A Milli (Dirty Version)
Letra:
[English]
("A MILLI")
- FOR REAL THOUGH, WHY THEY GOT A BOW ON IT?
WHO IS THIS FOR?
'CAUSE I DON'T KNOW WHO IT'S FOR.
(CAMERAMAN LAUGHS)
WAYNE, WAYNE, WAYNE, WAYNE.
- THAT'S ME, THAT'S ME.
- HOW'RE YOU FEELING?
THAT'S YOU! (FRIEND WHISTLES)
♪ BANGLADESH ♪
♪ YOUNG MONEY ♪
♪ YOU DIG ♪
♪ MACK, I'M GOING IN ♪
♪ A MILLIONAIRE, I'M A YOUNG MONEY MILLIONAIRE ♪
♪ TOUGHER THAN NIGERIAN HAIR ♪
♪ MY CRITERIA COMPARED TO YOUR CAREER JUST ISN'T FAIR ♪
♪ I'M A VENEREAL DISEASE, LIKE A MENSTRUAL BLEED ♪
♪ THROUGH THE PENCIL ♪
♪ AND LEAK ON THE SHEET OF THE TABLET IN MY MIND ♪
♪ 'CAUSE I DON'T WRITE SHIT, 'CAUSE I AIN'T GOT TIME ♪
♪ 'CAUSE MY SECONDS, MINUTES, HOURS GO ♪
♪ TO THE ALMIGHTY DOLLAR ♪
♪ AND THE ALMIGHTY POWER OF THAT CH-CHA-CHA-CHOPPER ♪
♪ SISTER, BROTHER, SON, DAUGHTER ♪
♪ FATHER, MOTHER-FUCK A COPPER ♪
♪ GOT THE MASERATI DANCIN' ON THE BRIDGE, PUSSY POPPIN' ♪
♪ TELL THE COPPERS, HA-HA-HA-HA ♪
♪ YOU CAN'T CATCH HIM, YOU CAN'T STOP HIM ♪
♪ I GO BY THEM GOON RULES ♪
♪ IF YOU CAN'T BEAT 'EM, THEN YOU POP 'EM ♪
♪ YOU CAN'T MAN 'EM, THEN YOU MOP 'EM ♪
♪ YOU CAN'T STAND 'EM, THEN YOU DROP 'EM ♪
♪ YOU POP 'EM 'CAUSE WE POP 'EM LIKE ORVILLE REDENBACHER ♪
♪ MOTHERFUCKER I'M ILL ♪
(TOILET FLUSHES)
♪ A MILLION HERE, A MILLION THERE ♪
♪ SICILIAN BITCH WITH LONG HAIR ♪
♪ WITH COKE IN HER DERRIERE ♪
♪ LIKE SMOKING THE THINNEST AIR ♪
♪ I OPEN THE LAMBORGHINI, HOPIN' THEM CRACKERS SEE ME ♪
♪ LIKE, LOOK AT THAT BASTARD WEEZY ♪
♪ HE'S A BEAST, HE'S A DOG ♪
♪ HE'S A MOTHAFUCKIN' PROBLEM ♪
♪ OKAY, YOU'RE A GOON, BUT WHAT'S A GOON TO A GOBLIN? ♪
♪ NOTHIN', NOTHIN', YOU AIN'T SCARIN' NOTHIN' ♪
♪ ON SOME FAGGOT BULLSHIT: CALL 'EM DENNIS RODMAN ♪
♪ CALL ME WHAT YOU WANT, BITCH ♪
♪ CALL ME ON MY SIDEKICK ♪
♪ NEVER ANSWER WHEN IT'S PRIVATE ♪
♪ DAMN, I HATE A SHY BITCH ♪
♪ DON'T YOU HATE A SHY BITCH ♪
♪ YEAH, I ATE A SHY BITCH ♪
♪ SHE AIN'T SHY NO MORE ♪
♪ SHE CHANGED HER NAME TO MY BITCH ♪
♪ YEAH, NIGGA, THAT'S MY BITCH SO WHEN SHE ASK ♪
♪ FOR THE MONEY WHEN YOU THROUGH, DON'T BE SURPRISED, BITCH ♪
♪ AND IT AIN'T TRICKIN' IF YOU GOT IT ♪
♪ BUT YOU LIKE A BITCH WITH NO ASS: YOU AIN'T GOT SHIT ♪
♪ MOTHERFUCKER, I'M ILL, NOT SICK ♪
♪ AND I'M OKAY, BUT MY WATCH SICK, YEAH, MY DROP SICK ♪
♪ YEAH, MY GLOCK SICK, AND MY KNOT THICK, I'M IT ♪
♪ MOTHERFUCKER, I'M ILL ♪
♪ SEE, THEY SAY I'M RAPPIN' LIKE B.I.G., JAY, AND 2PAC ♪
♪ ANDRE 3000, WHERE IS ERYKAH BADU AT, WHO THAT ♪
♪ WHO THAT SAID THEY GON' BEAT LIL WAYNE ♪
♪ MY NAME AIN'T BIC, BUT I KEEP THAT FLAME, MAN ♪
♪ WHO THAT ONE THAT DO THAT, BOY ♪
♪ YOU KNEW THAT TRUE THAT, SWALLOW ♪
♪ AND I BE THE SHIT, NOW YOU GOT LOOSE BOWELS ♪
♪ I DON'T OWE YOU LIKE TWO VOWELS ♪
♪ BUT I WOULD LIKE FOR YOU TO PAY ME BY THE HOUR ♪
♪ AND I'D RATHER BE PUSHIN' FLOWERS ♪
♪ THEN TO BE IN THE PEN SHARIN' SHOWERS ♪
♪ TONY TOLD US THIS WORLD WAS OURS ♪
♪ AND THE BIBLE TOLD US EVERY GIRL WAS SOUR ♪
♪ DON'T PLAY IN HER GARDEN AND DON'T SMELL HER FLOWER ♪
♪ CALL ME MR. CARTER OR MR. LAWN MOWER ♪
♪ BOY, I GOT SO MANY BITCHES, LIKE I'M MIKE LOWREY ♪
♪ EVEN GWEN STEFANI SAID SHE COULDN'T DOUBT ME ♪
♪ MOTHERFUCKER, I SAY, LIFE AIN'T SHIT WITHOUT ME ♪
♪ CHROME LIPS POKIN' OUT THE COUPE, LOOK LIKE IT'S POUTIN' ♪
♪ I DO WHAT I DO, AND YOU DO WHAT YOU CAN DO ABOUT IT ♪
♪ BITCH, I CAN TURN A CRACK ROCK INTO A MOUNTAIN, DARE ME ♪
♪ DON'T YOU COMPARE ME, 'CAUSE THERE AIN'T NOBODY NEAR ME ♪
♪ THEY DON'T SEE ME BUT THEY HEAR ME ♪
♪ THEY DON'T FEEL ME BUT THEY FEAR ME ♪
♪ I'M ILLY, C3, 3 PEAT ♪
Vocabulário nesta música:
| Vocabulário | Significados |
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go /ɡoʊ/ A1 |
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young /jʌŋ/ A1 |
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hair /heər/ A1 |
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mind /maɪnd/ A2 |
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power /ˈpaʊər/ A2 |
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daughter /ˈdɔːtər/ A2 |
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father /ˈfɑːðər/ A2 |
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bridge /brɪdʒ/ A2 |
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rules /ruːlz/ A2 |
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long /lɒŋ/ A1 |
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name /neɪm/ A1 |
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money /ˈmʌni/ A1 |
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world /wɜːrld/ A1 |
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garden /ˈɡɑːrdn/ A2 |
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flame /fleɪm/ B2 |
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disease /dɪˈziːz/ B1 |
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Gramática:
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My criteria compared to your career just isn't fair
➔ Voz passiva (é/são + particípio passado) usada com adjetivos comparativos.
➔ A frase usa a voz passiva "is compared" e o adjetivo comparativo "fair" para enfatizar a injustiça da comparação. "My criteria" é comparado a "your career".
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If you can't beat 'em, then you pop 'em
➔ Oração condicional tipo 1 (variante do condicional zero). Implícito: Se você não pode vencê-los...
➔ Esta é uma declaração condicional sugerindo que, se a competição direta ("beat 'em") falhar, então recorra à violência ("pop 'em"). Implica que a incapacidade é uma realidade atual ou uma possibilidade muito provável.
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See, they say I'm rappin' like B.I.G., Jay, and 2Pac
➔ Discurso indireto com o tempo presente contínuo.
➔ "They say" introduz o discurso indireto. "I'm rappin'" está no tempo presente contínuo, indicando uma ação em andamento.
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Life ain't shit without me
➔ Dupla negação (informal). Usa o informal "ain't" para "is not" e "shit" como equivalente a "nothing", portanto, uma dupla negação expressa um positivo forte.
➔ Este é um exemplo de linguagem coloquial usando uma dupla negação para enfatizar uma declaração forte. Embora gramaticalmente incorreto em inglês formal, comunica eficazmente a ideia de que a vida não tem sentido sem o orador.
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I do what I do, and you do what you can do about it
➔ Ênfase usando repetição, oração relativa e verbo modal
➔ A repetição de "I do what I do" reforça as ações inflexíveis do orador. "what you can do about it" age como um desafio, destacando a confiança do orador e o poder limitado do ouvinte para interferir. O modal "can" sugere capacidade limitada.
