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My body comes alive 00:14
When you get real close 00:17
You gon' be surprised 00:21
If I get exposed 00:25
'Cause you're like a hit of ecstasy 00:28
I can feel you all inside 00:33
And, baby, I'm on one tonight 00:35
Ready, set, let's go 00:40
I'm a rum and lemon dealer 00:43
'Cause I know what gets you out them clothes 00:46
Liquid courage makes me realer 00:51
Now you know, oh 00:54
So you ain't gotta ask me, daddy, if I'm feeling nasty 00:58
I been tryna hide that I want you so badly 01:02
I don't know how much more of this I can take 01:06
And you're the one to blame 01:09
My body comes alive 01:13
When you get real close 01:17
You gon' be surprised 01:20
If I get exposed 01:24
'Cause you're like a hit of ecstasy 01:27
I can feel you all inside 01:31
And, baby, I'm on one tonight (tonight) 01:34
Ready, set, let's go 01:39
You got on that Dolce & Gabanna 01:42
Baby, you know what you doin' 01:46
I'm tryna see what's up with that banana 01:49
That's why my mind keep goin', goin' 01:53
So you ain't gotta ask me, daddy, if I'm feeling nasty 01:57
I been tryna hide that I want you so badly 02:01
I don't know how much more of this (I can take) 02:05
And you're the one to blame 02:08
My body comes alive (oh) 02:12
When you get real close 02:16
You gon' be surprised (if I) 02:19
If I get exposed 02:23
'Cause you're like a hit of ecstasy 02:26
I can feel you all inside 02:30
And, baby, I'm on one tonight (tonight) 02:34
Ready, set, let's go 02:38
Dinner on my body (yup) 02:42
Hotter than hibachi (okay) 02:43
Baby, come and try me 02:45
Ready, set, go 02:47
I got punani, na-nani, na-nani 02:49
I got punani, na-nani, na-nani 02:53
Dinner on my body (yup) 02:56
Hotter than hibachi (okay) 02:59
Baby, come and try me 03:00
Ready, set, go 03:02
I got punani, na-nani, na-nani 03:04
I got punani, na-nani, na-nani 03:07
My body comes alive (oh) 03:11
When you get real close 03:15
You gon' be surprised (if I) 03:18
If I get exposed 03:22
'Cause you're like a hit of ecstasy 03:25
I can feel you all inside 03:30
And, baby, I'm on one tonight (tonight) 03:32
Ready, set, let's go 03:37
03:41

Ecstasy

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Ciara
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Letra:

[English]

My body comes alive

When you get real close

You gon' be surprised

If I get exposed

'Cause you're like a hit of ecstasy

I can feel you all inside

And, baby, I'm on one tonight

Ready, set, let's go

I'm a rum and lemon dealer

'Cause I know what gets you out them clothes

Liquid courage makes me realer

Now you know, oh

So you ain't gotta ask me, daddy, if I'm feeling nasty

I been tryna hide that I want you so badly

I don't know how much more of this I can take

And you're the one to blame

My body comes alive

When you get real close

You gon' be surprised

If I get exposed

'Cause you're like a hit of ecstasy

I can feel you all inside

And, baby, I'm on one tonight (tonight)

Ready, set, let's go

You got on that Dolce & Gabanna

Baby, you know what you doin'

I'm tryna see what's up with that banana

That's why my mind keep goin', goin'

So you ain't gotta ask me, daddy, if I'm feeling nasty

I been tryna hide that I want you so badly

I don't know how much more of this (I can take)

And you're the one to blame

My body comes alive (oh)

When you get real close

You gon' be surprised (if I)

If I get exposed

'Cause you're like a hit of ecstasy

I can feel you all inside

And, baby, I'm on one tonight (tonight)

Ready, set, let's go

Dinner on my body (yup)

Hotter than hibachi (okay)

Baby, come and try me

Ready, set, go

I got punani, na-nani, na-nani

I got punani, na-nani, na-nani

Dinner on my body (yup)

Hotter than hibachi (okay)

Baby, come and try me

Ready, set, go

I got punani, na-nani, na-nani

I got punani, na-nani, na-nani

My body comes alive (oh)

When you get real close

You gon' be surprised (if I)

If I get exposed

'Cause you're like a hit of ecstasy

I can feel you all inside

And, baby, I'm on one tonight (tonight)

Ready, set, let's go

...

Vocabulario en esta canción:

Vocabulario Significados

expose

/ɪkˈspəʊz/

B2
  • verb
  • - exponer

close

/kloʊs/

A2
  • adjective
  • - cercano

hit

/hɪt/

A2
  • noun
  • - golpe
  • verb
  • - golpear

feel

/fiːl/

A2
  • verb
  • - sentir

inside

/ɪnˈsaɪd/

A1
  • noun
  • - interior
  • adjective
  • - interior

tonight

/təˈnaɪt/

A1
  • adverb
  • - esta noche

get

/ɡet/

A1
  • verb
  • - obtener

know

/noʊ/

A2
  • verb
  • - saber

blame

/bleɪm/

B2
  • noun
  • - culpa
  • verb
  • - culpar

surprise

/sərˈpraɪz/

B2
  • noun
  • - sorpresa
  • verb
  • - sorprender

drive

/draɪv/

B2
  • verb
  • - conducir

Gramática:

  • You gon' be surprised If I get exposed

    ➔ Oración condicional (Tipo 1)

    ➔ Esta es una condicional tipo 1, que expresa una posibilidad real en el futuro. "If" + presente simple, futuro con "will/going to". Aquí, "gon' be" es una abreviatura coloquial de "going to be".

  • 'Cause you're like a hit of ecstasy

    ➔ Símil (usando 'like')

    ➔ Esta oración emplea un símil, comparando el efecto de la persona en el hablante con "a hit of ecstasy". La palabra "like" indica la comparación.

  • I'm a rum and lemon dealer 'Cause I know what gets you out them clothes

    ➔ Cláusula relativa con 'what'

    ➔ La cláusula "what gets you out them clothes" es una cláusula relativa que actúa como el objeto del verbo "know". "What" introduce la cláusula y actúa tanto como el sujeto de "gets" como representa la cosa que hace que la persona se quite la ropa.

  • Liquid courage makes me realer

    ➔ Verbo causativo 'make' con un complemento adjetivo.

    ➔ El verbo "make" se usa en un sentido causativo, lo que significa que el coraje líquido hace que el hablante sea "realler". "Realler" es un adjetivo que complementa el verbo y describe el estado o condición que resulta de la acción de "make".

  • I been tryna hide that I want you so badly

    ➔ Presente perfecto continuo con 'tryna'

    "I been tryna hide..." usa el presente perfecto continuo para enfatizar el esfuerzo continuo de tratar de ocultar algo. "Tryna" es una abreviatura coloquial de "trying to".

  • That's why my mind keep goin', goin'

    ➔ Elipsis/Omisión en el tiempo verbal.

    ➔ Aquí, "my mind keep goin', goin'" es un ejemplo de elipsis. La oración completa sería "That's why my mind keeps going, going". El verbo auxiliar "keeps" se ha omitido por efecto estilístico, creando una sensación más informal y repetitiva.