une conséquence des actions d'une personne. Elle implique souvent des regrets. La structure montre le résultat d'une action ou d'une décision antérieure.

Traductions Disponibles:

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