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Look, if you had one shot or one opportunity 00:34

To seize everything you ever wanted in one moment 00:43

Would you capture it or just let it slip? 00:49

Yo 00:52

His palms are sweaty, knees weak, arms are heavy 00:53

There's vomit on his sweater already, mom's spaghetti 00:56

He's nervous, but on the surface, he looks calm and ready 00:59

To drop bombs, but he keeps on forgetting 01:02

What he wrote down, the whole crowd goes so loud 01:04

He opens his mouth, but the words won't come out 01:07

He's chokin', how? Everybody's jokin' now 01:10

The clock's run out, time's up, over, blaow 01:13

Snap back to reality, ope, there goes gravity 01:16

Ope, there goes Rabbit, he choked, he's so mad 01:19

But he won't give up that easy, no, he won't have it 01:21

He knows his whole back's to these ropes, it don't matter 01:24

He's dope, he knows that, but he's broke, he's so stagnant 01:27

He knows when he goes back to this mobile home, that's when it's 01:30

Back to the lab again, yo, this old rhapsody 01:33

Better go capture this moment and hope it don't pass him 01:36

You better lose yourself in the music 01:38

The moment, you own it, you better never let it go (go) 01:40

You only get one shot, do not miss your chance to blow 01:43

This opportunity comes once in a lifetime- 01:47

You better lose yourself in the music 01:49

The moment, you own it, you better never let it go (go) 01:52

You only get one shot, do not miss your chance to blow 01:55

This opportunity comes once in a lifetime- 01:58

You better- 02:00

His soul's escaping through this hole that is gaping 02:01

This world is mine for the taking, make me king 02:04

As we move toward a new world order 02:07

A normal life is boring, but superstardom's 02:10

Close to post-mortem, it only grows harder 02:12

Homie grows hotter, he blows, it's all over 02:15

These hoes is all on him, coast-to-coast shows 02:18

He's known as the Globetrotter, lonely roads 02:20

God only knows he's grown farther from home, he's no father 02:23

He goes home and barely knows his own daughter 02:26

But hold your nose 'cause here goes the cold water 02:29

These hoes don't want him no mo', he's cold product 02:32

They moved on to the next schmoe who flows 02:35

He nose-dove and sold nada, and so the soap opera 02:37

Is told, it unfolds, I suppose it's old, partner 02:40

But the beat goes on, da-da-dom, da-dom- 02:43

You better lose yourself in the music 02:45

The moment, you own it, you better never let it go (go) 02:48

You only get one shot, do not miss your chance to blow 02:51

This opportunity comes once in a lifetime- 02:54

You better lose yourself in the music 02:57

The moment, you own it, you better never let it go (go) 02:59

You only get one shot, do not miss your chance to blow 03:02

This opportunity comes once in a lifetime- 03:05

You better- 03:08

No more games, I'ma change what you call rage 03:08

Tear this motherfuckin' roof off like two dogs caged 03:11

I was playin' in the beginning, the mood all changed 03:14

I've been chewed up and spit out and booed off stage 03:16

But I kept rhymin' and stepped right in the next cypher 03:19

Best believe somebody's payin' the Pied Piper 03:22

All the pain inside amplified by the 03:25

Fact that I can't get by with my nine-to- 03:28

Five and I can't provide the right type of life for my family 03:31

'Cause, man, these goddamn food stamps don't buy diapers 03:34

And there's no movie, there's no Mekhi Phifer, this is my life 03:38

And these times are so hard, and it's gettin' even harder 03:41

Tryna feed and water my seed, plus teeter-totter 03:44

Caught up between bein' a father and a prima donna 03:47

Baby-mama drama, screamin' on her, too much for me to wanna 03:50

Stay in one spot, another day of monotony's gotten me 03:53

To the point I'm like a snail, I've got 03:56

To formulate a plot or end up in jail or shot 03:58

Success is my only motherfuckin' option, failure's not 04:01

Mom, I love you, but this trailer's got to go 04:05

I cannot grow old in Salem's Lot 04:07

So here I go, it's my shot 04:09

Feet, fail me not 04:11

This may be the only opportunity that I got 04:12

You better lose yourself in the music 04:15

The moment, you own it, you better never let it go (go) 04:17

You only get one shot, do not miss your chance to blow 04:20

This opportunity comes once in a lifetime- 04:23

You better lose yourself in the music 04:26

The moment, you own it, you better never let it go (go) 04:28

You only get one shot, do not miss your chance to blow 04:31

This opportunity comes once in a lifetime- 04:35

You better- 04:37

You can do anything you set your mind to, man 04:40

04:42

Lose Yourself

歌手

Eminem

アルバム

8 Mile

再生回数

288,945,394

この曲を学ぶ

歌詞:

[English]

Look, if you had one shot or one opportunity

To seize everything you ever wanted in one moment

Would you capture it or just let it slip?

His palms are sweaty, knees weak, arms are heavy

There's vomit on his sweater already, mom's spaghetti

He's nervous, but on the surface, he looks calm and ready

To drop bombs, but he keeps on forgetting

What he wrote down, the whole crowd goes so loud

He opens his mouth, but the words won't come out

He's chokin', how? Everybody's jokin' now

The clock's run out, time's up, over, blaow

Snap back to reality, ope, there goes gravity

Ope, there goes Rabbit, he choked, he's so mad

But he won't give up that easy, no, he won't have it

He knows his whole back's to these ropes, it don't matter

He's dope, he knows that, but he's broke, he's so stagnant

He knows when he goes back to this mobile home, that's when it's

Back to the lab again, yo, this old rhapsody

Better go capture this moment and hope it don't pass him

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better-

His soul's escaping through this hole that is gaping

This world is mine for the taking, make me king

As we move toward a new world order

A normal life is boring, but superstardom's

Close to post-mortem, it only grows harder

Homie grows hotter, he blows, it's all over

These hoes is all on him, coast-to-coast shows

He's known as the Globetrotter, lonely roads

God only knows he's grown farther from home, he's no father

He goes home and barely knows his own daughter

But hold your nose 'cause here goes the cold water

These hoes don't want him no mo', he's cold product

They moved on to the next schmoe who flows

He nose-dove and sold nada, and so the soap opera

Is told, it unfolds, I suppose it's old, partner

But the beat goes on, da-da-dom, da-dom-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better-

No more games, I'ma change what you call rage

Tear this motherfuckin' roof off like two dogs caged

I was playin' in the beginning, the mood all changed

I've been chewed up and spit out and booed off stage

But I kept rhymin' and stepped right in the next cypher

Best believe somebody's payin' the Pied Piper

All the pain inside amplified by the

Fact that I can't get by with my nine-to-

Five and I can't provide the right type of life for my family

'Cause, man, these goddamn food stamps don't buy diapers

And there's no movie, there's no Mekhi Phifer, this is my life

And these times are so hard, and it's gettin' even harder

Tryna feed and water my seed, plus teeter-totter

Caught up between bein' a father and a prima donna

Baby-mama drama, screamin' on her, too much for me to wanna

Stay in one spot, another day of monotony's gotten me

To the point I'm like a snail, I've got

To formulate a plot or end up in jail or shot

Success is my only motherfuckin' option, failure's not

Mom, I love you, but this trailer's got to go

I cannot grow old in Salem's Lot

So here I go, it's my shot

Feet, fail me not

This may be the only opportunity that I got

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better-

You can do anything you set your mind to, man

...

この曲の語彙:

練習を始める

語彙	意味
shot /ʃɒt/ A2	noun - 何かをしたり達成したりしようとする試み。 verb - 銃から弾丸を発射する
capture /ˈkæptʃər/ B2	verb - 武力で所有または管理すること。
slip /slɪp/ B1	verb - 短い距離を意図せずにスライドする。 noun - うっかり滑る行為
heavy /ˈhevi/ A2	adjective - 重量が大きい。持ち上げたり移動したりするのが難しい。
nervous /ˈnɜːrvəs/ B1	adjective - 興奮しやすい、または警戒しやすい。
calm /kɑːm/ A2	adjective - 緊張、怒り、またはその他の感情を示したり感じたりしない。
drop /drɒp/ A2	verb - (何か)落ちたり、だらしなくぶら下がったりするように許可または許可します。
crowd /kraʊd/ A2	noun - 公共の場所に集まった大勢の人々。
choke /tʃoʊk/ B2	verb - 何かが喉や気管を塞いでいるため、呼吸が非常に困難です。
gravity /ˈɡrævəti/ B2	noun - 物体を地球の中心に引き寄せる力、または質量を持つ他の物理的な物体に引き寄せる力。
mad /mæd/ A2	adjective - 怒っている; 激怒している。
dop /doʊp/ B2	adjective - （スラング）とても良い; 素晴らしい
stagnant /ˈstæɡnənt/ C1	adjective - （水域または大気の場合）流れたり移動したりしない。
rhapsody /ˈræpsədi/ C1	noun - 感情を熱狂的に熱狂的に表現すること。
soul /soʊl/ B1	noun - 不死と見なされる人間または動物の精神的または非物質的な部分。
gape /ɡeɪp/ B2	verb - 通常、驚きや驚異で、口を開けて見つめること。
bore /bɔːr/ B1	adjective - 興味の欠如によって疲れて落ち着きがなくなる原因となります。
rage /reɪdʒ/ C1	noun - 暴力的で制御不能な怒り。
rhyme /raɪm/ B1	verb - （単語、音節、または行の）別の音に対応する音を持つか、または別の音で終わります。
fail /feɪl/ A2	verb - 自分の目標を達成するために成功しない。

語彙

意味

shot

/ʃɒt/

noun
- 何かをしたり達成したりしようとする試み。

verb
- 銃から弾丸を発射する

capture

/ˈkæptʃər/

verb
- 武力で所有または管理すること。

slip

/slɪp/

verb
- 短い距離を意図せずにスライドする。

noun
- うっかり滑る行為

heavy

/ˈhevi/

adjective
- 重量が大きい。持ち上げたり移動したりするのが難しい。

nervous

/ˈnɜːrvəs/

adjective
- 興奮しやすい、または警戒しやすい。

calm

/kɑːm/

adjective
- 緊張、怒り、またはその他の感情を示したり感じたりしない。

drop

/drɒp/

verb
- (何か)落ちたり、だらしなくぶら下がったりするように許可または許可します。

crowd

/kraʊd/

noun
- 公共の場所に集まった大勢の人々。

choke

/tʃoʊk/

verb
- 何かが喉や気管を塞いでいるため、呼吸が非常に困難です。

gravity

/ˈɡrævəti/

noun
- 物体を地球の中心に引き寄せる力、または質量を持つ他の物理的な物体に引き寄せる力。

mad

/mæd/

adjective
- 怒っている; 激怒している。

dop

/doʊp/

adjective
- （スラング）とても良い; 素晴らしい

stagnant

/ˈstæɡnənt/

adjective
- （水域または大気の場合）流れたり移動したりしない。

rhapsody

/ˈræpsədi/

noun
- 感情を熱狂的に熱狂的に表現すること。

soul

/soʊl/

noun
- 不死と見なされる人間または動物の精神的または非物質的な部分。

gape

/ɡeɪp/

verb
- 通常、驚きや驚異で、口を開けて見つめること。

bore

/bɔːr/

adjective
- 興味の欠如によって疲れて落ち着きがなくなる原因となります。

rage

/reɪdʒ/

noun
- 暴力的で制御不能な怒り。

rhyme

/raɪm/

verb
- （単語、音節、または行の）別の音に対応する音を持つか、または別の音で終わります。

fail

/feɪl/

verb
- 自分の目標を達成するために成功しない。

文法:

If you had one shot or one opportunity To seize everything you ever wanted in one moment

➔ 仮定法過去

➔ **仮定法過去** (If + 過去形, would + 動詞の原形) は、現在または未来の非現実的またはありそうもない状況について話すために使用されます。ここでは仮説です。彼は実際に一度のチャンスを*持っている*わけではありません。
Would you capture it or just let it slip?

➔ 'Would' を使った条件付き質問

➔ この行は、仮説的な行動についての質問を形成するために「would」を使用しています。「Would you capture it」は、想像上のシナリオで何が*起こる*かを表現しています。「let it slip」の動詞「let」は、何かが失われるか無駄になるのを許すことを意味します。
He's nervous, but on the surface, he looks calm and ready To drop bombs, but he keeps on forgetting What he wrote down

➔ 対照的な接続詞 (but)、習慣的な行動を強調する現在進行形 (keeps on forgetting)

➔ 「But」は、彼の内なる神経質さと外見とのコントラストを示しています。「He keeps on forgetting」は、現在進行形を使用して、彼の忘れっぽさの繰り返しの性質を強調し、それをよりイライラさせます。「Keep on + verb+ing」は、持続性を示すイディオムです。
Snap back to reality, ope, there goes gravity Ope, there goes Rabbit, he choked, he's so mad

➔ 命令形 (Snap back)、現在形 ('there goes' - 強調と即時性を表すために使用)

➔ 「Snap back to reality」は命令形であり、直接的なコマンドです。「There goes gravity」と「There goes Rabbit」は、現在形を通常とは異なる方法で使用しています。通常、「there goes」は何かが離れていくことを示しますが、ここでは状況の急速な制御不能を意味します。それを使用すると、シーンにインパクトと即時性が追加されます。
He knows his whole back's to these ropes, it don't matter He's dope, he knows that, but he's broke, he's so stagnant

➔ くだけた短縮形 ('back's', 'don't')、対照的な接続詞 ('but')

➔ この行では、くだけた短縮形である「back's」（back is）や「don't」（does not）を使用して、会話調のストリートレベルのスタイルを反映しています。「But」は再び、彼の才能（「dope」）と彼の現在の状況（「broke」、「stagnant」）のコントラストを生み出します。
You better lose yourself in the music The moment, you own it, you better never let it go (go)

➔ 'Better' (had better) + 動詞の原形 (lose)、命令法。

➔ 「You better lose yourself」は、強い推奨または警告です。「Had better」は、口語では「better」に短縮されることがよくあります。それは緊急性を表現します。命令法は指示を与えます。
No more games, I'ma change what you call rage Tear this motherfuckin' roof off like two dogs caged

➔ くだけた短縮形 ('I'ma')、名詞節 ('what you call rage')、直喩 ('like two dogs caged')

➔ 「I'ma」は、「I am going to」の非常にくだけた短縮形です。「What you call rage」は、動詞「change」の目的語として機能する名詞節です。「Like two dogs caged」は直喩で、彼の激しい怒りを閉じ込められた動物の怒りに例えています。
Best believe somebody's payin' the Pied Piper All the pain inside amplified by the Fact that I can't get by with my nine-to-Five and I can't provide the right type of life for my family

➔ 省略 ('best believe' - 本来は 'you best believe' とすべき)、受動態 ('amplified by')、関係節 ('that I can't get by...')

➔ 「Best believe」は、簡潔さとインパクトのために単語が省略されている省略の例です。「amplified by the fact」の受動態は、行為者ではなく、作用を受けている痛みを強調するために使用されます。「That I can't get by...」は、単語「fact」を修飾する関係節です。