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My body comes alive 00:14

When you get real close 00:17

You gon' be surprised 00:21

If I get exposed 00:25

'Cause you're like a hit of ecstasy 00:28

I can feel you all inside 00:33

And, baby, I'm on one tonight 00:35

Ready, set, let's go 00:40

I'm a rum and lemon dealer 00:43

'Cause I know what gets you out them clothes 00:46

Liquid courage makes me realer 00:51

Now you know, oh 00:54

So you ain't gotta ask me, daddy, if I'm feeling nasty 00:58

I been tryna hide that I want you so badly 01:02

I don't know how much more of this I can take 01:06

And you're the one to blame 01:09

My body comes alive 01:13

When you get real close 01:17

You gon' be surprised 01:20

If I get exposed 01:24

'Cause you're like a hit of ecstasy 01:27

I can feel you all inside 01:31

And, baby, I'm on one tonight (tonight) 01:34

Ready, set, let's go 01:39

You got on that Dolce & Gabanna 01:42

Baby, you know what you doin' 01:46

I'm tryna see what's up with that banana 01:49

That's why my mind keep goin', goin' 01:53

So you ain't gotta ask me, daddy, if I'm feeling nasty 01:57

I been tryna hide that I want you so badly 02:01

I don't know how much more of this (I can take) 02:05

And you're the one to blame 02:08

My body comes alive (oh) 02:12

When you get real close 02:16

You gon' be surprised (if I) 02:19

If I get exposed 02:23

'Cause you're like a hit of ecstasy 02:26

I can feel you all inside 02:30

And, baby, I'm on one tonight (tonight) 02:34

Ready, set, let's go 02:38

Dinner on my body (yup) 02:42

Hotter than hibachi (okay) 02:43

Baby, come and try me 02:45

Ready, set, go 02:47

I got punani, na-nani, na-nani 02:49

I got punani, na-nani, na-nani 02:53

Dinner on my body (yup) 02:56

Hotter than hibachi (okay) 02:59

Baby, come and try me 03:00

Ready, set, go 03:02

I got punani, na-nani, na-nani 03:04

I got punani, na-nani, na-nani 03:07

My body comes alive (oh) 03:11

When you get real close 03:15

You gon' be surprised (if I) 03:18

If I get exposed 03:22

'Cause you're like a hit of ecstasy 03:25

I can feel you all inside 03:30

And, baby, I'm on one tonight (tonight) 03:32

Ready, set, let's go 03:37

03:41

Ecstasy

Par

Ciara

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Paroles:

[English]

My body comes alive

When you get real close

You gon' be surprised

If I get exposed

'Cause you're like a hit of ecstasy

I can feel you all inside

And, baby, I'm on one tonight

Ready, set, let's go

I'm a rum and lemon dealer

'Cause I know what gets you out them clothes

Liquid courage makes me realer

Now you know, oh

So you ain't gotta ask me, daddy, if I'm feeling nasty

I been tryna hide that I want you so badly

I don't know how much more of this I can take

And you're the one to blame

My body comes alive

When you get real close

You gon' be surprised

If I get exposed

'Cause you're like a hit of ecstasy

I can feel you all inside

And, baby, I'm on one tonight (tonight)

Ready, set, let's go

You got on that Dolce & Gabanna

Baby, you know what you doin'

I'm tryna see what's up with that banana

That's why my mind keep goin', goin'

So you ain't gotta ask me, daddy, if I'm feeling nasty

I been tryna hide that I want you so badly

I don't know how much more of this (I can take)

And you're the one to blame

My body comes alive (oh)

When you get real close

You gon' be surprised (if I)

If I get exposed

'Cause you're like a hit of ecstasy

I can feel you all inside

And, baby, I'm on one tonight (tonight)

Ready, set, let's go

Dinner on my body (yup)

Hotter than hibachi (okay)

Baby, come and try me

Ready, set, go

I got punani, na-nani, na-nani

Dinner on my body (yup)

Hotter than hibachi (okay)

Baby, come and try me

Ready, set, go

I got punani, na-nani, na-nani

My body comes alive (oh)

When you get real close

You gon' be surprised (if I)

If I get exposed

'Cause you're like a hit of ecstasy

I can feel you all inside

And, baby, I'm on one tonight (tonight)

Ready, set, let's go

...

Vocabulaire dans cette chanson:

Commencer la pratique

Vocabulaire	Significations
expose /ɪkˈspəʊz/ B2	verb - exposer
close /kloʊs/ A2	adjective - proche
hit /hɪt/ A2	noun - coup verb - frapper
feel /fiːl/ A2	verb - ressentir
inside /ɪnˈsaɪd/ A1	noun - intérieur adjective - intérieur
tonight /təˈnaɪt/ A1	adverb - ce soir
get /ɡet/ A1	verb - obtenir
know /noʊ/ A2	verb - savoir
blame /bleɪm/ B2	noun - faute verb - culpabiliser
surprise /sərˈpraɪz/ B2	noun - surprise verb - surprendre
drive /draɪv/ B2	verb - conduire

Vocabulaire

Significations

expose

/ɪkˈspəʊz/

verb
- exposer

/kloʊs/

adjective
- proche

hit

/hɪt/

noun
- coup

verb
- frapper

feel

/fiːl/

verb
- ressentir

inside

/ɪnˈsaɪd/

noun
- intérieur

adjective
- intérieur

tonight

/təˈnaɪt/

adverb
- ce soir

get

/ɡet/

verb
- obtenir

know

/noʊ/

verb
- savoir

blame

/bleɪm/

noun
- faute

verb
- culpabiliser

surprise

/sərˈpraɪz/

noun
- surprise

verb
- surprendre

drive

/draɪv/

verb
- conduire

Grammaire:

You gon' be surprised If I get exposed

➔ Phrase conditionnelle (Type 1)

➔ Il s'agit d'une conditionnelle de type 1, exprimant une possibilité réelle dans le futur. "If" + présent simple, futur avec "will/going to". Ici, "gon' be" est une abréviation familière de "going to be".
'Cause you're like a hit of ecstasy

➔ Comparaison (utilisant 'like')

➔ Cette phrase utilise une comparaison, comparant l'effet de la personne sur l'orateur à "a hit of ecstasy". Le mot "like" signale la comparaison.
I'm a rum and lemon dealer 'Cause I know what gets you out them clothes

➔ Proposition relative avec 'what'

➔ La proposition "what gets you out them clothes" est une proposition relative agissant comme l'objet du verbe "know". "What" introduit la proposition et agit à la fois comme le sujet de "gets" et représente la chose qui pousse la personne à enlever ses vêtements.
Liquid courage makes me realer

➔ Verbe causatif 'make' avec un complément adjectif.

➔ Le verbe "make" est utilisé dans un sens causatif, ce qui signifie que le courage liquide amène l'orateur à être "realler". "Realler" est un adjectif qui complète le verbe et décrit l'état ou la condition qui résulte de l'action de "make".
I been tryna hide that I want you so badly

➔ Présent parfait continu avec 'tryna'

➔ "I been tryna hide..." utilise le présent parfait continu pour souligner l'effort continu de tenter de cacher quelque chose. "Tryna" est une abréviation familière de "trying to".
That's why my mind keep goin', goin'

➔ Ellipse/Omission dans le temps du verbe.

➔ Ici, "my mind keep goin', goin'" est un exemple d'ellipse. La phrase complète serait "That's why my mind keeps going, going". Le verbe auxiliaire "keeps" a été omis pour un effet stylistique, créant une sensation plus informelle et répétitive.