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00:11
AM I WRONG FOR BEING LOST? 00:18
THE PRESSURES OF BEING BOSS EXHAUSTED 00:20
EVERY BONE IN MY BODY, I CAN'T WALK 00:22
I DON'T TALK, I SCREAM, I DON'T STOP TO THINK 00:23
I'M SO CLOSE TO THE DREAM THAT I CAN'T GO TO SLEEP 00:26
IRONIC, I KNOW, SO I NEED MORE CHRONIC TO ROLL 00:28
TRYNA FIND WHAT'S MORE IMPORTANT, THE MONEY OR MY SOUL 00:30
IT'S COLD, I'M LOW, I'M CAUGHT BETWEEN THE ROADS 00:33
UNDER THE HOLLYWOOD SIGN, YOU GET BLINDED BY THE GLOW, UH 00:35
YO 00:38
HOW COULD YOU LOOK ME IN THE FACE? 00:39
YOU SAT AT THE TABLE WITH MY DAUGHTER 00:41
PROMISIN' YOU GOT US RIGHT AFTER YOU FINISHED SAYIN' GRACE 00:42
WHY DON'T YOU TELL HER WHAT YOU'RE HIDIN' IN THE BANK? 00:45
IT'S TIME TO CUT MY LAWN AND SEE THE SNAKES 00:48
IT'S TIME TO TELL THE TRUTH TO EVERY FAN WHO DOESN'T UNDERSTAND 00:50
THAT IT'S BECAUSE OF YOU THEY HAD TO WAIT 00:53
WHILE YOU LEFT ME HERE TO DEAL WITH ALL THE HATE, AH 00:55
STILL SMILE BUT FEEL SO FAKE 00:57
IT'S NO SUN, THE CLOUDS ARE OPAQUE 00:59
SO MUCH SHADE I READ ON ONE PAGE 01:02
I CAN'T EVEN LOOK AT YOUR NAME WITHOUT GETTIN' THE SHAKES 01:04
WHAT A MISTAKE UH, LOOK AT HOW YOU TAKE UH 01:07
WHAT DOESN'T BELONG TO YOU, THIS WAS A RAPE 01:09
AND IF FATE SEND US BOTH TO HEAVEN 01:11
I'MA KEEP A BLADE IN MY LEATHER SO I CAN KILL YOU AT THE GATE, UH 01:13
(FIRST PLACE) IS IT WORTH IT WHEN YOU SEE US ALL? 01:16
(TWO FACED) 01:19
TRYNA FIT IN TO A WORLD WITH NO 01:20
(NEW SPACE) 01:21
COMMIT THIRD DEGREE MURDER 01:22
(WHAT FOR?) 01:23
TRYNA PLAY ME LIKE A HOLLYWOOD WHORE 01:24
(FIRST PLACE) 01:26
IS IT WORTH IT WHEN YOU SEE US ALL? 01:27
(TWO FACED) 01:28
TRYNA FIT IN TO A WORLD WITH NO 01:29
(NEW SPACE) 01:31
COMMIT THIRD DEGREE MURDER 01:31
(WHAT FOR?) 01:33
TRYNA PLAY ME LIKE A HOLLYWOOD WHORE 01:34
I WOKE UP SWEATIN', TRYNA FORGET I'M IN A MANSION 01:35
'CAUSE FANS ARE MAD AT MY EXPANSION 01:38
AND MY FRIEND I THOUGHT WAS FAMILY 01:40
WHO'D ALWAYS UNDERSTAND ME 01:41
GOT OFFENDED, 'CAUSE HE JEALOUS 01:42
WE SUPPOSED TO BE AT THE GRAMMYS 01:43
I'M ASKIN', WHEN DID PRIDE AND PASSION 01:45
GET MISTAKIN' FOR HANDOUTS AND ASS KISSIN'? 01:47
THE FACT IS I MADE IT FROM TRAILER TRASH TO SAKS FIFTH 01:49
TOOK IT FROM UNDERGROUND TO MASSIVE, AND THE COME UP WAS CLASSIC 01:52
BACK WHEN WHITE BOYS RAPPED, THEY GETTIN' THEY ASS KICKED 01:54
I WAS BATTLIN' PUTTIN' THESE RAPPERS IN CASKETS 01:57
I WAS WALKIN' HOME GETTIN' JUMPED AFTER CLASSES 01:59
TELL ME, WHY DON'T MY HATERS MENTION THAT SHIT? 02:02
NOW, MY RENT IS DUE AND I'M A TENANT GETTIN' BY WITH NO CREDIT 02:03
GOT RESIDUE FROM A SEDATIVE I AIN'T GET FROM THE MEDIC 02:06
MY SCHEDULE IS SO FUCKIN' HECTIC, BUT STILL I'M IN DEBT 02:09
I'D BE BETTER OFF DEAD SO LIFE INSURANCE KEEP MY FAMILY FED 02:11
IT'S BECAUSE OF Y'ALL, I COULDN'T SEPARATE FROM MY CAREER 02:13
'CAUSE OF Y'ALL, I HATED MYSELF FOR SO MANY YEARS 02:16
'CAUSE OF YOU, YOU AIN'T NEVER GONNA SEE ME TRUST 02:18
EVEN IF I GOT A WIFE, SHE JUST SOMEBODY I FUCK 02:21
(FIRST PLACE) 02:23
IS IT WORTH IT WHEN YOU SEE US ALL? 02:24
(TWO FACED) 02:26
TRYNA FIT IN TO A WORLD WITH NO 02:27
(NEW SPACE) 02:28
COMMIT THIRD DEGREE MURDER 02:29
(WHAT FOR?) 02:30
TRYNA PLAY ME LIKE A HOLLYWOOD WHORE 02:31
(FIRST PLACE) 02:33
IS IT WORTH IT WHEN YOU SEE US ALL? 02:34
(TWO FACED) 02:35
TRYNA FIT IN TO A WORLD WITH NO 02:36
(NEW SPACE) 02:38
COMMIT THIRD DEGREE MURDER 02:39
(WHAT FOR?) 02:40
TRYNA PLAY ME LIKE A HOLLYWOOD WHORE 02:41
02:42
THE CITY OF ANGELS, DANGER 02:44
THE CITY OF ANGELS, DANGER 02:53
02:57

Hollywood Whore – Paroles bilingues Anglais/Français

📚 Ne te contente pas de chanter "Hollywood Whore" – entraîne ton écoute, apprends le vocabulaire et deviens un pro !
Par
Machine Gun Kelly
Album
Hotel Diablo
Vues
36,455,644
Langue
Anglais
Apprendre cette chanson

Paroles et Traduction

[Français]


















































































Vocabulaire clé

Commencer la pratique
Vocabulaire Significations

exhausted

/ɪɡˈzɔːstɪd/

B1
  • adjective
  • - épuisé

walk

/wɔːk/

A1
  • verb
  • - marcher

dream

/driːm/

A2
  • noun
  • - rêve
  • verb
  • - rêver

important

/ɪmˈpɔːrtənt/

B1
  • adjective
  • - important

soul

/soʊl/

B2
  • noun
  • - âme

caught

/kɔːt/

A2
  • verb
  • - attraper

blinded

/ˈblaɪndɪd/

B1
  • verb
  • - aveugler

promise

/ˈprɒmɪs/

A2
  • verb
  • - promettre
  • noun
  • - promesse

truth

/truːθ/

B1
  • noun
  • - vérité

shake

/ʃeɪk/

A2
  • verb
  • - trembler
  • noun
  • - tremblement

mistake

/mɪˈsteɪk/

B1
  • noun
  • - erreur

blade

/bleɪd/

B2
  • noun
  • - lame

murder

/ˈmɜːrdər/

C1
  • noun
  • - meurtre
  • verb
  • - tuer

expansion

/ɪkˈspænʃən/

B2
  • noun
  • - expansion

jealous

/ˈdʒeləs/

B1
  • adjective
  • - jaloux

classic

/ˈklæsɪk/

B2
  • adjective
  • - classique

massive

/ˈmæsɪv/

B2
  • adjective
  • - massif

credit

/ˈkredɪt/

B1
  • noun
  • - crédit

debt

/det/

B1
  • noun
  • - dette

💡 Quel mot nouveau t’intrigue dans "Hollywood Whore" ?

📱 Vérifie sa signification, fais des phrases et essaie-le dans des dialogues dans l’app !

Structures grammaticales clés

  • AM I WRONG FOR BEING LOST?

    ➔ Présent continu, Verbe modal (être)

    ➔ La question utilise le présent continu pour interroger sur un état actuel, modifié par le verbe modal "**be**".

  • I DON'T TALK, I SCREAM, I DON'T STOP TO THINK

    ➔ Présent simple, Conjugaison verbale, Construction négative

    ➔ La phrase utilise le présent simple pour décrire des actions ou des états habituels, avec des contractions négatives "**don't**" et la conjugaison verbale.

  • TRYNA FIND WHAT'S MORE IMPORTANT, THE MONEY OR MY SOUL

    ➔ Gérondif, Adjectif comparatif

    ➔ "**Finding**" (trouver) agit comme un gérondif, et "**more important**" (plus important) est un adjectif comparatif.

  • YOU GET BLINDED BY THE GLOW, UH

    ➔ Voix passive

    ➔ La construction de la voix passive ("get blinded") est utilisée pour mettre l'accent sur ce qui arrive au sujet, plutôt que sur qui le fait.

  • HOW COULD YOU LOOK ME IN THE FACE?

    ➔ Verbe modal (could), Phrase interrogative

    ➔ Cette phrase utilise le verbe modal "**could**" pour exprimer l'étonnement ou l'incrédulité, et elle est structurée comme une phrase interrogative.

  • WHY DON'T YOU TELL HER WHAT YOU'RE HIDIN' IN THE BANK?

    ➔ Question avec inversion, Présent continu

    ➔ Une question avec inversion (**Why don't you...**) et le temps présent continu (you're **hiding**).

  • IT'S TIME TO CUT MY LAWN AND SEE THE SNAKES

    ➔ Phrase impérative, Présent simple

    ➔ "It's time to..." suivi d'une phrase impérative. "See" est au présent simple.

  • SO MUCH SHADE I READ ON ONE PAGE

    ➔ Inversion

    ➔ La phrase utilise l'inversion pour mettre l'accent sur "**so much shade**", l'objet vient en premier et le sujet et le verbe sont inversés.

  • I'M ASKIN', WHEN DID PRIDE AND PASSION

    ➔ Forme contractée, Passé simple (did)

    ➔ La phrase utilise une forme contractée "I'm **askin'**" et l'auxiliaire "**did**" indique le passé simple.

  • I'D BE BETTER OFF DEAD SO LIFE INSURANCE KEEP MY FAMILY FED

    ➔ Proposition conditionnelle (would be), Verbe (keep)

    ➔ Cette phrase utilise une proposition conditionnelle en utilisant la construction "I'd **be**" qui est une forme abrégée de "I **would be**". Le mot "**keep**" fonctionne comme un verbe dans une phrase.

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