Lyrics & Translation
Embark on a linguistic and emotional journey with ZAZ's "Dans ma rue." This powerful song, a modern take on a French classic, offers an authentic window into French 'chanson réaliste,' allowing learners to immerse themselves in rich, evocative vocabulary and deeply human storytelling. Discover how the French language can convey profound sadness and hope through this artist's captivating performance.
Key Vocabulary
Vocabulary | Meanings |
---|---|
coin /kwɛ̃/ A2 |
|
père /pɛʁ/ A1 |
|
mère /mɛʁ/ A1 |
|
travaille /tʁavaj/ A2 |
|
peur /pœʁ/ A2 |
|
silence /si.lɑ̃s/ B1 |
|
ombre /ɔ̃bʁ/ B1 |
|
froid /fʁwa/ B1 |
|
rengaine /ʁɑ̃ɡɛn/ B2 |
|
sangloter /sɑ̃ɡlote/ B2 |
|
cauchemars /koʊʃmaʁ/ B2 |
|
argent /aʁʒɑ̃/ B1 |
|
maison /mɛ.zɔ̃/ A1 |
|
pain /pɛ̃/ A1 |
|
vent /vɑ̃/ A2 |
|
inviter /ɛ̃.vite/ B1 |
|
What does “coin” mean in the song "Dans ma rue"?
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Key Grammar Structures
-
J'habite un coin du vieux Montmartre
➔ Use of the partitive article "du" with a geographical location.
➔ The phrase "un coin *du* vieux Montmartre" indicates "a corner *of* old Montmartre." The partitive article *du* is used because it's an indefinite part of a larger whole.
-
Mon père rentre saoul tous les soirs
➔ Adjective placement after the verb "rentrer" to describe the state of the subject.
➔ The adjective "saoul" (drunk) follows the verb "rentre" to describe the state of the father when he returns. In French, this placement is common when describing a state or condition.
-
quand j'suis malade, j'reste à ma fenêtre
➔ Use of the subjunctive mood implicitly.
➔ While "quand" usually takes the indicative, here it's implying a general condition rather than a specific instance. The subjunctive could be used for emphasis, but it's omitted for simplicity, typical in spoken French.
-
y'a des choses qui me font un peu peur.
➔ Use of impersonal construction "il y a" with the relative pronoun "qui".
➔ "Il y a" (there is/are) is followed by "des choses qui..." (things that...). The relative pronoun "qui" introduces a clause describing "des choses". This construction highlights the existence of things causing fear.
-
bercée par une rengaine
➔ Past participle used as an adjective.
➔ "Bercée" (lulled) is the past participle of the verb "bercer" (to lull). Here, it acts as an adjective modifying the implied subject, indicating she is lulled by a tune.
-
faudrait voir à gagner ton pain.
➔ Impersonal verb "falloir" followed by "voir à" + infinitive to express a necessity and a suggestion.
➔ "Faudrait" is the conditional form of "falloir" (to be necessary). "Voir à" + infinitive is used to suggest a course of action. The phrase expresses that it's necessary to consider finding a way to earn your keep ("gagner ton pain").
-
tu n'auras qu'à partir le soir
➔ "N'avoir qu'à" + infinitive, expressing a limited choice or a simple solution.
➔ The construction "tu n'auras qu'à" suggests the only thing you need to do is leave in the evening. It implies it's the easiest or perhaps only option available.
-
j'sais pas comment les autres s'y prennent
➔ Use of the pronoun "s'y prendre" to express how someone manages to do something.
➔ "S'y prendre" is a pronominal verb which means "to go about something," "to manage." "Je ne sais pas comment les autres s'y prennent" translates to "I don't know how others manage (to do it)." The "y" refers to the implied task.
Same Singer

Si jamais j'oublie
ZAZ

On ira
ZAZ

Je veux
ZAZ

Eblouie par la nuit
ZAZ

Tous les cris les S.O.S
ZAZ

Si
ZAZ

Le long de la route
ZAZ

Sous le ciel de Paris
ZAZ

Paris sera toujours Paris
ZAZ

La fée
Zaz

Sains et saufs
Zaz

Je pardonne
ZAZ

Sous le ciel de Paris
ZAZ, PABLO ALBORAN

Comme ci, comme ça
ZAZ

Mes souvenirs de toi
Zaz

Les jours heureux
Zaz

Ma valse
Zaz

Dans ma rue
ZAZ
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