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Look, if you had one shot or one opportunity 00:34

To seize everything you ever wanted in one moment 00:43

Would you capture it or just let it slip? 00:49

Yo 00:52

His palms are sweaty, knees weak, arms are heavy 00:53

There's vomit on his sweater already, mom's spaghetti 00:56

He's nervous, but on the surface, he looks calm and ready 00:59

To drop bombs, but he keeps on forgetting 01:02

What he wrote down, the whole crowd goes so loud 01:04

He opens his mouth, but the words won't come out 01:07

He's chokin', how? Everybody's jokin' now 01:10

The clock's run out, time's up, over, blaow 01:13

Snap back to reality, ope, there goes gravity 01:16

Ope, there goes Rabbit, he choked, he's so mad 01:19

But he won't give up that easy, no, he won't have it 01:21

He knows his whole back's to these ropes, it don't matter 01:24

He's dope, he knows that, but he's broke, he's so stagnant 01:27

He knows when he goes back to this mobile home, that's when it's 01:30

Back to the lab again, yo, this old rhapsody 01:33

Better go capture this moment and hope it don't pass him 01:36

You better lose yourself in the music 01:38

The moment, you own it, you better never let it go (go) 01:40

You only get one shot, do not miss your chance to blow 01:43

This opportunity comes once in a lifetime- 01:47

You better lose yourself in the music 01:49

The moment, you own it, you better never let it go (go) 01:52

You only get one shot, do not miss your chance to blow 01:55

This opportunity comes once in a lifetime- 01:58

You better- 02:00

His soul's escaping through this hole that is gaping 02:01

This world is mine for the taking, make me king 02:04

As we move toward a new world order 02:07

A normal life is boring, but superstardom's 02:10

Close to post-mortem, it only grows harder 02:12

Homie grows hotter, he blows, it's all over 02:15

These hoes is all on him, coast-to-coast shows 02:18

He's known as the Globetrotter, lonely roads 02:20

God only knows he's grown farther from home, he's no father 02:23

He goes home and barely knows his own daughter 02:26

But hold your nose 'cause here goes the cold water 02:29

These hoes don't want him no mo', he's cold product 02:32

They moved on to the next schmoe who flows 02:35

He nose-dove and sold nada, and so the soap opera 02:37

Is told, it unfolds, I suppose it's old, partner 02:40

But the beat goes on, da-da-dom, da-dom- 02:43

You better lose yourself in the music 02:45

The moment, you own it, you better never let it go (go) 02:48

You only get one shot, do not miss your chance to blow 02:51

This opportunity comes once in a lifetime- 02:54

You better lose yourself in the music 02:57

The moment, you own it, you better never let it go (go) 02:59

You only get one shot, do not miss your chance to blow 03:02

This opportunity comes once in a lifetime- 03:05

You better- 03:08

No more games, I'ma change what you call rage 03:08

Tear this motherfuckin' roof off like two dogs caged 03:11

I was playin' in the beginning, the mood all changed 03:14

I've been chewed up and spit out and booed off stage 03:16

But I kept rhymin' and stepped right in the next cypher 03:19

Best believe somebody's payin' the Pied Piper 03:22

All the pain inside amplified by the 03:25

Fact that I can't get by with my nine-to- 03:28

Five and I can't provide the right type of life for my family 03:31

'Cause, man, these goddamn food stamps don't buy diapers 03:34

And there's no movie, there's no Mekhi Phifer, this is my life 03:38

And these times are so hard, and it's gettin' even harder 03:41

Tryna feed and water my seed, plus teeter-totter 03:44

Caught up between bein' a father and a prima donna 03:47

Baby-mama drama, screamin' on her, too much for me to wanna 03:50

Stay in one spot, another day of monotony's gotten me 03:53

To the point I'm like a snail, I've got 03:56

To formulate a plot or end up in jail or shot 03:58

Success is my only motherfuckin' option, failure's not 04:01

Mom, I love you, but this trailer's got to go 04:05

I cannot grow old in Salem's Lot 04:07

So here I go, it's my shot 04:09

Feet, fail me not 04:11

This may be the only opportunity that I got 04:12

You better lose yourself in the music 04:15

The moment, you own it, you better never let it go (go) 04:17

You only get one shot, do not miss your chance to blow 04:20

This opportunity comes once in a lifetime- 04:23

You better lose yourself in the music 04:26

The moment, you own it, you better never let it go (go) 04:28

You only get one shot, do not miss your chance to blow 04:31

This opportunity comes once in a lifetime- 04:35

You better- 04:37

You can do anything you set your mind to, man 04:40

04:42

Lose Yourself

Por

Eminem

Álbum

8 Mile

Visto

288,945,394

Aprender esta canción

Letra:

[English]

Look, if you had one shot or one opportunity

To seize everything you ever wanted in one moment

Would you capture it or just let it slip?

His palms are sweaty, knees weak, arms are heavy

There's vomit on his sweater already, mom's spaghetti

He's nervous, but on the surface, he looks calm and ready

To drop bombs, but he keeps on forgetting

What he wrote down, the whole crowd goes so loud

He opens his mouth, but the words won't come out

He's chokin', how? Everybody's jokin' now

The clock's run out, time's up, over, blaow

Snap back to reality, ope, there goes gravity

Ope, there goes Rabbit, he choked, he's so mad

But he won't give up that easy, no, he won't have it

He knows his whole back's to these ropes, it don't matter

He's dope, he knows that, but he's broke, he's so stagnant

He knows when he goes back to this mobile home, that's when it's

Back to the lab again, yo, this old rhapsody

Better go capture this moment and hope it don't pass him

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better-

His soul's escaping through this hole that is gaping

This world is mine for the taking, make me king

As we move toward a new world order

A normal life is boring, but superstardom's

Close to post-mortem, it only grows harder

Homie grows hotter, he blows, it's all over

These hoes is all on him, coast-to-coast shows

He's known as the Globetrotter, lonely roads

God only knows he's grown farther from home, he's no father

He goes home and barely knows his own daughter

But hold your nose 'cause here goes the cold water

These hoes don't want him no mo', he's cold product

They moved on to the next schmoe who flows

He nose-dove and sold nada, and so the soap opera

Is told, it unfolds, I suppose it's old, partner

But the beat goes on, da-da-dom, da-dom-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better-

No more games, I'ma change what you call rage

Tear this motherfuckin' roof off like two dogs caged

I was playin' in the beginning, the mood all changed

I've been chewed up and spit out and booed off stage

But I kept rhymin' and stepped right in the next cypher

Best believe somebody's payin' the Pied Piper

All the pain inside amplified by the

Fact that I can't get by with my nine-to-

Five and I can't provide the right type of life for my family

'Cause, man, these goddamn food stamps don't buy diapers

And there's no movie, there's no Mekhi Phifer, this is my life

And these times are so hard, and it's gettin' even harder

Tryna feed and water my seed, plus teeter-totter

Caught up between bein' a father and a prima donna

Baby-mama drama, screamin' on her, too much for me to wanna

Stay in one spot, another day of monotony's gotten me

To the point I'm like a snail, I've got

To formulate a plot or end up in jail or shot

Success is my only motherfuckin' option, failure's not

Mom, I love you, but this trailer's got to go

I cannot grow old in Salem's Lot

So here I go, it's my shot

Feet, fail me not

This may be the only opportunity that I got

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better-

You can do anything you set your mind to, man

...

Vocabulario en esta canción:

Comenzar la práctica

Vocabulario	Significados
shot /ʃɒt/ A2	noun - un intento de hacer o lograr algo. verb - disparar una bala de un arma
capture /ˈkæptʃər/ B2	verb - tomar posesión o controlar por la fuerza.
slip /slɪp/ B1	verb - deslizarse involuntariamente una corta distancia. noun - un acto de resbalar sin querer
heavy /ˈhevi/ A2	adjective - de gran peso; difícil de levantar o mover.
nervous /ˈnɜːrvəs/ B1	adjective - fácilmente agitado o alarmado.
calm /kɑːm/ A2	adjective - no mostrar o sentir nerviosismo, ira u otras emociones.
drop /drɒp/ A2	verb - dejar o permitir que (algo) caiga o cuelgue suelto.
crowd /kraʊd/ A2	noun - un gran número de personas reunidas en un lugar público.
choke /tʃoʊk/ B2	verb - tener serias dificultades para respirar porque algo está bloqueando la garganta o la tráquea.
gravity /ˈɡrævəti/ B2	noun - la fuerza que atrae un cuerpo hacia el centro de la tierra, o hacia cualquier otro cuerpo físico que tenga masa.
mad /mæd/ A2	adjective - enojado; furioso.
dop /doʊp/ B2	adjective - (jerga) muy bueno; excelente
stagnant /ˈstæɡnənt/ C1	adjective - (de una masa de agua o la atmósfera) que no fluye ni se mueve.
rhapsody /ˈræpsədi/ C1	noun - una expresión efusiva y entusiasta o extática de sentimiento.
soul /soʊl/ B1	noun - la parte espiritual o inmaterial de un ser humano o animal, considerada inmortal.
gape /ɡeɪp/ B2	verb - mirar boquiabierto, generalmente con asombro o maravilla.
bore /bɔːr/ B1	adjective - que hace que uno se sienta cansado e inquieto por falta de interés.
rage /reɪdʒ/ C1	noun - ira violenta e incontrolable.
rhyme /raɪm/ B1	verb - (de una palabra, sílaba o línea) tiene o termina con un sonido correspondiente a otro.
fail /feɪl/ A2	verb - no tener éxito en el logro del objetivo de uno.

Vocabulario

Significados

shot

/ʃɒt/

noun
- un intento de hacer o lograr algo.

verb
- disparar una bala de un arma

capture

/ˈkæptʃər/

verb
- tomar posesión o controlar por la fuerza.

slip

/slɪp/

verb
- deslizarse involuntariamente una corta distancia.

noun
- un acto de resbalar sin querer

heavy

/ˈhevi/

adjective
- de gran peso; difícil de levantar o mover.

nervous

/ˈnɜːrvəs/

adjective
- fácilmente agitado o alarmado.

calm

/kɑːm/

adjective
- no mostrar o sentir nerviosismo, ira u otras emociones.

drop

/drɒp/

verb
- dejar o permitir que (algo) caiga o cuelgue suelto.

crowd

/kraʊd/

noun
- un gran número de personas reunidas en un lugar público.

choke

/tʃoʊk/

verb
- tener serias dificultades para respirar porque algo está bloqueando la garganta o la tráquea.

gravity

/ˈɡrævəti/

noun
- la fuerza que atrae un cuerpo hacia el centro de la tierra, o hacia cualquier otro cuerpo físico que tenga masa.

mad

/mæd/

adjective
- enojado; furioso.

dop

/doʊp/

adjective
- (jerga) muy bueno; excelente

stagnant

/ˈstæɡnənt/

adjective
- (de una masa de agua o la atmósfera) que no fluye ni se mueve.

rhapsody

/ˈræpsədi/

noun
- una expresión efusiva y entusiasta o extática de sentimiento.

soul

/soʊl/

noun
- la parte espiritual o inmaterial de un ser humano o animal, considerada inmortal.

gape

/ɡeɪp/

verb
- mirar boquiabierto, generalmente con asombro o maravilla.

bore

/bɔːr/

adjective
- que hace que uno se sienta cansado e inquieto por falta de interés.

rage

/reɪdʒ/

noun
- ira violenta e incontrolable.

rhyme

/raɪm/

verb
- (de una palabra, sílaba o línea) tiene o termina con un sonido correspondiente a otro.

fail

/feɪl/

verb
- no tener éxito en el logro del objetivo de uno.

Gramática:

If you had one shot or one opportunity To seize everything you ever wanted in one moment

➔ Segundo Condicional

➔ El **segundo condicional** (If + pasado simple, would + forma base) se usa para hablar de situaciones irreales o improbables en el presente o futuro. Aquí, es hipotético: él realmente no *tiene* una oportunidad todavía.
Would you capture it or just let it slip?

➔ Pregunta Condicional con 'Would'

➔ Esta línea usa 'would' para formar una pregunta sobre una acción hipotética. 'Would you capture it' expresa lo que *pasaría* en el escenario imaginario. El verbo "let" en "let it slip" significa permitir que algo se pierda o se desperdicie.
He's nervous, but on the surface, he looks calm and ready To drop bombs, but he keeps on forgetting What he wrote down

➔ Conjunciones contrastantes (but), Presente Continuo para enfatizar una acción habitual (keeps on forgetting)

➔ 'But' muestra un contraste entre su nerviosismo interno y su apariencia externa. 'He keeps on forgetting' usa el presente continuo para enfatizar la naturaleza repetida de su olvido, haciéndolo más frustrante. 'Keep on + verb+ing' es una expresión idiomática que muestra persistencia.
Snap back to reality, ope, there goes gravity Ope, there goes Rabbit, he choked, he's so mad

➔ Imperativo (Snap back), Presente Simple ('there goes' - usado para énfasis e inmediatez)

➔ 'Snap back to reality' es un imperativo, una orden directa. 'There goes gravity' y 'There goes Rabbit' usan el presente simple de una manera inusual. Por lo general, 'there goes' indica algo que se aleja, pero aquí, significa la rápida pérdida de control de la situación. Usarlo añade impacto e inmediatez a la escena.
He knows his whole back's to these ropes, it don't matter He's dope, he knows that, but he's broke, he's so stagnant

➔ Contracciones informales ('back's', 'don't'), Conjunción contrastante ('but')

➔ Esta línea usa contracciones informales como 'back's' (back is) y 'don't' (does not) para reflejar un estilo conversacional y callejero. 'But' nuevamente crea un contraste entre su talento ('dope') y su situación actual ('broke', 'stagnant').
You better lose yourself in the music The moment, you own it, you better never let it go (go)

➔ 'Better' (had better) + forma base del verbo (lose), Modo Imperativo.

➔ 'You better lose yourself' es una fuerte recomendación o advertencia. 'Had better' a menudo se acorta a 'better' en el habla informal. Expresa urgencia. El modo imperativo proporciona dirección.
No more games, I'ma change what you call rage Tear this motherfuckin' roof off like two dogs caged

➔ Contracción informal ('I'ma'), cláusula sustantiva ('what you call rage'), símil ('like two dogs caged')

➔ 'I'ma' es una contracción muy informal de 'I am going to'. 'What you call rage' es una cláusula sustantiva que funciona como objeto del verbo 'change'. 'Like two dogs caged' es un símil, que compara su intensa ira con la de los animales confinados.
Best believe somebody's payin' the Pied Piper All the pain inside amplified by the Fact that I can't get by with my nine-to-Five and I can't provide the right type of life for my family

➔ Elipsis ('best believe' - debería ser 'you best believe'), voz pasiva ('amplified by'), cláusula relativa ('that I can't get by...')

➔ 'Best believe' es un ejemplo de elipsis, donde las palabras se omiten por brevedad e impacto. La voz pasiva en 'amplified by the fact' se usa para enfatizar el dolor que se está actuando, no el actor. 'That I can't get by...' es una cláusula relativa que modifica la palabra 'fact'.