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[ELEVATOR BELL DINGS] 00:00
- OH YEAH REAL EXCLUSIVE. 00:02
TYPICAL ARI. 00:04
- YOU KNOW I THINK I LIKED HER BETTER 00:06
WHEN HER PONYTAIL WAS A FEW CENTIMETERS HIGHER. 00:07
- RIGHT, AND I MEAN WHO CARES IF SHE'S HAPPY. 00:09
I DON'T WANT HAPPY, I WANT ART. [DING] 00:12
- UGH I MISS THE OLD ARI, YOU KNOW THE SINGER. 00:14
- YOU DON'T SAY 00:20
I HEAR SHE'S STARTING HER OWN ARTISANAL HUMMUS LINE NEXT 00:22
- OMG DID SHE REALLY DO THAT? 00:26
- WELL I READ IT ON THE INTERNET SO IT MUST BE TRUE. 00:27
- WELL IT MUST BE 00:30
♪♪♪ 00:35
[VOCALIZATION] 00:47
♪♪♪ 01:06
♪ IN CASE YOU HAVEN’T NOTICED ♪ 01:21
♪ WELL, EVERYBODY’S TIRED ♪ 01:25
♪ AND HEALING FROM SOMEBODY ♪ 01:29
♪ OR SOMETHING WE DON’T SEE JUST RIGHT ♪ 01:33
♪ BOY COME ON PUT YOUR LIPSTICK ON ♪ 01:37
♪ (NO ONE CAN TELL YOU NOTHING) ♪ 01:41
♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪ 01:42
♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪ 01:45
♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪ 01:46
♪ TURN ON YOUR LIGHT AND BE LIKE ♪ 01:50
♪ “YES, AND?” ♪ 01:54
♪ SAY THAT SHIT WITH YOUR CHEST AND ♪ 01:57
♪ BE YOUR OWN FUCKIN BEST FRIEND ♪ 02:01
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 02:05
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 02:07
♪ “YES, AND?” ♪ 02:09
♪ NOW I’M SO DONE WITH CARING ♪ 02:11
♪ WHAT YOU THINK, NO I WON’T HIDE ♪ 02:14
♪ UNDERNEATH YOUR OWN PROJECTIONS ♪ 02:17
♪ OR CHANGE MY MOST AUTHENTIC LIFE ♪ 02:22
♪ BOY COME ON PUT YOUR LIPSTICK ON ♪ 02:25
♪ (NO ONE CAN TELL YOU NOTHING) ♪ 02:29
♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪ 02:31
♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪ 02:33
♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪ 02:35
♪ TURN ON YOUR LIGHT AND BE LIKE ♪ 02:39
♪ “YES, AND?” ♪ 02:43
♪ SAY THAT SHIT WITH YOUR CHEST AND ♪ 02:45
♪ BE YOUR OWN FUCKIN BEST FRIEND ♪ 02:49
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 02:53
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 02:56
♪ “YES, AND?” ♪ 02:58
♪ MY TONGUE IS SACRED, I SPEAK UPON WHAT I LIKE ♪ 02:59
♪ PROTECTED, SEXY, DISCERNING WITH MY TIME ♪ 03:03
♪ YOUR ENERGY IS YOURS AND MINE IS MINE ♪ 03:09
♪ WHAT’S MINE IS MINE ♪ 03:12
♪ MY FACE IS SITTING I DON’T NEED NO DISGUISE ♪ 03:15
♪ DON’T COMMENT ON MY BODY, DO NOT REPLY ♪ 03:19
♪ YOUR BUSINESS IS YOURS AND MINE IS MINE ♪ 03:23
♪ WHY DO YOU CARE SO MUCH WHOSE I RIDE ♪ 03:26
♪ WHY? ♪ 03:30
♪ “YES, AND?” ♪ 03:31
♪ SAY THAT SHIT WITH YOUR CHEST AND ♪ 03:34
♪ BE YOUR OWN FUCKIN BEST FRIEND ♪ 03:38
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 03:42
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 03:44
♪ “YES, AND?” ♪ 03:46
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 03:50
♪ AND BE YOUR OWN FUCKIN BEST FRIEND ♪ 03:53
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 03:58
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 04:00
♪ “YES, AND?” ♪ 04:02
[CHEERS AND APPLAUSE] 04:07

yes, and?

Por
Ariana Grande
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Letra:

[English]

[ELEVATOR BELL DINGS]

- OH YEAH REAL EXCLUSIVE.

TYPICAL ARI.

- YOU KNOW I THINK I LIKED HER BETTER

WHEN HER PONYTAIL WAS A FEW CENTIMETERS HIGHER.

- RIGHT, AND I MEAN WHO CARES IF SHE'S HAPPY.

I DON'T WANT HAPPY, I WANT ART. [DING]

- UGH I MISS THE OLD ARI, YOU KNOW THE SINGER.

- YOU DON'T SAY

I HEAR SHE'S STARTING HER OWN ARTISANAL HUMMUS LINE NEXT

- OMG DID SHE REALLY DO THAT?

- WELL I READ IT ON THE INTERNET SO IT MUST BE TRUE.

- WELL IT MUST BE

♪♪♪

[VOCALIZATION]

♪♪♪

♪ IN CASE YOU HAVEN’T NOTICED ♪

♪ WELL, EVERYBODY’S TIRED ♪

♪ AND HEALING FROM SOMEBODY ♪

♪ OR SOMETHING WE DON’T SEE JUST RIGHT ♪

♪ BOY COME ON PUT YOUR LIPSTICK ON ♪

♪ (NO ONE CAN TELL YOU NOTHING) ♪

♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪

♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪

♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪

♪ TURN ON YOUR LIGHT AND BE LIKE ♪

♪ “YES, AND?” ♪

♪ SAY THAT SHIT WITH YOUR CHEST AND ♪

♪ BE YOUR OWN FUCKIN BEST FRIEND ♪

♪ SAY THAT SHIT WITH YOUR CHEST ♪

♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪

♪ “YES, AND?” ♪

♪ NOW I’M SO DONE WITH CARING ♪

♪ WHAT YOU THINK, NO I WON’T HIDE ♪

♪ UNDERNEATH YOUR OWN PROJECTIONS ♪

♪ OR CHANGE MY MOST AUTHENTIC LIFE ♪

♪ BOY COME ON PUT YOUR LIPSTICK ON ♪

♪ (NO ONE CAN TELL YOU NOTHING) ♪

♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪

♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪

♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪

♪ TURN ON YOUR LIGHT AND BE LIKE ♪

♪ “YES, AND?” ♪

♪ SAY THAT SHIT WITH YOUR CHEST AND ♪

♪ BE YOUR OWN FUCKIN BEST FRIEND ♪

♪ SAY THAT SHIT WITH YOUR CHEST ♪

♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪

♪ “YES, AND?” ♪

♪ MY TONGUE IS SACRED, I SPEAK UPON WHAT I LIKE ♪

♪ PROTECTED, SEXY, DISCERNING WITH MY TIME ♪

♪ YOUR ENERGY IS YOURS AND MINE IS MINE ♪

♪ WHAT’S MINE IS MINE ♪

♪ MY FACE IS SITTING I DON’T NEED NO DISGUISE ♪

♪ DON’T COMMENT ON MY BODY, DO NOT REPLY ♪

♪ YOUR BUSINESS IS YOURS AND MINE IS MINE ♪

♪ WHY DO YOU CARE SO MUCH WHOSE I RIDE ♪

♪ WHY? ♪

♪ “YES, AND?” ♪

♪ SAY THAT SHIT WITH YOUR CHEST AND ♪

♪ BE YOUR OWN FUCKIN BEST FRIEND ♪

♪ SAY THAT SHIT WITH YOUR CHEST ♪

♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪

♪ “YES, AND?” ♪

♪ SAY THAT SHIT WITH YOUR CHEST ♪

♪ AND BE YOUR OWN FUCKIN BEST FRIEND ♪

♪ SAY THAT SHIT WITH YOUR CHEST ♪

♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪

♪ “YES, AND?” ♪

[CHEERS AND APPLAUSE]

Vocabulario en esta canción:

Vocabulario Significados

tired

/ˈtaɪərd/

A2
  • adjective
  • - cansado

healing

/ˈhiːlɪŋ/

B1
  • verb
  • - curación

lipstick

/ˈlɪpstɪk/

A2
  • noun
  • - lápiz labial

fire

/ˈfaɪər/

A1
  • noun
  • - fuego

mind

/maɪnd/

A2
  • noun
  • - mente

dark

/dɑːrk/

A1
  • adjective
  • - oscuro

situation

/ˌsɪtʃuˈeɪʃən/

B1
  • noun
  • - situación

light

/laɪt/

A1
  • noun
  • - luz

chest

/tʃest/

A2
  • noun
  • - pecho

friend

/frend/

A1
  • noun
  • - amigo

moving

/ˈmuːvɪŋ/

A2
  • verb
  • - moviendo

done

/dʌn/

A2
  • adjective
  • - hecho

hide

/haɪd/

A2
  • verb
  • - esconder

life

/laɪf/

A1
  • noun
  • - vida

tongue

/tʌŋ/

A2
  • noun
  • - lengua

sacred

/ˈseɪkrɪd/

B2
  • adjective
  • - sagrado

sexy

/ˈseksi/

B1
  • adjective
  • - sexy

energy

/ˈenərdʒi/

B1
  • noun
  • - energía

face

/feɪs/

A1
  • noun
  • - cara

body

/ˈbɒdi/

A1
  • noun
  • - cuerpo

Gramática:

  • I THINK I LIKED HER BETTER WHEN HER PONYTAIL WAS A FEW CENTIMETERS HIGHER.

    ➔ Pretérito Indefinido vs. Pretérito Imperfecto con 'cuando' (para describir un estado versus una acción en progreso)

    ➔ La oración compara una preferencia pasada (“I liked her better”) – un estado, con una condición pasada específica indicada por "cuando" (“when her ponytail was a few centimeters higher”). La primera parte es la cláusula principal en pretérito indefinido, mientras que la cláusula 'cuando' establece el contexto (también en pretérito indefinido, para indicar una acción completada).

  • WHO CARES IF SHE'S HAPPY.

    ➔ Pregunta incrustada usando 'si' (indicando incertidumbre/una condición)

    ➔ Esta oración usa una pregunta incrustada que comienza con 'si'. 'Si' introduce una cláusula que expresa incertidumbre o una condición. No es una pregunta directa, sino una afirmación que contiene una pregunta como parte de ella. Aquí, destaca la indiferencia del hablante a si el sujeto es feliz.

  • I MISS THE OLD ARI, YOU KNOW, THE SINGER.

    ➔ Aposición (frase nominal que aclara a otro sustantivo).

    ➔ La frase "the singer" es una aposición porque aclara a qué 'old Ari' se refiere el hablante. Es una frase nominal que renombra o proporciona más información sobre el sustantivo anterior ('old Ari').

  • I HEAR SHE'S STARTING HER OWN ARTISANAL HUMMUS LINE NEXT

    ➔ Presente Continuo para arreglos futuros (planes o intenciones)

    "She's starting" es el presente continuo utilizado para indicar un plan futuro. Transmite que el sujeto tiene un plan definido para comenzar su propia línea de hummus artesanal.

  • IN CASE YOU HAVEN’T NOTICED, WELL, EVERYBODY’S TIRED.

    ➔ Pretérito Perfecto Simple (haven't noticed) para enfatizar la experiencia hasta ahora y el uso de 'everybody' como singular

    ➔ 'Haven't noticed' usa el Pretérito Perfecto para indicar que hasta este punto, el oyente puede no haber sido consciente de algo (el cansancio de todos). 'Everybody' se trata como singular en esta oración.

  • BOY COME ON PUT YOUR LIPSTICK ON, (NO ONE CAN TELL YOU NOTHING)

    ➔ Modo imperativo (put your lipstick on) y doble negación (no one can tell you nothing)

    "Put your lipstick on" es una orden usando el modo imperativo. "No one can tell you nothing" es un ejemplo de doble negación, que aunque técnicamente incorrecto en inglés estándar, se usa a menudo en el habla informal para enfatizar. En este contexto, significa 'no one can tell you anything'.

  • AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST TURN ON YOUR LIGHT AND BE LIKE

    ➔ Oraciones condicionales (implicación condicional cero o primera) combinadas con imperativo (Turn on your light and be like)

    ➔ Esta oración combina una cláusula condicional ('If you find yourself in a dark situation') con una cláusula imperativa ('Turn on your light and be like'). Sugiere una relación de causa y efecto: si surge una determinada situación, entonces realiza una acción específica. El 'be like' es una forma informal de decir 'act like'.

  • MY TONGUE IS SACRED, I SPEAK UPON WHAT I LIKE

    ➔ Cláusula relativa usando "what" como pronombre relativo fusionado (funciona como pronombre y como sustantivo al que modifica).

    ➔ La frase "what I like" funciona como una cláusula sustantiva, el objeto de la preposición "upon". Aquí, "what" fusiona la función de un pronombre relativo y un sustantivo, que significa 'las cosas que'.