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(AIR WHOOSHING) 00:05
(GENTLE MELANCHOLIC MUSIC) 00:12
♪ IF THE NIGHT TURNED COLD ♪ 00:32
♪ AND THE STARS LOOKED DOWN ♪ 00:34
♪ AND YOU HUG YOURSELF ON THE COLD COLD GROUND ♪ 00:37
♪ YOU WAKE THE MORNING IN A STRANGER'S COAT ♪ 00:42
♪ NO ONE WOULD YOU SEE ♪ 00:47
♪ YOU ASK YOURSELF, WHO'D WATCH FOR ME ♪ 00:53
♪ MY ONLY FRIEND, WHO COULD IT BE ♪ 00:59
♪ IT'S HARD TO SAY IT ♪ 01:03
♪ I HATE TO SAY IT ♪ 01:05
♪ BUT IT'S PROBABLY ME ♪ 01:08
♪ WHEN YOUR BELLY'S EMPTY ♪ 01:18
♪ AND THE HUNGER'S SO REAL ♪ 01:21
♪ AND YOU'RE TOO PROUD TO BEG ♪ 01:24
♪ AND TOO DUMB TO STEAL ♪ 01:26
♪ YOU SEARCH THE CITY FOR YOUR ONLY FRIEND ♪ 01:29
♪ NO ONE WOULD YOU SEE ♪ 01:34
♪ YOU ASK YOURSELF, WHO COULD IT BE ♪ 01:40
♪ A SOLITARY VOICE TO SPEAK OUT AND SET ME FREE ♪ 01:46
♪ I HATE TO SAY IT ♪ 01:50
♪ I HATE TO SAY IT ♪ 01:52
♪ BUT IT'S PROBABLY ME ♪ 01:55
♪ YOU'RE NOT THE EASIEST PERSON I EVER GOT TO KNOW ♪ 02:06
♪ AND IT'S HARD FOR US BOTH TO LET OUR FEELINGS SHOW ♪ 02:12
♪ SOME WOULD SAY I SHOULD LET YOU GO YOUR WAY ♪ 02:17
♪ YOU'LL ONLY MAKE ME CRY ♪ 02:20
♪ BUT IF THERE'S ONE GUY, JUST ONE GUY ♪ 02:26
♪ WHO'D LAY DOWN HIS LIFE FOR YOU AND DIE ♪ 02:32
♪ IT'S HARD TO SAY IT ♪ 02:37
♪ I HATE TO SAY IT ♪ 02:39
♪ BUT IT'S PROBABLY ME ♪ 02:42
♪ IT'S PROBABLY ME ♪ 02:47
(GENTLE MELANCHOLIC MUSIC) 02:50
♪ WHEN THE WORLD'S GONE CRAZY AND IT MAKES NO SENSE ♪ 03:13
♪ THERE'S ONLY ONE VOICE THAT COMES TO YOUR DEFENSE ♪ 03:19
♪ AND THE JURY'S OUT AND YOUR EYES SEARCH THE ROOM ♪ 03:24
♪ AND ONE FRIENDLY FACE IS ALL YOU NEED TO SEE ♪ 03:28
♪ IF THERE'S ONE GUY, JUST ONE GUY ♪ 03:34
♪ WHO'D LAY DOWN HIS LIFE FOR YOU AND DIE ♪ 03:40
♪ IT'S HARD TO SAY IT ♪ 03:45
♪ I HATE TO SAY IT ♪ 03:47
♪ BUT IT'S PROBABLY ME ♪ 03:50
♪ I HATE TO SAY IT ♪ 03:55
♪ I HATE TO SAY IT ♪ 03:58
♪ BUT IT'S PROBABLY ME ♪ 04:00
♪ I HATE TO SAY IT ♪ 04:06
♪ I HATE TO SAY IT ♪ 04:08
♪ BUT IT'S PROBABLY ME ♪ 04:10
♪ I HATE TO SAY IT ♪ 04:16
♪ I HATE TO SAY IT ♪ 04:18
♪ BUT IT'S PROBABLY ME ♪ 04:21
(GENTLE MELANCHOLIC MUSIC) 04:23

It's Probably Me

Por
Sting
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Letra:

[English]

(AIR WHOOSHING)

(GENTLE MELANCHOLIC MUSIC)

♪ IF THE NIGHT TURNED COLD ♪

♪ AND THE STARS LOOKED DOWN ♪

♪ AND YOU HUG YOURSELF ON THE COLD COLD GROUND ♪

♪ YOU WAKE THE MORNING IN A STRANGER'S COAT ♪

♪ NO ONE WOULD YOU SEE ♪

♪ YOU ASK YOURSELF, WHO'D WATCH FOR ME ♪

♪ MY ONLY FRIEND, WHO COULD IT BE ♪

♪ IT'S HARD TO SAY IT ♪

♪ I HATE TO SAY IT ♪

♪ BUT IT'S PROBABLY ME ♪

♪ WHEN YOUR BELLY'S EMPTY ♪

♪ AND THE HUNGER'S SO REAL ♪

♪ AND YOU'RE TOO PROUD TO BEG ♪

♪ AND TOO DUMB TO STEAL ♪

♪ YOU SEARCH THE CITY FOR YOUR ONLY FRIEND ♪

♪ NO ONE WOULD YOU SEE ♪

♪ YOU ASK YOURSELF, WHO COULD IT BE ♪

♪ A SOLITARY VOICE TO SPEAK OUT AND SET ME FREE ♪

♪ I HATE TO SAY IT ♪

♪ I HATE TO SAY IT ♪

♪ BUT IT'S PROBABLY ME ♪

♪ YOU'RE NOT THE EASIEST PERSON I EVER GOT TO KNOW ♪

♪ AND IT'S HARD FOR US BOTH TO LET OUR FEELINGS SHOW ♪

♪ SOME WOULD SAY I SHOULD LET YOU GO YOUR WAY ♪

♪ YOU'LL ONLY MAKE ME CRY ♪

♪ BUT IF THERE'S ONE GUY, JUST ONE GUY ♪

♪ WHO'D LAY DOWN HIS LIFE FOR YOU AND DIE ♪

♪ IT'S HARD TO SAY IT ♪

♪ I HATE TO SAY IT ♪

♪ BUT IT'S PROBABLY ME ♪

♪ IT'S PROBABLY ME ♪

(GENTLE MELANCHOLIC MUSIC)

♪ WHEN THE WORLD'S GONE CRAZY AND IT MAKES NO SENSE ♪

♪ THERE'S ONLY ONE VOICE THAT COMES TO YOUR DEFENSE ♪

♪ AND THE JURY'S OUT AND YOUR EYES SEARCH THE ROOM ♪

♪ AND ONE FRIENDLY FACE IS ALL YOU NEED TO SEE ♪

♪ IF THERE'S ONE GUY, JUST ONE GUY ♪

♪ WHO'D LAY DOWN HIS LIFE FOR YOU AND DIE ♪

♪ IT'S HARD TO SAY IT ♪

♪ I HATE TO SAY IT ♪

♪ BUT IT'S PROBABLY ME ♪

♪ I HATE TO SAY IT ♪

♪ I HATE TO SAY IT ♪

♪ BUT IT'S PROBABLY ME ♪

♪ I HATE TO SAY IT ♪

♪ I HATE TO SAY IT ♪

♪ BUT IT'S PROBABLY ME ♪

♪ I HATE TO SAY IT ♪

♪ I HATE TO SAY IT ♪

♪ BUT IT'S PROBABLY ME ♪

(GENTLE MELANCHOLIC MUSIC)

Vocabulario en esta canción:

Vocabulario Significados

cold

/koʊld/

A1
  • adjective
  • - frío
  • noun
  • - frío

stars

/stɑːrz/

A1
  • noun
  • - estrellas

ground

/ɡraʊnd/

A1
  • noun
  • - suelo

morning

/ˈmɔːrnɪŋ/

A1
  • noun
  • - mañana

friend

/frend/

A1
  • noun
  • - amigo

belly

/ˈbel.i/

B1
  • noun
  • - barriga

empty

/ˈempti/

A2
  • adjective
  • - vacío

hunger

/ˈhʌŋɡər/

B1
  • noun
  • - hambre

proud

/praʊd/

B1
  • adjective
  • - orgulloso

city

/ˈsɪti/

A1
  • noun
  • - ciudad

voice

/vɔɪs/

B1
  • noun
  • - voz

feelings

/ˈfiːlɪŋz/

B1
  • noun
  • - sentimientos

life

/laɪf/

A1
  • noun
  • - vida

world

/wɜːrld/

A1
  • noun
  • - mundo

crazy

/ˈkreɪzi/

B1
  • adjective
  • - loco

sense

/sens/

B1
  • noun
  • - sentido

eyes

/aɪz/

A1
  • noun
  • - ojos

face

/feɪs/

A1
  • noun
  • - cara

Gramática:

  • IF THE NIGHT TURNED COLD

    ➔ Segundo Condicional

    ➔ Usa "if + pasado simple", seguido por "would/could/might + infinitivo". Expresa una situación irreal o improbable en el presente o futuro. "TURNED" es el pasado simple, implicando que la noche no está fría actualmente, pero estamos hipotetizando.

  • YOU WAKE THE MORNING IN A STRANGER'S COAT

    ➔ Presente Simple (Hábito/Verdad General)

    ➔ Aunque aparentemente en contraste con el modo condicional, el presente simple aquí sugiere una situación hipotética recurrente, o una consecuencia general de la condición inicial. "WAKE" describe una acción general, no una instancia específica.

  • NO ONE WOULD YOU SEE

    ➔ Inversión (Énfasis)

    ➔ El orden de palabras estándar es "No one would see you". La inversión, colocando "would" antes de "you", se utiliza para dar énfasis y añade un tono ligeramente más formal o poético.

  • WHO COULD IT BE

    ➔ Pregunta Indirecta

    ➔ Esta es una pregunta incrustada dentro de una declaración. El orden de las palabras es sujeto-verbo en lugar de verbo-sujeto como en una pregunta directa. (Pregunta directa: Who could it be?).

  • IT'S HARD TO SAY IT

    ➔ "It" impersonal + adjetivo + infinitivo

    "It" se usa impersonalmente aquí, no refiriéndose a ningún sustantivo específico. Introduce una declaración sobre la dificultad de decir algo. El sujeto real es la frase infinitiva "to say it".

  • WHEN YOUR BELLY'S EMPTY

    ➔ Contracción (Belly is)

    "Belly's" es una contracción de "belly is". Esto es común en el habla informal y en las letras de canciones. Muestra que el posesivo no se usa, es el verbo is. El "When" introduce una cláusula de tiempo aquí.

  • AND YOU'RE TOO PROUD TO BEG

    ➔ Estructura "Too + adjetivo + to + infinitivo"

    ➔ Esta estructura expresa que algo es excesivamente (too) algo, lo que impide que una determinada acción suceda. Aquí, ser excesivamente orgulloso impide que la persona pida.

  • SOME WOULD SAY I SHOULD LET YOU GO YOUR WAY

    ➔ Verbos Modales (Would & Should) & Discurso Indirecto

    "Would" expresa una creencia u opinión general. "Should" expresa consejo o recomendación. La oración en su conjunto informa lo que otros podrían decir, representando el discurso indirecto.