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Silenced. Silenced. Who's being silenced? The the  woke mob. Uh, you know, something like that. What   00:04
up, citizens of the Reject Nation? Last week,  you were feeling good. Are you feeling okay   00:10
this week? I am feeling you made me feel like  I should be cautiously optimistic. About what?   00:14
About this. Okay. Oh, you made my feeling good  in life. Yeah. Life. Yeah, I thought you meant   00:26
about where we were at. Yeah, I'm feeling  good. By the time you guys see this, I'll   00:30
have a movie that's coming out on November 25th.  It's called Wildat. It is. I just made Greg watch   00:34
the trailer. It's inspired by the basketball team  from High School Musical. Yeah. Dribble, dribble,   00:40
shoot, shoot. Take it to the hoop hoop. Yep.  That is I never saw a High School Musical. Uh,   00:44
it shows. Is it about basketball? Uh, it's partly  Troy. He He's torn between basketball and singing.   00:49
And which way should he go? Not to hell because  then he would have to meet the has been people.   00:56
Greg, how are you? I'm feeling terrible about the  show but great about life. Wait, no. Flip that. 01:00
I feel fine. I feel fine. That was a really,  really long pause. I know. And I hope the editors   01:08
don't edit that out. I think tension is good in an  intro. Oh, guys, how are you doing? Yeah, let us   01:14
know. How are you doing? Leave your thoughts down  below. Everyone I know is having a tough time in   01:18
life. And I think they're all just a bunch of cryb  babies. They should all be silenced. How are you   01:23
going to silence them? How would I silence them?  I pay them. Hate them to shut their mouths. Oh,   01:27
look pretty for me is what I say. Oh, Reject  Nation. This message is sponsored by Raycon. Cuz   01:32
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that's by bracon.com/real rejects bc. Thanks again  raycon for initiating me into the family. Also,   03:17
the full length ratchet watch along where you  sync up with your own copy of Hasbin Hotel.   03:25
It's available for our Royal Rejects. We call  them royal because they are superior to all   03:28
rejects. With a show like this helps offset all  them copyright claims from, you know, music that   03:32
we want to make sure we still feature on YouTube.  So, thank you guys for supporting us and keeping   03:37
us in the game. Another way you can keep us in  the game is by grabbing any type of RR apparel   03:41
like the T-Rexy is wearing on her shirt. The thing  about this, Greg, is that it's actually a hoodie. 03:46
So this is bento box. Is this  considered anime? It's bento anime. No,   04:08
I don't know. Where did you draw the  correlation? Because bento boxes are   04:14
usually Japanese. You might be right. This  does feel a little anime. I have no idea. 04:18
Okay. 04:29
All right. It's dope. They knew we were teetering. 04:33
After 04:45
all, we're all overord. You know you want to  be bad. You can fill heaven with rage. Oh my   04:48
singing in these accents is hard. There's  old boring [ __ ] up there. Books, tea,   04:59
elder care. He's actually back in the show  for a second. It's a bit of a rock opera. 05:05
Stop it. Okay. 05:13
What are you preparing for, Carl? That  was a really fun song. Are you navigating   05:19
the coming? What are you doing? I'm trying to  get Emily's attention. She really didn't give   05:24
you a way to contact her, huh? No, she said she  couldn't. Heaven is closed down or something. So,   05:30
now I just need to get her. You think  she sees it? Why would she see that,   05:36
honey? If it makes you feel better, they look  pretty. Thanks, Vanny. No. No. This would just   05:43
be so much easier with Alistister.  He was supposed to host the hotel,   05:51
not get himself [ __ ] kidnapped. Her intrusive  thoughts are wild. But I have things handled. Is   05:54
there anything I can help you with? I don't  think so, Vaggie. Yeah. Help out Charlie's,   06:00
Vaggie. You know what I'm saying? That's what  I was thinking. So, I just need to keep trying. 06:05
Oh, she's getting neglected. Oh,  I think I know what to do. Oh,   06:15
this is going to be a  vagentric episode. About time. 06:18
Feels like a Christmas episode. Yeah. How was  the group therapy session? I missed it. But Husk   06:25
seems to be enjoying the therapist [ __ ] Says his  pretending to listen skills are put to good use.   06:31
I have never heard someone come up with so  many ways to say stupid. Adding the few to   06:39
my personal dictionary. It's because you're  a moronic unthinking damn fool who was too   06:43
nonsensically doish to realize doish. Good word.  Maybe you should try not being a feeble-minded   06:50
smooth brain for once. Wonder how often therapists  actually want to talk like that. I got to imagine   06:56
all the time. Am I doing therapy right? Where  are you headed? Lucifer must be important.   07:00
Give me the tea later. This is feel like  such a sitcom episode. This is so weird.   07:10
Just a minute. I'll be there. I'll be right.  I wasn't doing anything weird. I swear it. Oh,   07:15
hey. What is it with you and these  ducks? Come in. Just let me just 07:20
Oh, it's kind of worse. Really wasted  no time, huh? Sir, call me daddy. Wait,   07:26
no. Don't call me Lou. What? Now, what is  it you need? Uh, you're the king of hell,   07:31
right? There's a bribe come back, m this one. Have  you been uh listening to him at all? Nope. Well,   07:36
he's been hardcore [ __ ] on Charlie in the hotel  for weeks. It's kind of driving her crazy. Should   07:43
drive you crazy, Dad? You know, you think  you could go over and like, I don't know,   07:48
smite him or something. Oh, Vanastasia. I'll let  you in on Vastasia. It's not bad. It's a It's   07:54
a punishment. And mine is that I'm stuck here  with all these sinners. Can't kill them. Can't   08:02
do nothing with them. So, I just have to ignore  them. Fudge. Vox doesn't know that. Hey, theater   08:07
kids. Merch available now. Most of hell. You're  a pretty big deal. I don't know, man. You got to   08:13
recognize your power. Scallister, but you know,  he's unavailable. So, no, hold on. If my little   08:20
girl is getting harassed by this vox fella, then  it is my time to daddy up. Daddy up. No, don't   08:28
say like that. But great. And what's wrong with  that? I love daddy up. Daddy up. It sounds cool. 08:37
Why would you think Emily could see this? Honey,  Charlie, Sarah, we need to talk to her. She just   08:47
can't get there, but she can see it. Good.  But what good would talking to her do? I   08:53
don't think it's a good idea. You're afraid,  aren't you? Because, you know, we owe Hell a   08:57
massive apology. Yes, you do. Cookies. What  is he doing here? I invited him. I figured if   09:02
anyone can help us make these decisions, it'd be  best to have an actual hell expert. Sure. Yeah.   09:09
Yes. I'm happy to help. He can't be here, Emily.  This is important. Only the highest angels. Well,   09:13
I'm as high as you and I say he stays.  Emily's as high as Sarah, apparently.   09:19
Did not expect that. My vote is that we should  apologize. Maybe with some gift basket. Well,   09:25
I'm sure Charlie would like a gift basket. Look at  Ael. You should throw in a cheese assortment. Oh,   09:30
and a cute little plush bear that says, "Show  me for the violence." That would be so cute.   09:39
Shouting for the violence. I really don't think  this is a good idea. How can the demons accept   09:44
anything we say after what we've done? You  have to start somewhere. It starts with sorry,   09:50
though. I think it's worth a try. I believe  Charlie told him that. Got a gift basket. Look at   09:56
this sad teddy bear. Are you actually here or am  I really dehydrated? Definitely dehydrated. We're   10:04
really here. And we bring sawing. Is Penn okay?  Can I see him? The snake is fine. He misses you   10:13
all. I'm sorry we can't bring him. Thanks, guys. I  appreciate this. She's never got in a basket. It's   10:23
just Vox has completely convinced most of hell  that you all are still out to get us and that   10:29
redemption isn't real and that I'm just some crazy  person. What's a Vox? It's not important. Please,   10:34
I need you to come with me. I heard Vox has  a rally today. A big one. Oh no. Really bad   10:41
call. We're going to need more gift baskets.  This show is not afraid of ruffle feathers,   10:47
man. So, uh, you have the dancers ready? There  it is. What really are you contributing besides   10:53
noise? Oh my god. I'm the face. The face of  the revolution. Where the [ __ ] have you   11:00
been? Revolution. You think they could have pulled  this off without me? It's me who made this happen.   11:09
I have the vision. I have vision. Sure you do.  Oh no. He could tear it down from within. Have   11:14
them turn against each other. How about you and  Velvet manage backstage? No man. You don't want   11:22
us coming out? It's not right away. Don't worry.  You'll have your time. Thanks, babe. My god. See,   11:28
I'm in charge here. Are you? Excuses and lies seem  to still be your specialty. I try. I mean, they're   11:36
in help. Can I just take a moment to say Lilith  would be so proud of Ooh. Come on. Let me hear it. 11:43
I love it. They have no idea Lilith is playing  into their hands. Take on the angel Menace. 11:56
The angels. Yeah. Oh, hell yeah. Daddy up. 12:08
There's about like 80s rock. 12:18
Now I'm here. It's going to be me. 12:23
Yeah. 12:31
Dead man. I'm nearly a god. Who  are you? Just a dead man. Quick   12:34
thing though. It's curious you stopped by  to fight me nail and tooth goes into his   12:40
genre of song. And we can make hell  great again. Make hell great again. 12:46
I mean, let's be honest. They know their  audience. Oh, yeah. There's no way. Yeah.   12:57
We got the numbers. We got the thunder.  Let's annex their real estate. Not by   13:03
redemption. By taking over heaven. Tell me  hell. Are you satisfied? No. No. Snipe me.   13:07
Silence me. That's all you angels know  how to do. Remind that he's an angel. 13:14
And figning as the people's voice. 13:27
Hello. They're here to silence me. Oh my  god. Little scared scared little man. We   13:32
are sorry. Oh. Oh, really? You're sorry for what  exactly? Oh, Greg. Everything. For allowing the   13:40
extermination of your people. Oh, just that. And  what do you have here? Sorry packages. Are those   13:48
gift baskets? You are apologizing for genocide  with gift baskets. Oh boy. That's what a sinner's   13:56
soul is worth to heaven. Huh? Oh my god. He's not  wrong there. You are here to flaunt your power   14:06
in front of us because you can't stand that hell  managed to land a pretty damn big hit on you. Oh,   14:14
loot. That's not it at all. We wanted  to apologize. You shouldn't have brought   14:21
loot. No. After everything heaven did to us,  why would any of us forgive you? They're not   14:25
apologizing for forgiveness. They're apologizing  because it's the right thing to do. Oh, wow. A   14:32
lot of negativity here. Charlie should speak.  Taunting us with how little we matter to them. 14:38
Uh, yeah. There's no resolve around the corner  on this one. Do you know how many sinners died   14:46
in each extermination? Thousands. Wow. I didn't  know. No, not the picture. Stop. You got to   14:51
control with rage. First Lucifer threatens us.  Now this. Wait, what? Dad, do not see me. I'm   15:01
not here. You're dreaming. This is a dream. Oh  my god, he is so unreliable. Hell will rise. Hell 15:12
will rise. Say it with me now, Greg.  Hell will rise. But angels could take   15:28
them all out if they need to. Jeez.  This isn't going how we want it at all. 15:34
What do you got, Sarah? 15:41
Whoa. Sinners like you are the reason  I allowed for the extermination in the   15:48
first place. is power- hungry and violent.  Oh no, this angel admits it. She called the   15:53
extermination to silence the sinners speaking  out, empowering each other. You did it to keep   15:58
us down. Damn. Consider this a declaration  of holy war. Oh, there it is. Holy war. 16:03
Wow. Pretty cool. Good rhyme. 16:20
No, no, no. Wait, no. 16:25
Oh my god. You're just there. Oh, hello. By the  look on your face, I'd say the gift baskets were   16:33
a major success. Nope. Nope. Something uh not  chill happened down there. Not chill. I'm sorry. 16:39
I mean, box isn't entirely off. They have  been horrible. I promise things aren't as   16:52
bad as they're making them out to be. Please.  Somebody at some point has to stop war. That's   16:57
the whole point. Dad, I know you're here. Stop  mad, Matt. Oh my god. You threatened box. Sweetie,   17:02
I promise I was just trying to help. Okay, you  see Vav knew over there? Told me you were having   17:11
trouble. What happened? He ruined everything.  No, he didn't. The angels were here to set things   17:15
right. But thanks to him and apparently  you, Fox was able to spin it again. No,   17:22
it would have happened without him. Why didn't  you ask me? Because you aren't listening to me.   17:29
You're hyperfixating on what he's saying about  you. Yeah, the hotel. He is ruining Charlie. You   17:34
are hurting the hotel. Yeah, go Vaggie. If  you don't care about what I'm trying to do,   17:41
then I can just do it myself. Charlie. Oh no. You  want to bury your head in the [ __ ] Be my guest.   17:45
Think about how much more this affects Vagie,  too. Like the whole heaven angle, right? Yeah.   17:54
She's missing an eye. Like, I think you should  leave, Dad. Oh, no. What a flip. You [ __ ] things   17:59
up for me enough. Wow. This is the most irrational  we've seen, Charlie. Okay. Get pushed to the edge. 18:07
Last time she wanted dad, now she's pushing  dad out. Darkest night of the soul. Greg,   18:22
the account holder on this line is  unavailable. Where are you? Might be   18:29
the next episode. They're avoiding you. She must  show up in the next episode. She has to. Yeah. 18:33
The only thing keeping me alive right now is this  hot tea. I'd love to hear it. With her song, she   18:47
rallied the sinners of hell to attack heaven in  an effort to liberate us. What's the deal with him   18:52
and Lilith? I don't know. I merely wish to finish  what she started. Carmela, I have no interest in   18:57
engaging in this war. See, my associate  Velvet here came along today specifically   19:04
to apologize about her childish. I remember  that. You should cut her some slack. You know,   19:09
she's still pretty new to the Overlord Viz. But  that doesn't change things. That was to defend.   19:16
Make no mistake, Carmela. War is coming. You're  either with me or against me. This guy is such   19:23
a good manipulator. You think they won't come for  you? Help me protect hell, Carmela, and I'll help   19:31
you protect them. Wow. I'll build your weapon.  Wow. Emperor Palpatine. You surrendered yourself   19:36
to the media overlord. You know he doth profess  allegiance to hell, but his true alliance lies   19:47
only with himself. Yeah. This is not about sides.  Zestile, you know better than to pay heed to his   19:54
words. Happy she's back. The angels are coming,  Zestil. And I can't. I won't lose anyone else.   20:02
My loyalty is to my own, my girls. You, the  angels really weren't coming. My truest wish is   20:10
that you cometh to thine senses post haste. For  when you do, I shall return to your side. Zest,   20:17
I They had the opportunity for all this war to  end. They had the opportunity for peace. This   20:25
just in. A historic deal has been struck between  Fox Tech and Carmine Industries. What? Oh, come   20:32
on. Oh my god, his outfit. Ryan has no business  screaming like that. I told you, princess. I'm   20:38
done playing therapist. I ain't good at it. Apple  juice. Well, I don't really want to speak to her   20:43
right now. Besides, she's perfectly fine doing  whatever she wants behind my back. Well, Husk,   20:48
if you see Charlie, can you let her know I've been  doing everything around the hotel already? So, 20:55
stop, hus, I'm so [ __ ] done with  this petty high school [ __ ] Yeah,   21:02
I'm out. No, you can't leave. The bar  needs you. Too bad Alistister's gone,   21:07
so I'm gone. What about Angel? Where is Angel?  What about him? He's a grown-up. Doesn't need   21:13
me. Great. Now someone has to take over the bar,  too. [ __ ] my life. It's not just your life,   21:20
honey. She started this resistance to take  back our power by force. She wanted blood. Now,   21:26
let's spill some blood. And he's doing all this  in the name of Lilith. Yeah. I can't believe   21:32
Carmela would side with that lowife garbage. I  have to talk to her. We Come on. We should both   21:38
go. Nifty. I can't believe I'm saying this.  You're in charge. Hooray. Rise, children. 21:46
Ew. [ __ ] Oh no. This place hasn't changed a  bit. Oh no. Don't smile about that. Going to win   21:54
big this time. I can feel it. Lucky seven. Yeah.  This is where I'm meant to be. Nope. You know,   22:03
it's been such a long time since I've  been out on my own. This is our first   22:10
song of the episode. Uh, yeah. It  kind of feels like the wrong time. 22:18
Loser Baby, 22:28
then another and another. Loser baby is still  my favorite franch song in the franchise. 22:31
Really cool animation. 22:40
No, it just got blurry. 22:47
And then the anger kicks in. Oh my god. Wow. That  was that was unreal. That was like a jazz song   22:52
playing exactly to every emotional mood swing.  He was having that was cool. Love in a bomb. I   23:00
don't have time for this lesbian drama. What is  it you want? We should never go to war. Heaven   23:05
doesn't want to hurt us anymore. They know that  there's a better way. How do you know heaven is   23:11
no longer a threat when Vox just declared a war?  They won't just surrender. Why join Vox now? The   23:16
same reason I supplied you all with the weapons  to defend yourselves. When a fight is to come,   23:24
I will protect my own. This is very Middle  Eastcoded. You started this war. Why do you   23:30
still insist on heaven being the answer when  you know firsthand what they are capable of?   23:39
There's so much blame. Yeah. We should  never let ourselves become them. Yeah.   23:44
My mother believes that there is myth  is gone. Her beliefs don't matter. No,   23:50
that's not true. War is coming and  I am choosing the winning side. 23:55
Do you think it's really Angel or is he just  seeing that? No, I'm pretty sure it's Angel. 24:05
This sounds like it could legit be on the  radio. Good luck out there, boys. Wow,   24:32
that was that was hot. Yeah, real hot. Everyone  out. Yikes. What do you want, Fox? I'm already   24:39
struggling to find a co-star that can keep up with  Angel. Well, I may need to borrow Angel Dust for   24:46
a bit. What? I'm not going to wait in the wings  again while you and Angel take center stage. Oh,   24:52
Val, is that jealousy I hear? Has a multitude  of emotions. We got to push the fan favorites   24:59
to the front to get more screen time. It means  nothing in the long run. Just do me this little   25:06
tiny little favor. And you know, my god, Vox  always gets what he wants. I don't see this   25:11
part in the script. Funny how you make time for  us when you need something. Fell it. I was just   25:18
about to fill you in. We were just talking.  Seems more like begging. Good. Valentino,   25:25
you will listen and you will call Angel Dust here  tonight. Whoa. Is it actually working? Get off me.   25:36
You know that freaky eye [ __ ] doesn't work  on me. Whoa. You just do whatever the [ __ ]   25:45
you want anyway. All for your stupid [ __ ]  plan, right? Alistister's causing a wedge.   25:51
Anyone else got [ __ ] to say? I'm from [ __ ]  Florida. Oh, it cracked his glass. Nifty. I told   25:57
you to watch over the hotel. What have you been  doing the whole time? What would you think would   26:04
happen? That's cute. What have you been doing this  whole time? this. Oh, that's kind of impressive,   26:08
actually. Now what? That was great. Are  you okay? I thought about what you said the   26:16
other day. She doesn't look like herself. It's  about me, about my mom, and you were right. So,   26:25
that nugget sat on the icing. Yeah, we cannot  eat that. Mhm. I know it's been hard on you,   26:32
and it's hard sometimes to feel like you aren't  hearing me, but I just want you to know it's okay.   26:38
I still love you. Oh, I got so caught up in all  the drama and my mom. Yes, you did. This hotel   26:43
was my way of finishing what she started. Oh,  what a gentle hug. Right on the stomach. Because   26:50
if I could make it work, maybe she'd be proud  of me. Maybe she'd come back and tell me what   26:55
I did to make her leave. That approval she's  been looking for. And now Fox is declaring a   27:01
war. And Carmela's right. I started it and I'm  a hypocrite of my dreams. You're going to die. 27:06
Whoa. 27:14
Oh my goodness. 27:28
Yeah, 27:34
you're forgetting who we are. 27:40
Oh, hell yeah. 27:55
Baby, 28:00
so cute. That was awesome. That was awesome.  I feel like Harley and Poison Ivy. Hey,   28:04
loser. That's so good. Finally living up to  your name, huh? I didn't know you performed   28:10
here. Loser. Sorry for pushing you into that.  Shouldn't realize it was a It's fine. Huh? I've   28:14
accepted that redemption's not really for  people like me. Are you still mad I saved   28:24
your life? I'm just not worth saving. No,  honey. That's why he was pushing him away   28:30
earlier. See you at the hotel tonight,  Whiskers. No, no, no, you won't. Yeah,   28:35
I will. He's blushing. He got a little crush  on him. I think it's mutual. Change of plans.   28:39
You were bought out for the night in there. Do I  collect for you or or have they paid? I'll do my   28:49
best, Daddy. You want me to come find you or  are you just like really small or something? 28:56
Fox, what are you? Oh, no. Sorry for the sudden  visit. I just need to borrow that empty little   29:10
head of yours. Oh, the hypnosis works on  him. I'd like to see you [ __ ] try. Oh no. 29:17
I've been wanting to do that. Oh no. Oh no.  It's almost cute how you screamed every time.   29:28
How do you think I was always one step ahead  of the princess? What? Think back. Any late   29:37
night jobs you can't quite remember? Oh my  god. I haven't been watching. Oh, you [ __ ] 29:44
Oh, it's so bad. Charlie ain't looking too  good under pressure. We did it. Adopted as   29:55
possible. Vaggie, give me the tea later.  I'll let you in on a little secret. Oh,   30:02
no. I would never. Oh, but you  already did. No. But I think your   30:08
time at the hotel has come to an end.  Oh, that's really sad. Stand up husk. 30:15
Oh, Greg, I'm so upset. No, Greg. He's  always being taken advantage of. Yeah,   30:24
and Husk does show up. I thought about our talk. 30:31
Oh, no. Look who's back. Well,  somebody needs to keep you guys   30:39
drunk. Huh? Hasn't been answering my  texts either. Something ain't right. Oh,   30:44
they're going to team up. We faced impossible odds  before. Together, we can do it again. Thank you   30:51
for keeping the faith that I lost control of.  So cute. Oh, don't. Oh, come on. Don't don't 30:56
Charlie, my lovely daughter, who I  love and miss. What's popping? Dad,   31:06
I need to talk to you. I'll send you my  location. Okay. That doesn't sound like   31:11
her. No, it doesn't. Uh, oh, no. Looks  like we got our power. That was him. 31:16
The [ __ ] What the [ __ ] was that,  Lilith? Screaming. Oh, the screaming rain. 31:27
All right, ladies and gentlemen, we just watched  the episode five and six of what show of Hasbin   31:36
Hotel, baby. Of Hasbin Hotel. Greg knew all  that information. He was just quizzing me. Oh,   31:44
look at the background of this. Is an apple and a  serpent also. Do you see it? That's pretty cool.   31:49
The start of Lucy Lucy. What? Start of Lucy Lucy.  Lucifer. Oh, and I don't know what or Adam start   31:54
of Lucy Lucy. Yes. Yes. Or in this context, Adam  and Lilith actually. Yeah. Yes. Oh, Lucy Lucy. Uh,   32:06
did you have a favorite song here? Um, let's  see. I know I did. Which one was it that we   32:14
were fre Oh, the Charlie the Vaggie song. Yeah,  the great one. Um, yeah, the of the the duet,   32:21
but mostly Vaggie. So good. How about you? I would  probably opt for that one. And then probably the   32:29
Hus song. We opened with a really cool song in  episode five, too. Yeah, it was a really good   32:41
one with everybody. That was cool. Establishing  the grounds of where Vox was currently at. So,   32:48
uh, how are you feeling about this show? I mean,  we were expressing a little bit of concerns last   32:54
week. last week when we were here filming last  week, right? How are you feeling now with what   32:59
the progress is of these next two episodes? I much  preferred five and six to three and four. But that   33:04
being said, we only have two episodes left and I'm  feeling I'm feeling that the clock ticking. Like,   33:11
wow, we still have so much to do because what we  didn't really address in five and six was a lot   33:17
of heaven stuff. Like we we haven't moved forward.  Well, I it depends on where the season's going to   33:22
end, right? like we now have declared a full-blown  war and we have two episodes to deal with that   33:27
theoretically. So, uh I'm so glad we got to see  more of Vaggie and Charlie together. I'm happy   33:34
that um Vox is like really this huge huge threat.  I think there's a lot of parallels obviously   33:41
they literally say make hell great again. Um  there's a lot of parallels between this war and   33:48
um current wars and there's a lot of parallels  between uh the divide in the United States right   33:56
now. So I think that this show is taking big  swings. I'm really enjoying it and also I'm   34:03
still a little nervous about us only having two  episodes. How about you? I think it's did a lot   34:09
of heavy lifting over a lot of the concerns that  we were having. Like I I like everything they're   34:14
doing with Vox way more this time around. I still  feel like he's defeatable in some way, you know,   34:19
like he doesn't he hasn't reached this point yet  where it's like how do you take this guy down?   34:25
How is he undefeable? And you know what they're  commenting, what they're using it as a as a as   34:31
a political tapestry of, I think is pretty cool  because even though it's very relevant to today,   34:37
you could watch this show like 10 20 years  from now and you don't even need like today's   34:44
context to understand it, you know. Well,  history tends to repeat itself. So that's   34:48
true. Yeah. Like what's going on today is not  exactly u a first time of it all. So yeah,   34:54
watching him use like media manipulation, the  propaganda, weaponizing rage, acting like he's   35:01
one of the people while also disrespecting  current law and order and leadership.   35:08
It's a neat way to draw it and it's a cool way to  see how he rises in strength and the minations how   35:16
it's all formed where the heaven wanting to have  resolution and them cuz I even found myself like   35:20
here with you going well you know who's not wrong  about that like why would they forgive and then   35:28
you said that well the fighting has to stop at  some point and I was like oh yeah that's right   35:33
they don't want to fight anymore and I was already  I was caught up in the speech of well [ __ ]   35:38
man yeah Evan's got done them wrong they should  probably go kill But I I think that's the whole   35:42
point of why like I I love that they're addressing  this because when in life we go tit for tat. It's   35:46
not tit for tat. It's tit for tat and then tit t  t t t t t t t t t t t t t t t t t t tat t t t t   35:54
t t t t t t t t t t t t t t t t t t t t t t t t  t t t t t t t t t t t tat t t t t t t t t t t t   35:58
t t t t t t t t t t t t t t t t t t t t t t t t  t t t t tat, like and I think that ob obviously   35:59
like not to make it too crazy political, but um  we have seen that in a lot of different places,   36:03
but especially with what's gone on in the last  hundred years, thousands of years, and especially   36:08
in the last two years in the Middle East, I think  that there's been a lot of commentary about who   36:14
started something and then also commentary about  what the United States placed is in helping. And   36:19
I kind of felt like Carmela felt like a little bit  like US coded here because while she's supplying   36:26
weapons for the people of hell, she's doing it  because she thinks it's the right thing to do   36:33
to protect her family, right? And and it's easy to  get caught up us looking at this being like, "No,   36:39
uh, heaven really effed over hell. They It was  a fullblown genocide. We see thousands of people   36:47
every year dying. That's what they were doing  every year. It's easy for us to be like, "Yeah,   36:54
we want vengeance." It's hard to be like, "And  when does the killing stop?" Yeah. And that's   36:59
what we all have to ask ourselves, like, how do  we, if you really are somebody who wants peace,   37:05
are you willing to let go of the past in order  to move forward towards peace? And I yeah,   37:13
I just I I was really moved by that storyline in  this because I like you, Greg. It's we now we've   37:18
lived in hell for a long time. So, we love these  people and we're like, you guys totally effed   37:25
us? Yeah. Um but at the same time, so what are we  going to do? Fight a war with heaven so that then   37:29
they can kill us more and we can kill them more  and us as in hell. Yeah. I just I I think that   37:34
that's it's an interesting way to tackle bigger  issues and and it's an allegory for a lot of other   37:40
wars throughout history, of course, because a lot  of wars are centered around the same thing. Yeah.   37:46
Um but that just it spoke to me in this particular  time period, even though it also speaks to a lot   37:51
of other things. Yeah. The commentary is pretty  strong and timely. Yeah. Yeah, I guess this comes   37:56
down to what how's the the uh immediate writing of  the characters going there because I like pulling   38:03
back and looking at all that. And like to me, as  much as like the commentary is strong in the first   38:11
season, it's more characters and I find myself  thinking more about what they're talking about   38:18
more than I am the actual character experiences  this time. Does that make sense? Yeah. Tell me   38:22
more what you mean. Like what kind of um moments  are you thinking more about than the character   38:26
experiences? It's like you care more about the  theme than you do about the individuals. Yeah.   38:31
I mean, yeah. I find that like when we're having  the most exciting conversations or our takeaways,   38:35
we're it's often associated more with like what  the show was talking about versus, you know,   38:40
like watching like Lucifer come into the equation  in the first season or Angel's struggle as a as an   38:49
addict and dealing with the sexual abuse in his  life. And do you find that to be a good a good   38:56
thing that we care more about plot than people or  bad? It's I don't know if it's good or bad. I mean   39:02
it's it's like it's interesting like the character  stuff is still there like there like the song   39:09
that's what makes the songs good you know like  the song with Vaggie and Charlie is really strong   39:14
because it it it is about them as you know how  she how Vaggie was able to honor the principles   39:19
and the faith system that Charlie lost sight of  and because this whole time she's been wanting the   39:27
approval of her mom and try to get her mom back.  That was a really strong moment. Yeah, it was. It   39:34
was a beautiful moment because we I I said early  in the episode I was like, she's annoying the piss   39:40
out of me. And Yeah. And it's because what And I  I like that they justified that this is a bigger   39:45
deal for Charlie. Like I I think last week you  said, "Why is Charlie caring so much about this   39:52
redemption thing now that we know what heaven is?"  Yeah. And there is something bigger going on here,   39:57
which is like she's trying to finish what her she  believes her mom wants and and started and what   40:03
would make her mom proud. And she's not doing  that because her mom's gone. She's doing that   40:07
in hopes that her mom loves her again. Yeah. Yeah.  That was like I remember we're speaking about how   40:11
she really wants validation. And that's why she's  going to these like extreme lengths to change the   40:16
narrative and that carries over from season one.  So I think it's still strong. How do you feel   40:21
about the husk stuff and angel dust? It's good  stuff. Good stuff. Do you like it? Do you like it?   40:28
Yeah. Yeah. I was I was happy. I mean, you called  this first you and pretty quickly that it's it was   40:35
Angel's turn to pull Husk out. Yeah. And it seems  like in that one moment he does. And yet now Angel   40:43
is under this spell. And so Husk's gonna have to  pull Angel out yet again because we see Husk's   40:51
like, "Something's wrong." Well, they'll probably  have to physically save him. Yeah. And then they   40:57
can profess their love for one another. You think  that's where we're going? I never quite picked up   41:01
on love between them in terms of romantic. Oh,  really? Until this episode. Then it was like,   41:08
"Okay, I guess he I wasn't sure is more accurate."  And when he started blushing is when I started to   41:15
wonder like, okay, I guess maybe it is actually  that. I feel like we got that in episode four of   41:22
season one. Um, but yes, I'm with you that we it  hasn't been a consistent through line where it's   41:28
been like, oh, clearly they're pining after each  other. Yeah, I thought they were just friends,   41:34
but this is the world of Hasbin Hotel where every  gay guy wants to sleep with every other gay guy.   41:37
That one line, am I gay? When Angel does comes  out, in hell, who cares? Everyone's gay here   41:43
apparently. Yeah. Um the Nifty stuff is so funny.  I don't understand why these characters keep   41:48
trusting Nifty. Like what is that character? She's  she's a little bit more cohesive than last season,   41:55
but she's, you know, she's doing her thing.  Ridiculous. Alistister. It's weird what they've   42:03
done with Alistister and Angel Dust because I  don't know about you. Did you feel like Angel   42:08
Dust was not really as much of a presence so far  before before this? Yeah. Yes. Yeah. Like he had   42:12
that one episode about him. Totally. And then  here I thought it was kind of clever to actually   42:19
not make him as much of a presence. That way we  didn't pick up on any of this manipulation of   42:24
the hypnosis technique that Box was doing on him  cuz we did see those text messages, but I didn't   42:29
read them quickly and didn't know what they were  about. Yeah. Yeah. Yeah. Exactly. I remember there   42:35
was like one point like a [ __ ] ton of messages  to I didn't know what that was about either. But   42:38
if they were focusing more on Angel Dust, I don't  know if it would have made him more suspect, but   42:43
I thought that was kind of clever to like remove  him away from the equation. That way, you're not   42:48
suspecting it. And I kind of feel like they're  doing something similar with Alistar where he's   42:52
intentionally weaving this tapestry of everyone  turning on against each other at amongst the V's.   42:56
And so, if we're not fully paying attention to  Alistar, we're not going to 100% be mining what's   43:03
going on there. We saw him completely manipulate  Vox when he's like take the stage alone basically   43:08
and convinces him to do that. And then when um  Velvet turns her chair and she's been sitting   43:14
next to Alistister. It's very clear to me that  before Vox walked in, Alistister very clearly was   43:20
talking to Velvet and to um Val. Yeah. And he's  he's planting more seeds of doubt in their minds   43:28
because they immediately are doubting more than  they ever have. So, I'm with you. And I I think   43:35
we'll see a little bit more of that. How much do  you want the last two episodes to focus on Lily   43:39
and Sarah and Abel and what's going on there? And  how much do you want it to feature Lilith, like   43:46
the the the bigger part of this versus how much do  you want it to feature what's going on on in hell? 43:55
Whoa. Uh, I'm asking I would say I would prefer I  would prefer if they finally brought Lilith then.   44:04
I think they've been dangling this carrot for a  little too long and I don't even know that's the   44:11
right phrase. No. Yeah, that was right. Dangling  the carrot. Yeah. Who Who do you Who am I supposed   44:17
to be? What's a horse? Is that how that what  people do? They dangle carrots to their horses   44:23
to make the horse run. Really? You used the right  conclusion. I just don't know what the I started   44:28
questioning like who do you Wait, what was the  original intention of the dangling of the carrot?   44:35
Yeah, for a horse. Really? Is that where it comes  from? Oh, I didn't know that. I mean, I'm 99%   44:40
sure. Well, we have to know. We cannot proceed.  What's crazy about it is that you used it. I   44:44
know. And I question whether or not yourself.  Okay. I had the metaphor down or simile. Oh god,   44:50
what a difference. Offering someone incentive like  a reward to do something. Um, the idea of leading   44:57
a donkey by holding a carrot. Donkey. I thought  it was a horse. No. Yeah, you were way wrong. I   45:02
still think it's a horse. Donkeys and horses are  two very different animals. Okay. Well, now what's   45:07
the difference between a metaphor and a simile?  A simile is like, and a metaphor isn't like. Oh,   45:13
okay. So, I lost my original point. Uh, what are  you hoping for? They dangling the carrot of Lilith   45:19
for too long. And I agree. Yeah. Yeah, they've  been tangling that and I agree. And I I want more   45:27
Lilith. And I agree. I agree with that because I  think they were building up for this whole moment   45:33
of her explosion of her character Charlie to do  all that. But I'm like I I kind of feel like we've   45:38
been through a lot of this already with Charlie  to a certain extent in in season one already.   45:44
like we already that there was already a big  acknowledgement in season one that she's was   45:49
really doing this because she obvious they kept  calling her out that she wants validation and   45:53
approval and her dad shows up. So like I kind of  feel like we went through a good amount of this   45:57
already. Speaking of her dad, what do you think  about them call? What do you think the situation   46:02
is here with them calling Lucifer? Yeah. What  they say like we have our power source now they   46:07
said because he's an actual he's an actual  angel too. Lucifer. Yeah. but about Lucifer,   46:13
but also about Angel that they had there in uh  what what is your question exactly? What do you   46:21
think their game plan is about calling Lucifer  over? Oh, yeah. Yeah. You know, at the end,   46:28
can you like strip I don't know. Angel Juice. I've  watched the show. You haven't seen Supernatural,   46:35
have you? No, only a little. Okay. Okay. Well,  they're like they have angels in the show and   46:42
sometimes you have to like take the angel's ju guu  from them and I'm wondering if that's what they do   46:46
because they want to get to heaven. Well, the way  to take down the angels is only with angel killer   46:55
is is with the weapons the angels have already  crafted. So maybe in some way to arm themselves   47:01
to get into he or like where you're saying to  pierce the veil of heaven's gates, you need   47:07
some type of angel guju. They're using Carmen to  make the weapons right now because she has Yeah.   47:11
The weapons of mass destruction. Okay. Which is  a carrot when you dangle it, right? A carrot,   47:18
which is a metaphor, not a simile. Yes. Simil this  is like Oh, fascinating. Well, what are you hoping   47:24
for in the finale of this? Are you okay with the  lack of Lilith that we've had? How are you feeling   47:36
about Charlie's arc? Let's start right there.  How are you feeling about where Charlie's at with   47:41
this? She's not particularly like my favorite this  season. Well, I like that we finally get to she's   47:46
doing this to impress her mom. But I agree, she's  not my favorite this season either. I think even   47:52
last season I like Vaggie best, though, and I do  love Vagy. Vagy and Angel really both speak to me.   47:56
Um, but in in terms of answering your first  question and kind of having that tie in here,   48:03
I feel like we might not get Lilith for this  season. Well, that would suck. That they'd be   48:10
doing that thing that I said they'd be doing.  Thank the car about the season two like not   48:15
completing their narrative. Yeah. And I I mean,  Lucifer came in kind of late in in season one.   48:20
He came in like a one episode in the middle,  then he came in very late again in the finale.   48:25
But I'm right that we have two more episodes.  Yeah, I believe so. Okay. Because yeah, I mean,   48:29
we're referencing her a lot. And, you know, I I do  also think it's very interesting Vox keeps being   48:35
like this is what Lilith would want. It's like  kind of reminding me of um MLK Jr. for a little   48:39
bit where people constantly are like this is like  posting this is the MLK quote on this and on this   48:44
and it's like you're completely misinterpreting  his words here and uh you don't you didn't know   48:52
him and there's I think taken out of context  everything is different and him using her as the   48:56
north star just I wonder if they think it's enough  that we keep referencing her and she is a huge   49:05
deal in season 3. Well, that's religion, though.  That's like that's how that's how you have like   49:12
so many different denominations of Christianity.  You're 100% from like a billion people being like,   49:19
"Well, actually, here's what this part of  the Bible means." And then some guy shows up,   49:23
he's like, "You know, I got a third Bible now."  You know, so that's what they they're doing with   49:27
little words. That's totally right. And in  that comparison, then Charlie is Jesus. And   49:31
Jesus is like, "No, this is what my parent  actually thinks." And nobody's listening. 49:37
You get what I'm saying? Yeah. Is that a That's  a metaphor. Analogy. What's an analogy? Um,   49:44
analogies. An analogy. I know an analogy when  it's used, but I don't know how to describe.   49:51
Analogy would be what I just did. Like that is as  if it was MLK. Like you're Yes. But how what is   50:00
the clear delineation then between a metaphor and  an analogy? Metaphor is metaphorical language. Um,   50:06
as metaphor is a metaphor as opposed to a specific  example like that. Metaphor could be uh dangling   50:15
a carrot. Got it. But if you use like then is  that an expression? It is. Oh god. How are we   50:22
supposed to sell a screenplay when we can't tell  you the difference between an expression and now?   50:31
I can tell you what anamonop is. metaphor. Yeah.  And let's make sure we got all our bases covered   50:37
because we're not really going to talk too much  about it. And then Vagie having a very empowering   50:45
song was really cool. That was the sexiest they've  ever been because they were definitely doing it   50:49
and they did it through the art of dance. They  are so similar. Do you watch Harley Quinn the   50:54
animated series? I've only seen the first season.  Okay. So, you're not not that I've seen the first   51:00
two seasons. No. Yeah. Whichever one is the one  that ends up with them driving off. Thi this is   51:04
so Harley and Poison Ivy. Yeah. So so I mean I  know the characters well enough to understand.   51:09
Right. Of of course. Of course. But just I mean  specifically in the animated show this is that   51:14
it's their dynamic. Yeah. Which is I which I  love. It's that's my favorite animated show.   51:20
So I wonder if this is all going to end some giant  conversation like we're going to be on the brink   51:24
of war and then Lilith shows up to clear the air  because you're right. But we haven't gone to the   51:29
heaven spot to see what their POV is after all  this uh hell backlashes that they've received.   51:35
And that's like a star falling from the sky.  Yes. Good. That's an analogy, isn't it? No. 51:44
This is complicated. Move like water. Bruce Lee.  Yeah. Be like water. Um, but yeah. Do you have any   51:57
final strain thoughts that are lingering in the  air here? I love this world. Um, super glad that   52:06
we're doing this and I'm looking forward to the  next two and I hope they don't disappoint. Yeah,   52:11
I feel so bad for Angel, man. That was [ __ ]  heartbre. Yeah. No, it was easy to understand.   52:16
You just Yeah, I feel so bad for Angel. This is  so heartbreaking. He's just tossed around so much. 52:21
And I could hear myself clearly. No, I I got  it. I think I just spit. We should leave.   52:29
You're right. Well, guys, are you tired of Roxy  spitting? Leave your thoughts down below. You   52:35
can subscribe to Only Fans where she'll spit on  you for $50 a month. Wow. Imagine if you could   52:40
spit on somebody through a screen. Hawk to it.  Is there a way to do that? No. Shove someone,   52:45
spit on them. Some people would like that. Oh,  they'd have to cover your gas money though.   52:53
it over my dead body. There are people who  like produce Only Fans. I don't know how you   53:00
like possibly pull that off. That seems like too  much work. We know somebody who does that. We do.   53:06
Who produces Only Fans? Yes. Like they don't  have an Only Fans, right? We know someone.   53:11
Yes. Are they public with this information? Uh,  I'll share it with you afterwards. All right. 53:18
Do you guys agree with Jeremy John's  only fans? Stop spreading weird rumors.   53:26
I will spread whatever I have to to get the  truth. That's how I do it. I I smoke it out   53:33
through lies. All right. All right, guys. Well,  thanks for being here. See you for the finale. 53:39

Easy – Letras bilingües Inglés/Español

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Letras y Traducción

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Vocabulario clave

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Vocabulario Significados

silenced

/ˈsaɪlənst/

B2
  • verb
  • - silenciar

citizens

/ˈsɪtɪzənz/

A2
  • noun
  • - ciudadanos

feeling

/ˈfiːlɪŋ/

A2
  • noun
  • - sentimiento

optimistic

/ˌɒptɪˈmɪstɪk/

B2
  • adjective
  • - optimista

life

/laɪf/

A1
  • noun
  • - vida

inspired

/ɪnˈspaɪərd/

B1
  • verb
  • - inspirar

dribble

/ˈdrɪbəl/

A2
  • verb
  • - regatear

shoot

/ʃuːt/

A2
  • verb
  • - disparar

torn

/tɔːrn/

B1
  • adjective
  • - rasgado

terrible

/ˈterəbl/

B1
  • adjective
  • - terrible

tension

/ˈtenʃən/

B2
  • noun
  • - tensión

tough

/tʌf/

A2
  • adjective
  • - duro

hate

/heɪt/

A2
  • verb
  • - odiar

headphones

/ˈhedfoʊnz/

A2
  • noun
  • - auriculares

future

/ˈfjuːtʃər/

A2
  • noun
  • - futuro

alert

/əˈlɜːrt/

B1
  • adjective
  • - alerta

dollars

/ˈdɑːlər/

A2
  • noun
  • - dólares

“silenced, citizens, feeling” – ¿ya lo entendiste todo?

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Estructuras gramaticales clave

  • Everyone I know is having a tough time in life.

    ➔ Presente continuo para describir una situación en curso.

    ➔ La expresión 'is having' muestra una acción que continúa en el presente.

  • By the time you guys see this, I'll have a movie that's coming out on November 25th.

    ➔ Futuro perfecto combinado con una oración de presente continuo.

    ➔ 'I'll have' expresa algo que se completará antes de otro evento futuro ('you guys see this').

  • They should all be silenced.

    ➔ Voz pasiva con el verbo modal 'should' para expresar obligación o sugerencia.

    ➔ La estructura 'should be silenced' significa que otros deben hacerlos callar, no ellos mismos.

  • I have spent an unnecessary amount of dollars on headphones through the years.

    ➔ Presente perfecto para expresar experiencia acumulada en el tiempo.

    ➔ El verbo 'have spent' indica una acción completada en un momento no especificado del pasado pero con relevancia actual.

  • You know, you think you could go over and like, I don’t know, smite him or something?

    ➔ Verbo modal 'could' usado para sugerir o expresar posibilidad.

    ➔ La palabra 'could' suaviza la petición y la hace menos directa.

  • Hell will rise.

    ➔ Futuro simple para expresar predicción o determinación.

    ➔ 'Will rise' indica algo que sucederá con certeza o intención futura.

  • They’re not apologizing for forgiveness.

    ➔ Presente continuo en forma negativa para enfatizar contraste o negación.

    ➔ La contracción 'They’re not' muestra una acción actual y una negación enfática.

  • You are hurting the hotel.

    ➔ Presente continuo que muestra un efecto negativo en curso.

    ➔ La forma 'are hurting' enfatiza el daño continuo que ocurre en este momento.

  • You think she sees it?

    ➔ Presente simple en una pregunta para expresar duda o especulación.

    ➔ Aunque está en presente, 'think' expresa una suposición actual.

  • I can just do it myself.

    ➔ Verbo modal 'can' para expresar capacidad o autodeterminación.

    ➔ 'Can' muestra confianza e independencia al actuar.