Afficher en bilingue:

(AIR WHOOSHING) 00:05
(GENTLE MELANCHOLIC MUSIC) 00:12
♪ IF THE NIGHT TURNED COLD ♪ 00:32
♪ AND THE STARS LOOKED DOWN ♪ 00:34
♪ AND YOU HUG YOURSELF ON THE COLD COLD GROUND ♪ 00:37
♪ YOU WAKE THE MORNING IN A STRANGER'S COAT ♪ 00:42
♪ NO ONE WOULD YOU SEE ♪ 00:47
♪ YOU ASK YOURSELF, WHO'D WATCH FOR ME ♪ 00:53
♪ MY ONLY FRIEND, WHO COULD IT BE ♪ 00:59
♪ IT'S HARD TO SAY IT ♪ 01:03
♪ I HATE TO SAY IT ♪ 01:05
♪ BUT IT'S PROBABLY ME ♪ 01:08
♪ WHEN YOUR BELLY'S EMPTY ♪ 01:18
♪ AND THE HUNGER'S SO REAL ♪ 01:21
♪ AND YOU'RE TOO PROUD TO BEG ♪ 01:24
♪ AND TOO DUMB TO STEAL ♪ 01:26
♪ YOU SEARCH THE CITY FOR YOUR ONLY FRIEND ♪ 01:29
♪ NO ONE WOULD YOU SEE ♪ 01:34
♪ YOU ASK YOURSELF, WHO COULD IT BE ♪ 01:40
♪ A SOLITARY VOICE TO SPEAK OUT AND SET ME FREE ♪ 01:46
♪ I HATE TO SAY IT ♪ 01:50
♪ I HATE TO SAY IT ♪ 01:52
♪ BUT IT'S PROBABLY ME ♪ 01:55
♪ YOU'RE NOT THE EASIEST PERSON I EVER GOT TO KNOW ♪ 02:06
♪ AND IT'S HARD FOR US BOTH TO LET OUR FEELINGS SHOW ♪ 02:12
♪ SOME WOULD SAY I SHOULD LET YOU GO YOUR WAY ♪ 02:17
♪ YOU'LL ONLY MAKE ME CRY ♪ 02:20
♪ BUT IF THERE'S ONE GUY, JUST ONE GUY ♪ 02:26
♪ WHO'D LAY DOWN HIS LIFE FOR YOU AND DIE ♪ 02:32
♪ IT'S HARD TO SAY IT ♪ 02:37
♪ I HATE TO SAY IT ♪ 02:39
♪ BUT IT'S PROBABLY ME ♪ 02:42
♪ IT'S PROBABLY ME ♪ 02:47
(GENTLE MELANCHOLIC MUSIC) 02:50
♪ WHEN THE WORLD'S GONE CRAZY AND IT MAKES NO SENSE ♪ 03:13
♪ THERE'S ONLY ONE VOICE THAT COMES TO YOUR DEFENSE ♪ 03:19
♪ AND THE JURY'S OUT AND YOUR EYES SEARCH THE ROOM ♪ 03:24
♪ AND ONE FRIENDLY FACE IS ALL YOU NEED TO SEE ♪ 03:28
♪ IF THERE'S ONE GUY, JUST ONE GUY ♪ 03:34
♪ WHO'D LAY DOWN HIS LIFE FOR YOU AND DIE ♪ 03:40
♪ IT'S HARD TO SAY IT ♪ 03:45
♪ I HATE TO SAY IT ♪ 03:47
♪ BUT IT'S PROBABLY ME ♪ 03:50
♪ I HATE TO SAY IT ♪ 03:55
♪ I HATE TO SAY IT ♪ 03:58
♪ BUT IT'S PROBABLY ME ♪ 04:00
♪ I HATE TO SAY IT ♪ 04:06
♪ I HATE TO SAY IT ♪ 04:08
♪ BUT IT'S PROBABLY ME ♪ 04:10
♪ I HATE TO SAY IT ♪ 04:16
♪ I HATE TO SAY IT ♪ 04:18
♪ BUT IT'S PROBABLY ME ♪ 04:21
(GENTLE MELANCHOLIC MUSIC) 04:23

It's Probably Me

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Sting
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Apprendre cette chanson

Paroles:

[English]

(AIR WHOOSHING)

(GENTLE MELANCHOLIC MUSIC)

♪ IF THE NIGHT TURNED COLD ♪

♪ AND THE STARS LOOKED DOWN ♪

♪ AND YOU HUG YOURSELF ON THE COLD COLD GROUND ♪

♪ YOU WAKE THE MORNING IN A STRANGER'S COAT ♪

♪ NO ONE WOULD YOU SEE ♪

♪ YOU ASK YOURSELF, WHO'D WATCH FOR ME ♪

♪ MY ONLY FRIEND, WHO COULD IT BE ♪

♪ IT'S HARD TO SAY IT ♪

♪ I HATE TO SAY IT ♪

♪ BUT IT'S PROBABLY ME ♪

♪ WHEN YOUR BELLY'S EMPTY ♪

♪ AND THE HUNGER'S SO REAL ♪

♪ AND YOU'RE TOO PROUD TO BEG ♪

♪ AND TOO DUMB TO STEAL ♪

♪ YOU SEARCH THE CITY FOR YOUR ONLY FRIEND ♪

♪ NO ONE WOULD YOU SEE ♪

♪ YOU ASK YOURSELF, WHO COULD IT BE ♪

♪ A SOLITARY VOICE TO SPEAK OUT AND SET ME FREE ♪

♪ I HATE TO SAY IT ♪

♪ I HATE TO SAY IT ♪

♪ BUT IT'S PROBABLY ME ♪

♪ YOU'RE NOT THE EASIEST PERSON I EVER GOT TO KNOW ♪

♪ AND IT'S HARD FOR US BOTH TO LET OUR FEELINGS SHOW ♪

♪ SOME WOULD SAY I SHOULD LET YOU GO YOUR WAY ♪

♪ YOU'LL ONLY MAKE ME CRY ♪

♪ BUT IF THERE'S ONE GUY, JUST ONE GUY ♪

♪ WHO'D LAY DOWN HIS LIFE FOR YOU AND DIE ♪

♪ IT'S HARD TO SAY IT ♪

♪ I HATE TO SAY IT ♪

♪ BUT IT'S PROBABLY ME ♪

♪ IT'S PROBABLY ME ♪

(GENTLE MELANCHOLIC MUSIC)

♪ WHEN THE WORLD'S GONE CRAZY AND IT MAKES NO SENSE ♪

♪ THERE'S ONLY ONE VOICE THAT COMES TO YOUR DEFENSE ♪

♪ AND THE JURY'S OUT AND YOUR EYES SEARCH THE ROOM ♪

♪ AND ONE FRIENDLY FACE IS ALL YOU NEED TO SEE ♪

♪ IF THERE'S ONE GUY, JUST ONE GUY ♪

♪ WHO'D LAY DOWN HIS LIFE FOR YOU AND DIE ♪

♪ IT'S HARD TO SAY IT ♪

♪ I HATE TO SAY IT ♪

♪ BUT IT'S PROBABLY ME ♪

♪ I HATE TO SAY IT ♪

♪ I HATE TO SAY IT ♪

♪ BUT IT'S PROBABLY ME ♪

♪ I HATE TO SAY IT ♪

♪ I HATE TO SAY IT ♪

♪ BUT IT'S PROBABLY ME ♪

♪ I HATE TO SAY IT ♪

♪ I HATE TO SAY IT ♪

♪ BUT IT'S PROBABLY ME ♪

(GENTLE MELANCHOLIC MUSIC)

Vocabulaire dans cette chanson:

Vocabulaire Significations

cold

/koʊld/

A1
  • adjective
  • - froid
  • noun
  • - froid

stars

/stɑːrz/

A1
  • noun
  • - étoiles

ground

/ɡraʊnd/

A1
  • noun
  • - sol

morning

/ˈmɔːrnɪŋ/

A1
  • noun
  • - matin

friend

/frend/

A1
  • noun
  • - ami

belly

/ˈbel.i/

B1
  • noun
  • - ventre

empty

/ˈempti/

A2
  • adjective
  • - vide

hunger

/ˈhʌŋɡər/

B1
  • noun
  • - faim

proud

/praʊd/

B1
  • adjective
  • - fier

city

/ˈsɪti/

A1
  • noun
  • - ville

voice

/vɔɪs/

B1
  • noun
  • - voix

feelings

/ˈfiːlɪŋz/

B1
  • noun
  • - sentiments

life

/laɪf/

A1
  • noun
  • - vie

world

/wɜːrld/

A1
  • noun
  • - monde

crazy

/ˈkreɪzi/

B1
  • adjective
  • - fou

sense

/sens/

B1
  • noun
  • - sens

eyes

/aɪz/

A1
  • noun
  • - yeux

face

/feɪs/

A1
  • noun
  • - visage

Grammaire:

  • IF THE NIGHT TURNED COLD

    ➔ Conditionnel de type 2

    ➔ Utilise "if + prétérit", suivi de "would/could/might + infinitif". Exprime une situation irréelle ou improbable dans le présent ou le futur. "TURNED" est le prétérit simple, impliquant que la nuit n'est pas froide actuellement mais nous faisons une hypothèse.

  • YOU WAKE THE MORNING IN A STRANGER'S COAT

    ➔ Présent simple (Habitude/Vérité générale)

    ➔ Bien que apparemment en contraste avec le mode conditionnel, le présent simple ici suggère une situation hypothétique récurrente, ou une conséquence générale de la condition initiale. "WAKE" décrit une action générale, pas une instance spécifique.

  • NO ONE WOULD YOU SEE

    ➔ Inversion (Emphase)

    ➔ L'ordre des mots standard est "No one would see you." L'inversion, plaçant "would" avant "you", est utilisée pour l'emphase et ajoute un ton légèrement plus formel ou poétique.

  • WHO COULD IT BE

    ➔ Question Indirecte

    ➔ C'est une question imbriquée dans une déclaration. L'ordre des mots est sujet-verbe plutôt que verbe-sujet comme dans une question directe. (Question directe: Who could it be ?).

  • IT'S HARD TO SAY IT

    ➔ "It" impersonnel + adjectif + infinitif

    "It" est utilisé de manière impersonnelle ici, ne se référant à aucun nom spécifique. Il introduit une déclaration sur la difficulté de dire quelque chose. Le sujet réel est la phrase infinitive "to say it".

  • WHEN YOUR BELLY'S EMPTY

    ➔ Contraction (Belly is)

    "Belly's" est une contraction de "belly is." C'est courant dans le discours informel et les paroles de chansons. Cela montre que le possessif n'est pas utilisé, c'est le verbe est. Le "When" introduit une clause de temps ici.

  • AND YOU'RE TOO PROUD TO BEG

    ➔ Structure "Too + adjectif + to + infinitif"

    ➔ Cette structure exprime que quelque chose est excessivement (too) quelque chose, ce qui empêche une certaine action de se produire. Ici, être excessivement fier empêche la personne de mendier.

  • SOME WOULD SAY I SHOULD LET YOU GO YOUR WAY

    ➔ Verbes Modaux (Would & Should) & Discours Indirect

    "Would" exprime une croyance ou une opinion générale. "Should" exprime un conseil ou une recommandation. La phrase dans son ensemble rapporte ce que les autres pourraient dire, représentant le discours indirect.