Wolves – 英语/中文 双语歌词

• 作者: Kanye West, Vic Mensa, Sia

歌词与翻译

想通过音乐提升英语听力吗？《Wolves》不仅旋律动人，还充满了丰富的口语表达和情感词汇，如 'I'm just bad, bad for you' 等句子，是学习英文抒情歌词的绝佳材料。快来感受这首融合嘻哈、R&B和电子元素的作品，领略Kanye的深情叙事和独特发声技巧吧！

[中文]

(风在吹)

♪ ♪

(风在吹)

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ 迷失，受伤 ♪

♪ 在那里跳舞 ♪

♪ 我找到了你，- 在某个地方 ♪

♪ 在那里，- 就在那儿 ♪

♪ 迷失和受伤 ♪

♪ 在那里，跳舞 ♪

♪ 我找到了你，- 在某个地方 ♪

♪ 就在那儿，- 就在那儿 ♪

♪ 迷失和发现 ♪

♪ 结果如何 - 你想的 ♪

♪ 爸爸，发现了 ♪

♪ 你是如何变成的，- 你是如何变成的 ♪

♪ 如果妈妈现在知道 ♪

♪ 你是如何变成的 - 你太狂野 ♪

♪ 你太狂野，- 你太狂野 ♪

♪ 你太狂野，我 - 现在需要你 ♪

♪ 必须爱你 ♪

♪ 找到你，找到你 ♪

♪ 现在，现在 ♪

♪ 现在，现在 ♪

♪ 如果你妈妈知道如何 ♪

♪ 你是如何变成的，- 你太狂野 ♪

♪ 你太狂野，- 你太狂野 ♪

♪ 你太狂野，我 - 现在需要你 ♪

♪ 迷失在... 我的怀疑中 ♪

♪ VIC MENSA: 哭，- 我不后悔 ♪

♪ 哭，谁需要后悔 - 当有亨利酒？ ♪

♪ 别自欺欺人 ♪

♪ 你的眼睛不说谎，你- 太好得不真实 ♪

♪ 别打火 ♪

♪ 是的，我感觉到你在燃烧，- 一切都在燃烧 ♪

♪ 别飞得太高 ♪

♪ 你的翅膀可能会融化，你- 太好得不真实 ♪

♪ 我对你来说就是坏的 ♪

♪ 我就是坏的，- 坏，坏对你 ♪

♪ SIA: 我迷失了 - 和受伤 ♪

♪ 结果，燃烧 ♪

♪ 你找到我，- 通过心痛 ♪

♪ 不认识我，- 你被吸引 ♪

♪ 我迷失了 - 和受伤 ♪

♪ 我是温暖的 - 肉体，未调味 ♪

♪ 你找到我，- 在你的目光中 ♪

♪ 我找到了我，哦耶稣 ♪

♪ 我太狂野，- 我太狂野 ♪

♪ 我太狂野，- 我太狂野 ♪

♪ 我太狂野，- 我太狂野 ♪

♪ KANYE WEST: 我 - 现在需要你 ♪

♪ 迷失和发现 ♪

♪ (是的) ♪

♪ 你得让我知道 - 如果我可以成为你的约瑟夫 ♪

♪ 只告诉你真实的事，- 那就是茶，别喝 ♪

♪ 别绊倒，别绊倒，那 - 小姐滑溜溜，别鞭打 ♪

♪ 我们不在乎任何事，- 我们只是喝这个 ♪

♪ 就忘掉所有的事，- 我们可以笑着谈论无事 ♪

♪ 我让你的思想怀孕，让我们 - 不用做爱就有个孩子， ♪

♪ 哟，我知道这很土，婊子 - 你希望你能取关 ♪

♪ 我知道这很土，兄弟 - 你希望你能不再吞下 ♪

♪ 我知道这很土，婊子 - 你希望你能取关 ♪

♪ 我知道这很土，兄弟 - 你希望你能不再吞下 ♪

♪ 我知道这很土，婊子 - 你希望你能取关 ♪

♪ 我知道这很土，兄弟 - 你希望你能不再吞下 ♪

♪ 你试着表现得友好，- 每个人都只是利用 ♪

♪ 你把冰箱开着，- 有人刚拿了个三明治 ♪

♪ 我说宝贝，如果 - 你在夜店 ♪

♪ 犯罪，忙碌在 - 你遇到你丈夫之前？ ♪

♪ 然后我说，“如果 - 玛丽在夜店 ♪

♪ 在她遇到 - 约瑟夫之前，周围都是 - 恶棍？ ♪

♪ 用羊毛包裹诺里 ♪

♪ 我们被 - 该死的狼包围" ♪

♪ (如果玛丽) - "如果玛丽 ♪

♪ (在夜店) - 在夜店 ♪

♪ 在她遇到 - 约瑟夫时没有爱？ ♪

♪ 用羊毛包裹圣人 ♪

♪ (而她) 我们被 - (被包围) ♪

♪ 该死的狼包围" ♪

♪ ♪

♪ ♪

♪ ♪

[英语]

(WIND BLOWING)

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(WIND BLOWING)

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ LOST OUT, BEAT UP ♪

♪ DANCIN', DOWN THERE ♪

♪ I FOUND YOU, SOMEWHERE OUT ♪

♪ 'ROUND 'ROUND THERE, RIGHT RIGHT THERE ♪

♪ LOST AND BEAT UP ♪

♪ DOWN THERE, DANCIN' ♪

♪ I FOUND YOU, SOMEWHERE OUT ♪

♪ RIGHT DOWN THERE, RIGHT 'ROUND THERE ♪

♪ LOST AND, FOUND OUT ♪

♪ TURNED OUT, HOW YOU THOUGHT ♪

♪ DADDY, FOUND OUT ♪

♪ HOW YOU TURNED OUT, HOW YOU TURNED OUT ♪

♪ IF MAMA KNEW NOW ♪

♪ HOW YOU TURNED OUT, YOU TOO WILD ♪

♪ YOU TOO WILD, YOU TOO WILD ♪

♪ YOU TOO WILD, I NEED YOU NOW ♪

♪ GOT TO LOVE YOU ♪

♪ FOUND YOU, FOUND YOU ♪

♪ RIGHT NOW, RIGHT NOW ♪

♪ RIGHT NOW, RIGHT NOW ♪

♪ IF YOUR MAMA KNEW HOW ♪

♪ YOU TURNED OUT, YOU TOO WILD ♪

♪ YOU TOO WILD, YOU TOO WILD ♪

♪ YOU TOO WILD, AND I NEED YOU NOW ♪

♪ LOST IN... MY DOUBT ♪

♪ VIC MENSA: CRY, I'M NOT SORRY ♪

♪ CRY, WHO NEEDS SORRY WHEN THERE'S HENNESSY? ♪

♪ DON'T FOOL YOURSELF ♪

♪ YOUR EYES DON'T LIE, YOU'RE MUCH TOO GOOD TO BE TRUE ♪

♪ DON'T FIRE FIGHT ♪

♪ YEAH I FEEL YOU BURNING, EVERYTHING'S BURNING ♪

♪ DON'T FLY TOO HIGH ♪

♪ YOUR WINGS MIGHT MELT, YOU'RE MUCH TOO GOOD TO BE TRUE ♪

♪ I'M JUST BAD FOR YOU ♪

♪ I'M JUST BAD, BAD, BAD FOR YOU ♪

♪ SIA: I WAS LOST AND BEAT UP ♪

♪ TURNED OUT, BURNED UP ♪

♪ YOU FOUND ME, THROUGH A HEARTACHE ♪

♪ DIDN'T KNOW ME, YOU WERE DRAWN IN ♪

♪ I WAS LOST AND BEAT UP ♪

♪ I WAS WARM FLESH, UNSEASONED ♪

♪ YOU FOUND ME, IN YOUR GAZE ♪

♪ I FOUND ME, OH JESUS ♪

♪ I WAS TOO WILD, I WAS TOO WILD ♪

♪ I WAS TOO WILD, I WAS TOO WILD ♪

♪ I WAS TOO WILD, I WAS TOO WILD ♪

♪ KANYE WEST: AND I NEED YOU NOW ♪

♪ LOST AND FOUND OUT ♪

♪ (YEAH) ♪

♪ YOU GOTTA LET ME KNOW IF I COULD BE YOUR JOSEPH ♪

♪ ONLY TELL YOU REAL SHIT, THAT'S THE TEA, NO SIP ♪

♪ DON'T TRIP, DON'T TRIP, THAT PUSSY SLIPPERY, NO WHIP ♪

♪ WE AIN'T TRIPPIN' ON SHIT, WE JUST SIPPIN' ON THIS ♪

♪ JUST FORGET THE WHOLE SHIT, WE COULD LAUGH ABOUT NOTHIN' ♪

♪ I IMPREGNATE YOUR MIND, LET'S HAVE A BABY WITHOUT FUCKIN', ♪

♪ YO I KNOW IT'S CORNY BITCHES YOU WISH YOU COULD UNFOLLOW ♪

♪ I KNOW IT'S CORNY NIGGAS YOU WISH YOU COULD UNSWALLOW ♪

♪ I KNOW IT'S CORNY BITCHES YOU WISH YOU COULD UNFOLLOW ♪

♪ I KNOW IT'S CORNY NIGGAS YOU WISH YOU COULD UNSWALLOW ♪

♪ I KNOW IT'S CORNY BITCHES YOU WISH YOU COULD UNFOLLOW ♪

♪ I KNOW IT'S CORNY NIGGAS YOU WISH YOU COULD UNSWALLOW ♪

♪ YOU TRIED TO PLAY NICE, EVERYBODY JUST TOOK ADVANTAGE ♪

♪ YOU LEFT YOUR FRIDGE OPEN, SOMEBODY JUST TOOK A SANDWICH ♪

♪ I SAID BABY WHAT IF YOU WAS CLUBBIN' ♪

♪ THUGGIN', HUSTLIN' BEFORE YOU MET YOUR HUSBAND? ♪

♪ THEN I SAID, "WHAT IF MARY WAS IN THE CLUB ♪

♪ 'FORE SHE MET JOSEPH AROUND HELLA THUGS? ♪

♪ COVER NORI IN LAMBS' WOOL ♪

♪ WE SURROUNDED BY THE FUCKIN' WOLVES" ♪

♪ (WHAT IF MARY) "WHAT IF MARY ♪

♪ (WAS IN THE CLUB) WAS IN THE CLUB ♪

♪ 'FORE SHE MET JOSEPH WITH NO LOVE? ♪

♪ COVER SAINT IN LAMBS' WOOL ♪

♪ (AND SHE WAS) WE SURROUNDED BY (SURROUNDED BY) ♪

♪ THE FUCKIN' WOLVES" ♪

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♪ ♪

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重点词汇

词汇	含义
lost /lɔst/ B1	adjective - 迷路的
found /faʊnd/ B1	verb - 找到
wild /waɪld/ B2	adjective - 野生的
burning /ˈbɜrnɪŋ/ B2	adjective - 燃烧的
cry /kraɪ/ A2	verb - 哭
eyes /aɪz/ A1	noun - 眼睛
love /lʌv/ A1	noun - 爱 verb - 爱
need /niːd/ A1	verb - 需要
turn /tɜrn/ A2	verb - 转
high /haɪ/ A2	adjective - 高
good /ɡʊd/ A1	adjective - 好的
heartache /ˈhɑːrteɪk/ B2	noun - 心痛
hustlin' /ˈhʌslɪn/ B2	verb - 努力工作
club /klʌb/ A2	noun - 俱乐部
sandwich /ˈsænwɪtʃ/ A2	noun - 三明治
wings /wɪŋz/ A2	noun - 翅膀
fridge /frɪdʒ/ A2	noun - 冰箱

重点语法结构

• LOST OUT, BEAT UP

  ➔ 过去分词作形容词

  ➔ 使用过去分词作为形容词来描述迷失和被打倒的状态。“Lost”（迷失）和“beat up”（被打倒）用来描述主体的状况。

• IF MAMA KNEW NOW, HOW YOU TURNED OUT, YOU TOO WILD

  ➔ 虚拟语气第二类

  ➔ 表达现在一种不真实或假设的情况。“If”+过去式，+would/could/might+基本形式。“If mama knew now”（现在不真实的情况）+how you turned out, you too wild。

• WHO NEEDS SORRY WHEN THERE'S HENNESSY?

  ➔ 省略, 反问

  ➔ 使用省略号来省略“to be”(Who needs sorry when there “is” Hennessy?)，并使用反问（不期望得到答案）来强调人们认为不需要悔恨。

• YOUR WINGS MIGHT MELT, YOU'RE MUCH TOO GOOD TO BE TRUE

  ➔ 情态动词(might), 太...以至于...

  ➔ “Might”表达可能性。“Too good to be true”描述过于完美以至于可能是虚假的或不可持续的事物。

• I'M JUST BAD, BAD, BAD FOR YOU

  ➔ 重复以示强调

  ➔ 重复“bad”（坏）强调说话者认为对听众产生的负面影响。

• YOU GOTTA LET ME KNOW IF I COULD BE YOUR JOSEPH

  ➔ "Gotta" (Got to), 情态动词(could), 间接疑问

  ➔ “Gotta”是“got to”（必须）的口语缩写。“Could”表达可能性或礼貌的请求。“if”从句引入了一个间接疑问。

• WHAT IF MARY WAS IN THE CLUB 'FORE SHE MET JOSEPH AROUND HELLA THUGS?

  ➔ 虚拟语气第三类(过去假设), 口语化表达("'fore", "hella")

  ➔ 表达过去的一种假设情况。“What if”引入条件句。“'Fore”是“before”的缩写形式。“Hella”是“very”或“a lot of”的俚语。这种结构暗示了基于过去假设的当前潜在变化。