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I'd never met you, but I wanted to invite you to the party 00:08
Then you walked in with those green eyes, never stolen by nobody 00:13
And they flicker to the future, for a moment, I could picture 00:18
Then you touch me and I come back, and we're talking on the staircase 00:23
'Bout your big dreams on the big screens 00:28
Out of Georgia, now you're lonely in this city 00:31
Lyin' with me, and you're scared it's movin' quickly 00:35
Oh, now you're crying, you're in pieces 00:39
'Cause the only love you've ever known is Jesus 00:42
I can feel it 00:46
Oh, I hate that I'm the reason 00:47
That you're in your head right now 00:49
While your world is spinning out 00:54
So slow it down, take a moment now 00:59
We're too young to drown deep in dirty waters 01:05
Full of hopeless doubt, let me pull you out 01:11
Let me hold you now, let me slow it down 01:15
Ain't it funny how it changes? 01:21
How the future rearranges 01:24
I get nervous, oh, I'm anxious 01:27
Maybe loving you is dangerous 01:29
I could lose you like the others 01:32
Only girl that's never left me is my mother 01:34
Oh, I love her 01:38
And I know you'll probably hate it 01:40
But I'm in my head right now 01:42
So slow it down, take a moment now 01:47
We're too young to drown deep in dirty waters 01:52
Full of hopeless doubt, let me pull you out 01:58
Let me hold you now, let me (slow it down) 02:03
Slow it down when you're on the ground 02:10
And you're crying, I'm trying (slow it down) 02:14
To slow it down when you're spinning 'round 02:20
In your head 02:25
Ooh-ooh-ooh, ooh-ooh 02:31
I'll help you slow it down 02:36
02:44

Slow It Down

Por
Benson Boone
Álbum
American Heart
Visualizações
74,552,566
Aprender esta música

Letra:

[English]

I'd never met you, but I wanted to invite you to the party

Then you walked in with those green eyes, never stolen by nobody

And they flicker to the future, for a moment, I could picture

Then you touch me and I come back, and we're talking on the staircase

'Bout your big dreams on the big screens

Out of Georgia, now you're lonely in this city

Lyin' with me, and you're scared it's movin' quickly

Oh, now you're crying, you're in pieces

'Cause the only love you've ever known is Jesus

I can feel it

Oh, I hate that I'm the reason

That you're in your head right now

While your world is spinning out

So slow it down, take a moment now

We're too young to drown deep in dirty waters

Full of hopeless doubt, let me pull you out

Let me hold you now, let me slow it down

Ain't it funny how it changes?

How the future rearranges

I get nervous, oh, I'm anxious

Maybe loving you is dangerous

I could lose you like the others

Only girl that's never left me is my mother

Oh, I love her

And I know you'll probably hate it

But I'm in my head right now

So slow it down, take a moment now

We're too young to drown deep in dirty waters

Full of hopeless doubt, let me pull you out

Let me hold you now, let me (slow it down)

Slow it down when you're on the ground

And you're crying, I'm trying (slow it down)

To slow it down when you're spinning 'round

In your head

Ooh-ooh-ooh, ooh-ooh

I'll help you slow it down

...

Vocabulário nesta música:

Vocabulário Significados

invite

/ɪnˈvaɪt/

A2
  • verb
  • - convidar

walk

/wɔːk/

A1
  • verb
  • - andar

eyes

/aɪz/

A1
  • noun
  • - olhos

touch

/tʌtʃ/

A2
  • verb
  • - tocar

dreams

/driːmz/

A2
  • noun
  • - sonhos

lonely

/ˈləʊnli/

B1
  • adjective
  • - solitário

scared

/skeəd/

A2
  • adjective
  • - assustado

crying

/ˈkraɪɪŋ/

A2
  • verb
  • - chorar

love

/lʌv/

A1
  • noun
  • - amor
  • verb
  • - amar

hate

/heɪt/

A2
  • verb
  • - odiar

world

/wɜːld/

A1
  • noun
  • - mundo

young

/jʌŋ/

A1
  • adjective
  • - jovem

drown

/draʊn/

B1
  • verb
  • - afogar-se

doubt

/daʊt/

B1
  • noun
  • - dúvida
  • verb
  • - duvidar

funny

/ˈfʌni/

A2
  • adjective
  • - engraçado

nervous

/ˈnɜːrvəs/

B1
  • adjective
  • - nervoso

anxious

/ˈæŋkʃəs/

B2
  • adjective
  • - ansioso

dangerous

/ˈdeɪndʒərəs/

B1
  • adjective
  • - perigoso

Gramática:

  • I'd never met you, but I wanted to invite you to the party

    ➔ Pretérito Mais-Que-Perfeito (I'd never met)

    ➔ Usa o pretérito mais-que-perfeito "I'd never met" para indicar uma ação concluída antes de outra ação no passado (querer convidá-la).

  • Then you walked in with those green eyes, never stolen by nobody

    ➔ Voz passiva (never stolen by nobody) e oração adjetiva

    "never stolen by nobody" é uma dupla negação enfática. Embora gramaticalmente incorreto, intensifica a ideia de que ninguém jamais possuiu seu olhar. Além disso, 'those green eyes' modifica 'you' para adicionar descrição.

  • And they flicker to the future, for a moment, I could picture

    ➔ Condicional (I could picture)

    "I could picture" usa o condicional para descrever uma situação hipotética ou imaginada no passado. Sugere uma possibilidade que existiu brevemente.

  • Lyin' with me, and you're scared it's movin' quickly

    ➔ Presente Contínuo (it's movin')

    "it's movin'" (it is moving) usa o presente contínuo para descrever uma ação que está acontecendo atualmente ou em andamento, enfatizando a velocidade e a natureza contínua da situação.

  • Cause the only love you've ever known is Jesus

    ➔ Pretérito Perfeito Composto (you've ever known)

    ➔ Usa o pretérito perfeito composto "you've ever known" para descrever uma experiência que aconteceu em algum momento da vida da pessoa até agora.

  • While your world is spinning out

    ➔ Presente Contínuo (is spinning)

    ➔ O presente contínuo "is spinning" enfatiza a natureza contínua e potencialmente caótica do estado atual da garota. Mostra que seu mundo não está apenas mudando, mas ativamente saindo do controle.

  • We're too young to drown deep in dirty waters

    ➔ Frase adjetiva (too young to drown)

    "too young to drown" é uma frase adjetiva que modifica "We". Descreve o estado de ser jovem demais, seguido de um infinitivo de propósito. Aqui, destaca sua juventude como uma razão para não enfrentar situações difíceis.

  • Only girl that's never left me is my mother

    ➔ Oração Relativa (that's never left me)

    "that's never left me" é uma oração relativa restritiva que modifica "girl". Adiciona informações essenciais para identificar a qual garota está se referindo.