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Well, I can tell that you're mad 00:07
And I ain't half surprised about that 00:12
Since the day that we met 00:14
It's always who cuts first and never who bleeds last 00:18
Rumors always turn into yelling and fighting 00:22
And once it's in your mind, only one way you're driving 00:25
And I know, I know 00:29
I'ma take the high road, baby get stoned 00:32
Have a little too much of something terrible 00:35
I'ma let you cool down while I walk out 00:38
You ain't messing me up like the times before 00:42
I don't need a ticket to your shitshow 00:45
Knock yourself out and hit a new low 00:49
Well, I'ma take the high road, take the high road, take the high road 00:52
Call me a son of a bitch 00:59
For being honest, yeah, that's what I get 01:02
And fuck it, I quit 01:06
You keep on losing your head about some girl I ain't with 01:10
And rumors always turn into yelling and fighting 01:14
And what's this in your mind, only one way you're driving 01:18
I know, I know 01:21
I'ma take the high road, baby get stoned 01:24
Have a little too much of something terrible 01:27
I'ma let you cool down while I walk out 01:31
You ain't messing me up like the times before 01:34
I don't need a ticket to your shitshow 01:38
Knock yourself out and hit a new low 01:41
Well, I'ma take the high road, take the high road, take the high road 01:44
Whoa, whoa 01:50
I'ma take the high road, baby get stoned 02:06
Have a little too much of something terrible 02:09
I'ma let you cool down while I walk out 02:13
You ain't messing me up like the times before 02:16
And I don't need a ticket to your shitshow 02:19
Knock yourself out and hit a new low 02:23
Well, I'ma take the high road, take the high road, take the high road 02:26
I'ma take the high road, take the high road, take the high road 02:33
Oh, yeah, yeah, mm 02:39
02:47

High Road

Par
Koe Wetzel, Jessie Murph
Album
9 Lives
Vues
19,551,439
Apprendre cette chanson

Paroles:

[English]

Well, I can tell that you're mad

And I ain't half surprised about that

Since the day that we met

It's always who cuts first and never who bleeds last

Rumors always turn into yelling and fighting

And once it's in your mind, only one way you're driving

And I know, I know

I'ma take the high road, baby get stoned

Have a little too much of something terrible

I'ma let you cool down while I walk out

You ain't messing me up like the times before

I don't need a ticket to your shitshow

Knock yourself out and hit a new low

Well, I'ma take the high road, take the high road, take the high road

Call me a son of a bitch

For being honest, yeah, that's what I get

And fuck it, I quit

You keep on losing your head about some girl I ain't with

And rumors always turn into yelling and fighting

And what's this in your mind, only one way you're driving

I know, I know

I'ma take the high road, baby get stoned

Have a little too much of something terrible

I'ma let you cool down while I walk out

You ain't messing me up like the times before

I don't need a ticket to your shitshow

Knock yourself out and hit a new low

Well, I'ma take the high road, take the high road, take the high road

Whoa, whoa

I'ma take the high road, baby get stoned

Have a little too much of something terrible

I'ma let you cool down while I walk out

You ain't messing me up like the times before

And I don't need a ticket to your shitshow

Knock yourself out and hit a new low

Well, I'ma take the high road, take the high road, take the high road

I'ma take the high road, take the high road, take the high road

Oh, yeah, yeah, mm

...

Vocabulaire dans cette chanson:

Vocabulaire Significations

mad

/mæd/

A2
  • adjective
  • - en colère

cut

/kʌt/

A1
  • verb
  • - couper

bleed

/bliːd/

B1
  • verb
  • - saigner

rumor

/ˈruːmər/

B2
  • noun
  • - rumeur

yelling

/ˈjelɪŋ/

B1
  • verb
  • - crier

fighting

/ˈfaɪtɪŋ/

A2
  • noun
  • - combat

driving

/ˈdraɪvɪŋ/

A1
  • verb
  • - conduire

high

/haɪ/

A1
  • adjective
  • - haut

stoned

/stoʊnd/

B2
  • adjective
  • - défoncé

terrible

/ˈterəbl/

B1
  • adjective
  • - terrible

cool

/kuːl/

A2
  • verb
  • - refroidir

walk

/wɔːk/

A1
  • verb
  • - marcher

messing

/ˈmesɪŋ/

B1
  • verb
  • - gâcher

shitshow

/ˈʃɪtʃoʊ/

C1
  • noun
  • - une situation ou un événement mal géré ou plein de problèmes

honest

/ˈɒnɪst/

A2
  • adjective
  • - honnête

quit

/kwɪt/

A2
  • verb
  • - quitter

losing

/ˈluːzɪŋ/

A2
  • verb
  • - perdre

Grammaire:

  • Well, I can tell that you're mad.

    ➔ Sujet-Verbe-Complément (SVC) avec un adjectif comme complément, proposition subordonnée conjonctive introduite par "that"

    ➔ La phrase suit la structure SVC de base. "I" est le sujet, "can tell" est le groupe verbal, et "that you're mad" est une proposition subordonnée conjonctive introduite par "that" agissant comme complément, spécifiant ce que l'orateur peut déduire.

  • It's always who cuts first and never who bleeds last.

    ➔ Phrase clivée avec "it's", propositions relatives avec "who", adverbe de fréquence "always"

    ➔ Il s'agit d'une phrase clivée, utilisée pour mettre en évidence une partie particulière de la phrase. La structure "it's" met en évidence la proposition suivante. "who cuts first" et "who bleeds last" sont des propositions relatives qui définissent le sujet de la phrase.

  • Rumors always turn into yelling and fighting.

    ➔ Sujet-Verbe-Groupe Prépositionnel, adverbe de fréquence "always", gérondifs (yelling and fighting)

    "Rumors" est le sujet, "turn into" est le verbe à particule, et "yelling and fighting" sont des gérondifs fonctionnant comme l'objet de la préposition "into". "Always" modifie le verbe, indiquant la fréquence.

  • And what's this in your mind, only one way you're driving

    ➔ Structure interrogative avec ellipse, proposition relative réduite

    ➔ Le début est elliptique, impliquant "And what is this...?" suivi d'une déclaration décrivant la situation. "only one way you're driving" est une proposition relative réduite ; la proposition complète serait quelque chose comme "...only one way that you are driving."

  • I'ma take the high road, baby get stoned

    ➔ Contraction informelle "I'ma", proposition impérative (baby get stoned)

    "I'ma" est une contraction familière de "I am going to". "Baby get stoned" est utilisé comme une expression impérative, ce qui implique que l'orateur veut se droguer.

  • Have a little too much of something terrible.

    ➔ Quantificateur "a little too much", adjectif comme modificateur "terrible", sujet implicite

    "a little too much" quantifie le groupe nominal "something terrible". "terrible" décrit le 'something'. Le sujet implicite est 'I', car cette action est liée au 'I'ma' précédent.

  • You ain't messing me up like the times before

    ➔ Contraction négative "ain't", structure comparative avec "like"

    "Ain't" est une contraction non standard de "am not", "is not" ou "are not". La phrase "like the times before" crée une comparaison.

  • Knock yourself out and hit a new low.

    ➔ Verbes à l'impératif, pronom réfléchi "yourself", déterminant "a" + adjectif + nom (a new low)

    "Knock yourself out" et "hit a new low" sont tous deux des commandes utilisant des verbes impératifs. "Yourself" est le pronom réfléchi se référant au sujet implicite, 'you'.